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Chronicling the first 10 years of Sloow Tapes, Mellow My Mind gives an overview of all the tapes, broadsides, lp’s and booklets published so far. From Keijo’s desolate avant/acid folk moves to Fursaxa’s spiked organ drones with a short detour by way of Ira Cohen’s Akashic Records. Fully annotated with detailed information about the tapes, promo texts, reviews and a few texts written especially for this publication by Bart De Paepe, Matthew Parry and Louise Landes Levi.
Transistor formed in 2009 when Franck Vigroux was performing in NYC where Ben Miller led several projects. Vigroux was in a creative transition suggesting a stripped down electro-industrial sound with the latter as lead singer. Miller had sung in many bands before but never solely as a lead singer. The new challenge was intriguing. Shows were set up with Vigroux’s sub-bass and extreme frequencies blowing more than one PA system. They struck up an overseas collaboration releasing a self-titled EP…
Double bass, bass guitar, analogue synthesizer, vibraphone, piano, percussion, field recordings.It’s the Australian composer’s 6th solo album since his debut, Ink On Paper (2008) and possibly the strongest demonstration of his innovative extended technique, deployed in two subtly contrasting yet equally hypnotic sides. Using rapid bowing technique to paradoxically generate ostensibly static, sine wave-like tones, coupled with analogue synth, vibes, piano, percussion and field recordings, Majkows…
Bremen return with Eclipsed, a double LP of glacial electronics, strung-out drone-punk, and smoldering space-rock minimalism. Following the release of their self-titled debut on Skrammel in 2013, the Swedish duo of Jonas Tiljander (Brainbombs) and Lanchy Orre (Brainbombs, Totalitär) joined the Blackest Ever Black fold in 2014 with Second Launch (BLACKEST 033LP). If the mood of that record was brooding and stygian, its monochord intensity unfaltering, then Eclipsed, this equally sprawling set, co…
*2017 repress* Terrific record! Eight charged, intimate meditations by Julie Normal and Olivier Demeaux, playing a rickety ondes Martenot and an old church harmonium. Gripping, detailed, stately improvisation -- a bit like the ùrlars in classical bagpipe music -- which nervily mixes the sternly doom-laden with precarious, other-worldly wonderment. (The ondes Martenot is an amazing twentieth-century instrument -- beloved by Messiaen, for example, and Varese. The theme-song of Star Trek is a voca…
Three years after their Rock-Opera Odyssea, “an incredibly cinematic and charged post-rock experience” (The CD Critic) and “a success from start to finish” (A Closer Listen), indignu [lat.] is back with a new album. Ophelia, the latest sonic journey was privately released by the band in late October 2016 on vinyl. Indignu [lat.], recently referred to as “the apotheosis of Portuguese post-rock” (Post-Rock Essentials) has been roaming their country for 10 years now, but also venturing outside Lu…
Parallel universes mangle and mash into a superheated cloud of galactic debris and non-recyclable plastic. After a slew of genre-confounding 7" releases, Our Love Will Destroy The World unravels his own history of nearly everything in this, the mere third full length offering under his world destroying moniker. Smearing the already dotty line between twinkle-toed rave music and excoriating drone cacophony, I Hate Even Numbers weighs in like a three-legged gargantuan in a one-man morris dance. Bl…
BACK IN PRINT! Soul Jazz Records are re-releasing their seminal retrospective on Arthur Russell.Since the initial groundbreaking release of ‘The World of Arthur Russell’ five years ago, Russell has become the subject of intense media interest. With the recent release of a film about his life (‘A Portrait of Arthur Russell’), as well as a new album of unreleased recordings, (‘Love Is Overtaking Me’), Arthur Russell’s stature as a great artist has grown to is current height. (“One of the great son…
LP version. "1979's 154 represented the final tableau in Wire's Harvest
released '70s triptych and was the first Wire album to be released to a
universal set of five star reviews from the British rock weeklies, thus
it represented the point when the British 'pop culture establishment'
publicly recognized Wire's primacy. '154 makes 95 percent of the competition look feeble' wrote Nick Kent in the NME, 'Wire are achieving a lot of things other--and more recognized--names have been striving fo…
Presented as an 80-page hardback book -- the size of a 7-inch, but obviously much thicker. If Pink Flag proposed an almost cut and paste approach to deconstructing rock history, the Wire's Chairs Missing proposed something more radical, a definite futurism with much less influence from its antecedents. Chairs Missingwas at once more stark and more lush than its predecessor and has exerted its own influence on the course of cultural history, having laid down one of the earliest (if not the earlie…
Nikolaienko's upcoming full length is a playful and intriguing archive of sounds influenced by the works of electronic music pioneers and experimenters. The album acts as a tribute to early-electronics' golden era, playing out as a requiem, pondering the theme of nostalgia through warm analogue, space-aged sounds. For the artist, it’s an odd and ironically funny sound document, which he hopes declares some other way that electronic music can be today.
"Rel012 is the recorded debut of the trio Nmperign with Jake Meginsky. Pressed on 160 gram copper plate mastered vinyl, Rel012 features Nmperign in an energized, turn-on-a-dime form. Prodded by Meginsky into unnamable, angular textures, the trio is agile and unpredictable, occupying many angles of musical extremes. Rel012 is a one-sided LP cut to 45 for Maximum Dynamic range. Featuring a striking cover, designed by Eli Keszler, printed by Ashley Paul. A light blue fold-over paper is integrated …
Dave Henson has been producing electronic music on the fringes of any discernible scene since the late 90s, operating outside of the boundaries of good taste and slowly formulating his own very particular sound. Since 2010 he’s been recording as Nochexxx, and firing the influence of vintage electro and early bleep techno through an arsenal of barely-working gear to result on a sound that’s a grubby as Wolf Eyes but with the unmistakable slap of late ‘80s Detroit. Plot Defender is Henson’s third …
Primordial moves and stone cold drones from this New York duo of Taketo Shimada and Tres Warren (Sacred Bones Records). Save for a small long-gone edition of CD-Rs, Mirage is the third full-length release by Messages, recorded in 2008 before their first two albums and has remained unreleased until now. This record documents the duo's earliest long-form drone explorations and intonations, most of which were recorded during long sessions in Tres' basement bunker in the East Village. Mixing orbits …
LP version on 180 gram vinyl. Tombeaux, the much-anticipated new album from Paul Metzger, marks our alchemist's third appearance on Nero's Neptune, following critically-acclaimed contributions to labels like Locust and Honest Jon's. Metzger summons the spirits of musical Appalachian forefathers, guitarist Django Reinhardt and classical sitarist Nikhil Banerjee, among others, weaving a peerless, highly individualistic music that sounds unlike anyone but himself. Metzger's playing doesn't imitate …
(ÉCHOS) is not a documentation about a festival, it is not a compilation or a remix album. And yet some of these things and more are infusing through the 15 tracks of the record. But mostly, (ÉCHOS) is the interpretation of a place and moment in sounds, an essay in alpine electroacoustics. It includes contributions by Bear Bones, Lay Low, Jean Bender, Pôm Bouvier B Joaquim Brissaud, Clara De Asís & Laura Vazquez, Golem Mécanique, Homnimal, Piotr Kurek, Stephen O'Malley, Léo Maurel & Julien Desai…
Limited edition of 200 copies on black vinyl. "I visited Egypt for the first time in October 2016, spending a week there, and I went back for a longer period the next February. Both times I stayed at Sara and Alberto’s place, a couple of friends who have been living in the Maadi district of Cairo for about a year. The first impact with the city and its inhabitants was definitely strong: I had trouble in defining the energy which pervades the streets 24 hours a day and the feeling of perpetual mo…
Doxy present Ennio Morricone's complete soundtrack for the 1961 film Il Federale (The Fascist) on vinyl for the first time. This soundtrack written by a young Morricone for Luciano Salce's Il Federale starring Ugo Tognazzi, is a music jewel containing many elements so typical of his later style that he has developed and matured during his incredible career; this score is important from a historical point of view since it represents Morricone's absolute first film scoring assignment. First time c…
Doxy present Piero Piccioni's complete soundtrack for the 1963 film Il Terrorista on vinyl for the first time. Directed in 1963 by Gianfranco De Bosio and starring Gian Maria Volontè, Anouk Aimée, Tino Carraro, Philippe Leroy, the great Piero Piccioni created "easy listening" music such as foxtrots, band music, waltzes as opposed to serious music for large orchestras that dramatically describes all the historical and political aspect of the story. Complete version for the first time on vinyl. Ed…
"Il grande gioco", the only LP released by the Rome-based band Albero Motore in 1974, already issued by AMS Records on CD papersleeve format, is now also reissued on vinyl with a cover that faithfully reproduces the original one, including the inner LP envelope with photos, credits and lyrics. The group's brief career lasted about three years, from 1972 to the breakup that occurred shortly after the release of the 7-inch "Messico Lontano / Mandrake". "Il grande gioco" was published in the same y…