We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
You've been carrying this suicide for the twentieth year and for the twentieth year in a row you still don't know what to do about this suicide you've been nestling in yourself for twenty years - and, after twenty years now, you still don't know what to do about the suicide you've been carrying for forty years. You go to the kitchen, you make coffee, you forget where you are, your thoughts concentrate only on the defeat you've been living with for sixty years, that after sixty years you still ha…
Hans Koch: Bassclarinet, Soprano Sax. Thomas Peter: Amplified Objects, Live Electronics. Recorded March 2014 in Biel / Bienne, Switzerland. “Music by bass clarinet and soprano saxophone player Hans Koch has been reviewed before and I particularly enjoyed his solo release Erfolg (see Vital Weekly 964). For Thomas Peter it has been a long time ago since I reviewed Medir (Vital Weekly 682). That one was entirely made with digital means, but on the disc he recorded with Koch he plays 'amplified obje…
Edition of 500, initial copies on super limited red vinyl and cut at D&M. Art and design by Radek Drutis - the man behind those ace Madlib sleeves** In 2010 Brad Rose (Digitalis / Charlatan / The North Sea / Ossining) and his wife Eden Hemming Rose (Foxy Digitalis / Mass Ornament) indulged their pop instincts to beautiful effect on Mechanical Gardens. For anyone familiar with the duo's work it was a radical departure from their experimental devotions and duly picked up a healthy amount of accola…
Related to Paradise Square (Never Thought I'd See the Day, SOMM 020LP), Cair Paravel was the second project of singer/songwriter Pete Ryder, a key player on two of the most rare and sought-after private folk albums from the UK. This time, the band recorded at a real studio and the result was Some Other Morning, released in 1976 on the Koala label as a tiny edition of 250 copies. Hans Pokora rated this album at four stars, and it's easy to hear why: gorgeous, atmospheric folk with ethereal male-f…
LP version. Includes download card. Pharaway Sounds present the first ever reissue of Cuasares' Afro-Progresivo, originally released in 1973. A wild, esoteric mix of psychedelic funk, Afro-Latin grooves, jazz, and Italian/French-styled library sounds courtesy of Cuasares, an enigmatic studio project created by pianist/arranger/visionary Waldo Belloso. Acid fuzz guitar, cosmic synth splashes, distorted organ, flute, vibraphone, and trippy studio effects. Originally released in Argentine in 1973 …
Die Scahchtel is very happy to present the long-awaited return of 3/4HadBeenEliminated. The group (guitarist/double bassist Stefano Pilia, turntablist/sound assembler Claudio Rocchetti, tape manipulator/vocalist/guitarist Valerio Tricoli) has created a work wich is at the same time new and refreshing and yet completely consistent with their vision: a deep interaction between human, environment, traditional instruments and live electronics that creates a floating atmosphere filled with a natural …
Released in 1967 on Reprise Records as a follow up to Part One, Vol. 2 takes the band into more ambitious territory. Reaching out to more psychedelic territory than the debut LP, Vol. 2 maintains their unique pop sound mixed with ominous fuzz guitar, jumping from graceful folk-rock to wailing guitar freak-outs, to multilayered avant-garde compositions at a moment's notice. First time reissued in mono, from the original master tapes.
This LP captures the transcontinental collaboration between artists Mattin and Richard Francis with sounds recorded in Stockholm, Berlin and Auckland, NZ. The mixdown portrays the current state of affairs in improvised noise noise: filtered gritty sound blocks flow and float with no seeming direction when sudden breaks puncture the structure and create something like a melody. Well, almost. The music is accompanied by a text insert that documents a skype conversation between the two artists dis…
Gates And Variations rounds out a loose trilogy of records by Jake Meginsky for Open Mouth. Not an intended trilogy on Jakes part but it has become one to my mind. It has come to be how I listen to them and experience them, all informing each other, echoing and challenging each other and growing into each other's space and light like a garden of plants that would never actually coexist anywhere in reality. Jake is always tirelessly reaching for something new yet I'd avoid using the word progres…
Moremars is very proud to announce a second release with American composer Philip Corner. Philip Corner, born in 1933, is one of key figures of Fluxus movement, resident composer and musician with the Judson Dance Theatre and the Experimental Intermedia Foundation, co-founder of the Tone Roads Chamber Ensemble and Gamelan Son of Lion. He has created multifarious works in a variety of contexts throughout his life. He has experiment with radical avant-garde expressions, sonorous outdoor performanc…
Lionel Marchetti (1967) is a notable French electroacoustic improviser and musique concrète composer, visual-sound artist, a writer and a poet. Self-taught at first, he later studied musique concrète with Xavier Garcia. Lionel Marchetti is a pioneer improviser, using various electronic instruments, analog systems with modified speakers, REVOX reel-to-reel recorder etc. He has collaborated with musicians like Jérôme Noetinger, Xavier Garcia, Xavier Charles, Seijiro Murayama, Emmanuel Holterbach, …
Yemenite-Jazz legend Tsvia Abarbanel, celebrated on this much anticipated 12" by Fortuna Records. Including two previously unreleased tracks! Throbbing spiritual jazz touched by ancient Yemenite tradition, these 1970 recordings are amongst the rarest of the rare. Until now! Privately pressed by Tsvia in 1970, this was the first ever attempt at combining traditional Yemenite compositions with Funk and Jazz.
A cosmic, phased-out percussion adventure by Shimshon Miel, a lone-wolf hippie from Tel-Aviv who experimented with hallucinogenic psych-folk, and self-released his only album in 1977. Fortuna Records reissues two of the album's killer cuts for the very first time, alongside a late-night club edit by Kalbata. Expect extra trippy percussion soundscapes layered on top of a thumping bass guitar in wild 70's style stereo action. Kalbata's remix is a straight up voodoo ritual, adding much needed 808 s…
When punk first broke in the UK in 1976, music journalist John Ingham was on hand to document the very heart of the scene. Struck by the music, fashion and sheer iconoclasm of a little-known outfit called the Sex Pistols, Ingham conducted the first interview with the band, partied with its members and even bailed Sid Vicious out of jail; he also witnessed and documented the group’s evolution at legendary gigs shared with other pioneering punk bands in their earliest days, including the Damned, t…
Artist Peter Coffin began his work with the iconic designs of LA’s Colby Poster Printing Company in 2008. Over the years, he solicited friends to contribute their dream concerts—invented lineups for impossible gigs—and combined them with the print shop’s famously eye-popping poster backgrounds, resulting in Imaginary Concerts: a stirring, two-volume celebration of music’s vast conceptual universe. Featuring 160 concert lineups from a roster of artists, authors and daydreamers including Yoko Ono,…
Paul Major has lived resolutely at the edge of outsider music culture for nearly a half-century. As an early private press and “real people” record collector turned eminent, underground rock ‘n’ roller, his influence is felt if not heard all around us—until now. Feel the Music traces Paul’s trajectory from his formative days in the Midwest, his years in the late ’70s New York punk scene, and into his curious career as a connoisseur and campaigner of the weirdest records of all time. Brought to l…
LP version. “Alan Vega is literally a legend. Suicide, formed by the duo Rev and Vega is the spearhead of a punk trend which immersed all of a sudden in a fusion of waves and electronic loops. Since that period Vega became an icon for rock music and electronic generations... Vega’s flow, and the scansion of this white hot crooner sound fractured and charismatic. Everything is Rock, his leather jackets, his art and soul highly charged.So aesthetic, a rockabilly singing in a breathless style, wear…
If a music critic could design their own super group, it might look something like the one that released the experimental, unique, and pulse-quickening 1996 album Cubist Blues. The trio–Suicide’s Alan Vega, Big Star’s Alex Chilton, and singer-songwriter Ben Vaughn–are outsiders each and cult heroes in their own right. Their unlikely union happened in December 1994 in a fog of cigarette smoke at two barely-lit, all-night improv sessions at Dessau Studios in New York. After that fateful session, t…
Double CD Edition. Jazzman Record's latest examination of esoteric, modal, and progressive
jazz of the 20th century has taken them to Japan. The liberating force
of jazz has been created and felt all around the world, but few nations
on earth embraced the jazz message with the passion and intensity of
Japan. From the dawn of the jazz age to the present day, Japanese
audiences have been renowned tastemakers, enthusiasts, and champions of
the music -- in the 1980s, Japan was the biggest per …