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Previously unreleased album from the '70s by German trio Sand. Still living in the mythical landscapes, Sand not not only created Golem, who was a being of the earth. Something else pulsated with a different energy of oscillation. The invisible beings of the air performed their dances. The Golem was large, mighty and of compact matter. He needed an external spirit to be navigated. Sylph creatures moved with the clouds and the wind -- from gentle breezes to violent storms, always sensitive to the…
Günter Schickert's debut Samtvogel (1975) was one of the most significant guitar albums of the krautrock era. Points of comparison from today's perspective are Syd Barrett or Pink Floyd's more adventurous early recordings. Schickert's follow-up, Überfällig (1980) was released on the legendary Sky label. Once again a milestone recording, it showcased Schickert's hypnotic echo guitar which developed into one of the hallmarks of the krautrock sound. Schickert's new album Nachtfalter, translating as…
2017 remastered edition, with new standard glossy jackets. Texture and
feeling of 1975 with boosted audiophile sound quality. Black vinyl
version. Previously unreleased album by German trio Sand,
recorded 1973-1982. Live events in the quarry and an archaic sound
formed the background music of the young atomic age. In the meantime,
after endless trance garage sessions, Sand drifted from the mythical
landscapes to Berlin and mingled with various oriental influences.
Vultures were scudding a…
2017 remastered edition, with new standard glossy jacket. Originally released in 1974. German trio Sand's first album, Golem, is a legendary work of cosmic psychedelic genius. There is something magical and inexplicable in creation, and Sand absolutely manifest these mysterious phenomena. Storytellers, musicians, shamans, geniuses -- Sand were known, at the end of the '60s, as P.O.T. (Part of Time). Then Sand -- Ludwig Papenberg, his brother Ulrich Papenberg, and Johannes Vester -- developed a m…
Recorded in Paris in 2014. Ame Son was a progressive rock band from France. They are notable for being featured on the Nurse With Wound list. Members of Ame Son also were in the band Red Noise and Komintern. Formed by Marc Blanc and Patrick Fontaine. Both were members of the first line-up of Banana Moon (the band that later would become Gong). Their debut album Catalyse was released by BYG in 1970. Ame Son is Marc Blanc, François Garrel, Romeo Blanc, and Bernard Lavialle. Edition of 500.
The Oakland Elementary School Arkestra presents the odyssey of 4th, 5th & 6th grade students from novice musicians into an avant garde ensemble. An ensemble that engenders an array of sonic textures which never remain static or stagnant, but flow in a way that it's always surprising, often startling and astonishing.These schoolkids have traveled the spaceways of Modernism, Minimalism, Impressionism, Exotica, film soundtracks and more. They have ingested the lessons of Iconic artists like Sun Ra …
First released on cassette in 1995. Now available as a 7″ vinyl via VF and Martin Creed’s own label, Telephone Records. The single release coincides with the artist’s hugely popular show, TOAST, at Hauser & Wirth (London) which runs until 09/02/2019 and Artist Rooms at the Tate Britain until 10/03/2019“It’s got everything in it” – Martin CreedSide A All the sounds on a drum machine played one after the other, in their given order, at a speed which makes the piece last …
'Futuro' is Not Waving’s engrossing, highly original soundtrack to Sean Rogg’s world-renowned art/theatre project. It features Ambient, environmental and tonal works & abstractions that come highly recommended if yr into Laurie Spiegel, Steve Roach, Brian Eno, Shuttle 358... ’Futuro’ is Not Waving’s sublime synth/ambient soundtrack to one of the world’s most intense art/theatre experiences: Sean Rogg’s radically immersive ‘The Waldorf Project’ - fusing choreography, spatial design, music and per…
** Limited edition of 250 copies ** Merzbow, Nyantora and Duenn’s 3 Rensa trio churn up Grade A+ improvisations for Entr’acte with the first vinyl edition of their ‘Redrum’ recordings. Leading on from Nyantora & Duenn’s collaboration on the ‘086-087 Area’ CD for Entr’acte in 2017, on ‘Redrum’ introduces Merzbow as a vital, variable catalyst in their next venture for Antwerp’s finest. Recorded at Red BullStudios in Tokyo on 3rd August 2017 over the course of three hours, the results are edited f…
Hand-numbered edition of 300. It’s a Swedish house thing. Börft boss Jan Zwarre Svensson a.k.a Frak returns to his early project, Villa Åbo, for six deep and rude acid rub downs. Named after the former bank he grew up in and later founded Studio Styrka, site of early Frak and Alvars Orkester recordings, Villa Åbo is a funky study in teenaged fascinations and nostalgia for dance music’s golden era. Reprising the vibes of his 1997 releases, ’Ticketiketas’ and ‘Tagetes’, Villa Åbo pays tribute to c…
New vinyl edition (300 copies) of this killer. Fully remastered by Matt Colton at Alchemy. One of the most destitute and absorbing albums in Leyland Kirby’s canon is finally given a much needed vinyl pressing, following on from its initial CD release 6 years ago. ‘Bleaklow’ is harrowing from the start, the opening "Something To Do With Death” reverberating dread via layers of unstable, radiant drones punctuated with pained, hi-pitched howls that cut through the mix with violent intent. ’Solemn D…
Third Noise Principle, a four CD box-set that covers nine crucial years in the development of electronic music in North America. The huge tracklist doesn’t just stick to one area (e.g. academic electronics or the nightclub), but includes all kinds of different areas, from Smegma and Suicide to The Residents and Laurie Spiegel. Top value release. A fantastic entry in the Close To The Noise Floor series – one that looks at early American experiments with electronics – but from the DIY generation t…
The score to the turner prize winning installation, newly re-issued on clear vinyl
. Edition of 500. The video installation Fiorucci Made Me Hardcore (1999) is one of the best-known and -loved works by Turner Prize-winning, London-based artist and Northern English emigre Mark Leckey. It's a hugely influential piece, and the soundtrack itself has been sampled endlessly, most notably by Jamie xx on "All Under One Roof Raving" (2014). A phantasmic and transcendent collage of meticulously sour…
Studio Mule presents Yoshimi Ueno's Taiko No Uminari, originally issued in 1980 on Johnny's Disk Record. Johnny's Disk Record is an independent jazz label run by the owner of jazz cafe Kaiunbashi No Johnny, located in Rikuzentakata City in Iwate Prefecture, Japan. The legendary label released a string of albums of high quality but down-to-earth music, spanning from modern and avant-garde jazz to left-field pop. Albums such as Teru Sakamoto's Farewell My Johnny / Left Alone and Eiji Nakayama's Ay…
Lawrence English and Alessandro Cortini issue Immediate Horizon,
a live recording, made at the premiere of the piece, held at Kraftwerk
in Berlin. Having become mutual admirers of each other's work; English
of Cortini's Sonno (HOS 412CD, 2014) and Cortini of English's Wilderness Of Mirrors
(RM 460CD, 2014), the pair were very pleased to receive an invitation
to collaborate together. Following a number of months exchanging
compositional ideas and materials, Cortini and English met in Berlin…
An adaptation from "Sileen", a composition commissioned by Musica For The Festival Oortreders at Neerpelt, Belgium, 2016 performed with 50 members of a local music school; "Sileen II" was realized with only Gareth Davis on bass clarinet plus sounds from Machinefabriek, recorded in the same pitch and tempo as "Sileen', then slowed to half its speed and one octave lower. Stunning!
Performed by Keiko Shichijo. Tom Johnson's An Hour for Piano was written in 1971. The piece began as a series of short, improvisatory sketches in 1967 when Johnson was accompanying a modern dance class at New York University. Johnson gradually expanded these sketches and added transitions between them, writing a piece that is to be played in exactly one hour. Achieving this goal requires an absolutely steady tempo for the duration of the piece, which Johnson has set at quarter note = 59.225 beat…
The title mundana comes from Boethius' (427-524 AD) printed work on ancient Greek music: De institutione musica. John McCowen is a New York based composer and performer whose work focuses on extending the possibilities of the clarinet family. John embraces long-form drones, difference tones, and beating harmonics as a means to extrude the dimensionality within - treating the clarinet as an acoustic synthesizer. His works for ensemble utilize spectral techniques to superimpose the timbral/sonic c…
Beautiful rendering of French composer Eric Satie's 1918 masterwork "Socrate", originally for four sopranos and chamber orchestra, here stripped to its essence as a duo with Olalla Aleman on soprano and Guy Vandromme on piano, maintaining Satie's characterist reserve and refinement in the 3 parts: "portrait of socrates"; "banks of the ilissus"; and "death of socrates".
Return of Richard Youngs to Fourth Dimension, a label that has supported his work since the early 1990s via collaborations with Simon Wickham-Smith. The latter returns to this set, based around the notion of songs featuring special guests. Spread over the two discs, the eleven songs here assume all manner of sonic guises that are often difficult or sometimes blissed-out, but always rewarding. Most include guests, themselves from a wide variety of backgrounds (taking in all from groups such as Tr…