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"Recorded in Northern California in 1984 and released in a micro edition by the Creative Sound imprint in January of the following year, Mark Banning’s Journey to the Light is a lost gem of private issue New Age music, an impossible-to-find album that is more spoken about than heard and deserves to be recognized alongside established classics of the genre. Incorporating processed electric guitar, zither, voice and field recordings, it is unabashedly beautiful music—two side-long pieces that feel…
The Diagonal dynamo returns to his label on a combustible trio of 'Club Music' trax, including a crackshot collaboration with Russell Haswell. Powell's first 12" for the label since 2012's 'Body Music' arrives a year since his 'Fizz' 12" for Liberation Technologies and a killer for The Death Of Rave - with a couple of scintillating remixes for Ike Yard and Silent Servant in between - to mark his clearest, canniest statement of intent, wrenching ideas twoc'ed from New Beat, Hardcore Jungle, Post-…
All Four Volumes of Intrigue & Stuff available as a limited edition set, all four volumes pressed on clear vinyl and including an instant download of all volumes - 19 tracks!
Ninos Du Brasil is the Italian battery of Nicolò Fortuni and Nico Vascellari. ‘Novos Mistérios’ follows their debut LP for La Tempesta International/Tannen Records with an acutely stripped down blend of mostly “live” recorded percussion and explorative electronic sound design. The project, and album, is a radical inversion and consolidation of the duo’s respective backgrounds in performance art, punk bands Inspired by the febrile humidity and sensory overload of Brasilian carnival music, they te…
The inimitable Estonian ex-pat takes inspiration from current hood, Brooklyn, in the darker, beguiling pop contours of her 3rd album proper. The challenging yet gratifying arrangements of 'Histrionic' are testament to both her consistency as a boundary-pushing artist, and an enduring belief in the role of pop music as a model for incisive cultural commentary and observation. Her sound here is more layered, spacious than previously heard, yet denser than ever, crammed with uncanny lyrical observ…
Matt Hill aka Umberto returns to the spectre of 'Temple Room' from his 'Prophecy Of The Black Widow' (2010) album for extended and alternative dancefloor versions. On the extended version he's doubled the track length, giving himself more time to tease out the kinky disco vibes with camp, Jamie Principle-esque synth runs and, whilst the Silvio mix locks into a stompng, Hi-NRG wiggle.
The West Coast’s weirdest hidden-treasure trio, Bronze, have plied their molten composite of serpentine metro-gnomic drumming, oscillator raga, hash-oil free verse, and pendulum bass patterns for seven shaded years, but sonic documentation remains sparse. The new decade, thankfully, has seen them reversing this deficit, first with 2011’s Copper LP, and now with World Arena, which unfolds another octagon’s worth of their signature spellbound, smoke-ringed, psych-fusion explorations. Tracked at th…
White Poppy, the “experimental therapeutic pop” project from British Columbian inner-peacenik Crystal Dorval, has been evolving fresh forms for a couple years now. Last winter, packing a satchel full of four-track tapes, she ventured out from her bedroom haven and boarded a boat across the Strait of Georgia to the town of Ladysmith, on Vancouver Island, to The Noise Floor Recording Studio, to mastermind and mix the ten deluxe, delirious dream-gaze gems comprising her self-titled full-length debu…
Earle and Sussmann are best known for their minimal electronic work as Stasis Duo but this disc sees them in far more bracing mode for this all electronics trio. Recorded while Kahn was touring Australia in 2009. Matt Earle works with blank media including samplers, mixers, turntables and tapedecks. He has a solo project under the name Muura, and plays in the groups Stasis Duo and Xwave (with Adam Sussmann), xNoBBQx and Sun of the Seventh Sister. He also runs the Breakdance the Dawn record label…
* Hand-numbered edition of 100 in recycled cardstock sleeve with envelope. * Recorded in March 2010, What's that for, mate? Is one of the first recordings the duo (Jack Harris & Samuel Rodgers) made together. At this time the two worked with a combination of no-input and acoustic feedback, digital processing and phonography. This recording sees a discourse resulting from the amalgamation of and conflict between the analogue and the digital, the gestural and the static, and multiple recorded spac…
Hand-numbered edition of 100 in recycled cardstock sleeve with envelope. VA AA LR is the London-based trio of Vasco Alves, Adam Asnan and Louie Rice. Their fearless experimentalism has previously seen them tackle instrumentation as variable as compressed CO2, distress flares and a Citroën. Here, while the tools are in more traditional electronics territory, the music is anything but. From a heap of pulsating speaker cones, whirring dictaphones and a virtuosic cameo by Stevie Wonder the trio forg…
Improviser and composer Laurent Peter - one half of Diatribes, co-ordinator of the Insub Meta Orchestra and co-curator of the Insubordinations label - has been a important figure in the Swiss Experimental scene for some years now. This new solo composition, although assembled from studio recordings, conjures gurgling volcanic pools, teeming with myriad amphibians and insects.
Recorded in the small Norwegian town of Øra, from which the album takes its name, this meeting of two acoustic string instruments belies the simplicity of its instrumentation through the complexity and diversity of the music produced. Ranging from careful melodic a/tonal interplay to dense full spectrum harmonics, capturing the versatility and inventiveness of these musicians.
Brussels-based sound artist Yann Leguay is a true media saboteur. He appropriates industrial machinery for the playback of musical media (using an angle grinder to perform the live destruction of a microphone or to playback a CD at dizzying speed) with flagrant disregard for the accepted norms of audio behaviour. His back catalogue is equally deviant, releasing a 7” single without a central hole and a record composed from recordings of vinyl being scratched by scalpel. His Phonotopy label propos…
Finding the perfect axis between the likes of Goblin, Roubaix, Barry and Sorgini this bloodthirsty entrée to our Bruno Nicolai and Edwige Fenech series delivers a vinyl debut for the music of this lesser-known beat driven Sergio Martino Giallo horror. A real treat for the patient Euro VHS fans and the library collector alike this varied vinyl compact OST finally spreads its wings. As the third instalment of a devoted series of vinyl releases focussing on Italian composer Bruno Nicolai’s soundtra…
Gosh this is lovely - a suite of spellbinding ambient folk meditations from Timo Van Luijk, the boss of Belgium's exquisite Metaphon label. A regular collaborator with the likes of Andrew Chalk, Raymond Dijkstra, and Christoph Heeman, among others, Timo operates at the core of Belgium's current avant-garde and experimental circles. Produced and released under his Af Ursin alias on the La Scrie Dorée label set up for such purposes, 'De Overkant' is a disarmingly quiet and mysterious suite of frag…
On side A, two of the best American artists in a collaboration to remember 'Boogie Woogie Man' Jimmy Valiant. On side B, a track by Gene Pick, new astro in american noise scene, recorded live to tape with modular system, ms20, mixer and pedals.
Fratto9 under the sky and Kinky Gabber present the third volume of the “seven inch series”, a series of coloured 7inches in limited and numbered edition that Luminance Ratio shares with different international artists and musicians. While the first volume of this series, released a year ago, involved the American musician/artist Steve Roden (almost sold out now), and the second volume features the Australian artist Oren Ambarchi, this volume includes an innovative track with voice and charming m…
Beneath pulls up to PAN with a super forward platter of UK bass/techno dreadnaughts. Combining archival rolige with up-to-the-minute missiles, PAN's 51st release operates at the crucial nexus of dubwise dancehall science and minimalist techno, pairing uniquely sculpted rhythm dynamics with a filigree feel for aerated electronic timbre. Most importantly it's aimed squarely at the 'floor with 20" rimmed riddims bound to bounce any stack, but it's his taste for spectral, holographic electronic mode…
Almost 40 minutes of incredible, original, completely unsocialised brilliance sounding somewhere between Vangelis, Armando and John Carpenter** The third volume of four in this incredible series, beamed direct from the depths of Berlin onto vinyl. Our maverick protagonist again looks to the future mindful of the past, following a twisted trajectory from imagination to realisation which would leave lesser artists and musicians exhausted (or in need of drying out). But as we all know, his …