New Arrivals
Visiones De La Catástrofe Documentos Del Noise Industrial En El
In the mid ’80s a hardcore punk movement burst in Lima under the Movida de Rock Subterráneo moniker, meaning Underground Rock Movement. By the end of said decade the movement had diversified its musical options toward post punk, fusion, techno and noise. The political and social ecosystem in which that movement had developed was determined by a deep economical crises and a violent environment which had sunk the country into an insecure and chaotic condition as terrorist groups and the mil…
Moon Synch
LP version. Includes download code. MimiCof's latest album, Moon Synch, is an experimental sonic link between human and celestial bodies, mind and machine, gravitational ripples and rotations. Moon Synch is the result of an intricate search for converging frequencies, a wordless account of well-modulated speeds and interlocking spheres. Kyoto-born, Berlin-based MimiCof, who's also been releasing music under her actual name Midori Hirano since 2006, quite literally breaks new ground and ventu…
Dominions
2016 release. Dominions is the second full-length release from Canadian electroacoustic composer Sarah Davachi, following 2015’s Barons Court. A slightly more demure approach is at work here, shifting from the brooding textures of her previous work to softer tones and more delicate movements in structure, as in side openers ‘feeler’ and ‘ordinal’. Recorded primarily at her home base in Vancouver, Davachi returns with her typical assembly of electronic equipment, mostly consisting of vintage synt…
Departed Glories
It’s easy to forget that Norway shares a short stretch of frontier with Russia, right at the northernmost tip of the country. That region is where Geir Jenssen, the Norwegian electronic producer behind Biosphere, comes from, and where he has been composing his austere, disturbing and deeply textured ambience since the early 1980s. Biosphere has released many albums to date including 'Substrata,' voted the greatest ambient album of all time on the Hyperreal website, and has collaborated with Arne…
All This I Do For Glory
“All This I Do For Glory” is a reasoning and exploration of the machinations of ambition and legacy, an examination of the concepts of afterlife, and the first half of a doomed love story in the model of the greek tragedies. As a narrative, it exists temporally somewhere between 2015’s “Never were the way she was” (with Sarah Neufeld) and the first volume of the NHW Trilogy. With this, his first solo outing since 2013’s “To See More Light”, Colin Stetson ventures into territory both famil…
When We Parted My Heart Wanted To Die
The first part of Leyland Kirby, aka The Caretaker's, 'Sadly, The Future Is No Longer What It Was' series, originally released back in 2009 and now finally reissued. It's a prescient hauntological elegy somewhere between Vangelis’ Bladerunner OST, Lynch & Badalamenti’s Twin Peaks score, Erik Satie’s solo Piano works, William Basinski’s gradual tape decompositions and James Ferraro’s washed out visions, like a slowly abstracted Berlin/Manchester night-scape. Tbh it seems to have even more …
The Awakening Dream
LP version. Bureau B present a reissue of Jurriaan Andriessen's The Awakening Dream, originally released in 1977. Jurriaan Andriessen (1925-1996) was a Dutch composer. Although he was actually at home in classical music, he recorded three synthesizer albums in the late 1970s, the first of which, The Awakening Dream, is an outstanding excursion into experimental ambient and minimal music. Andriessen himself, 52 years of age at the time, called it a "trance symphony". The music - perhaps su…
Music from Saharan Cellphones
2017 repress, originally released in 2012. "A compilation of the most popular music circulating the Sahara desert on the unofficial network of cellphones -- where mp3s are stored, played, and traded in very literal peer to peer bluetooth transfers. The contemporary West African sound from the new school of DIY production with little or no commercial release outside of their locales, from spaced out Tuareg autotune, Ivorian club jams, Mauritanian synth, and Malian hip hop electro. Collected from …
Music from Saharan Cellphones Vol.2
2017 repress. "Contemporary pop music from the Sahara desert, where songs are stored on cellphones. Collected in Northern Mali in 2010 (since taken over by extremists who've banned music on cellphones) the second volume expands into new sonic territory - from dreamy Niger guitar ballads, Bamako club juke, and hi energy Moroccan child Raï - with a focus on the Autotuned DIY creations circulating the desert." Includes insert with liner notes.
Biotische Verwitterung
A disquieting record to accompany the nightmare of now. Baldruin documents this darkness, finding some hope in the helplessness. Buried within these grooves, lies a dizzying array of crepuscular sonics. Barely alive, it drips with dread. Rachitic loops return to us, like traumas. A sticky submission. My goodness, these earworms are infectious.
Reassemblage
We just knew last year's debut Visible Cloaks offering for RVNG, the Miyako Koda-featuring Visible Cloaks single Valve, would be the prelude to something greater from Ryan Carlile and Spencer Doran. Reassemblage marks the Portland pair's second album and further expands upon the Visible Cloaks 'verse, calling on Motion Graphics and Root Strata alum Matt Carlson for assistance.
Inspiration for the album stems from a video essay of the same name by Trin T Minha-ha, which explored the impossibi…
Favole Per Ogni Eta
Cd Edition now in stock. Oronzo De Filippi (aka Rino De Filippi, Awake, Rigesti), component of Braen’s Machine, is one of the most enigmatic figures of the library music scene. Although it is reductive and simplistic to frame him in an exclusive genre within an already varied landscape. The master’s versatility, moves through the mesh of psychedelia, avant-garde, jingle, lullabies and more orthodox library music. Making use of disparate instruments in a symbiosis between popular culture that lea…
Grey Mornings
Two years after the release of the critically acclaimed, Pondfire, Paul Beauchamp returns with his second solo album, Grey Mornings. Once again tapping into geographical influence for inspiration, the nine tracks of ambient drones reflect the feelings and emotions experienced during the early hours of grey, foggy mornings in both the Piedmont region of Beauchamp’s birthplace in North Carolina and the Piemonte region of Northern Italy where he now resides. Beauchamp continues his research into ex…
One Single Sound
Bored of working for years on microsounds, crick & crocks, drones and field recordings, Matteo Uggeri launches a new project based on field recordings, drones, crick and crocks, microsounds and ignorant beats. Each of these four tracks is then built using only 1 drone, 1 field recording, 1 sampled drumbeat. Then a lot of effects. Inspired by the letters of Charles Robert Darwin to William Darwin Fox. "I am at work on the second vol. of the Cirripedia, of which creatures I am wonderfully tired: I…
Cathedrals
All songs written & produced by Bi Nostalgia. Recorded & Mixed at the Room, August 1986 excerpt.
Chants and Corners
Electro-Acoustic Composer, Cornetist Rob Mazurek continues to focus on the Brazilian side of his musical production, and that’s good news. Even better when we notice that “Chants and Corners” is something else than a new São Paulo Underground enterprise – some of the contributors are the same, but the project has another confection and this signifies that it’s multiplying in different perspectives, like the flowers of a plant. Playing a modular synth, a sampler and a piano besides his cornet, Ma…
The Spit Veleta
The second CD in the Canadian Composers Series contains three recent works by the Toronto-based composer Martin Arnold, played by Mira Benjamin (violin) and Philip Thomas (piano). In his introductory essay to the booklet accompanying the Canadian Composers CDs, Nick Storring quotes a comment that Arnold made about one of his earlier works, highlighting a quality which Storring feels applies to a large part of Arnold’s compositional output: "The piece is not intended to be demonstrative but rathe…
Bow
The third CD in the Canadian Composers Series contains seven pieces by Isaiah Ceccarelli, a composer-percussionist who lives in Montreal. The music Ceccarelli composes falls broadly into two categories: timbrally-based music in which he himself performs, and through-composed pieces that focus on harmonic progressions. His CD ‘Bow’ presents both of these sides of his work: the title track, ‘Falsobordone’ and ‘Dunstable’ are compositions for string trio or quartet, while the ‘Oslo Harmonies’ and ‘…
Vision's Fugitives
Franco Falsini's Sensations' Fix are one of the most mysterious and enthralling entities to come out of the rich italian 70's prog rock scene. Unless many of their contemporaries such as PFM, Le Orme or Osanna, which leaned heavily on the British sound of prog giants Emerson Lake & Palmer, Genesis or Soft Machine, Sensations'Fix music was always more akin to the experimental tendencies of German krautrock bands like Neu!, Can, Amon Duul II or the more adventurous directions those musicians took …
Spoiche
United Bible Studies is an experimental and improvisational folk band from Ireland, with members in the UK. There are a few core members such as David Colohan as well as a host of incidental contributors on both the live performances and studio albums. Pastoral psychedelia and traditional song have remained the cornerstones of the band's style, alongside collective improvisation that can take the form of extended drone-works or explosive outbursts of ecstatic noise. The lineup currently in…