We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

New Arrivals

Falaise
Falaise is the first meeting between two major players of the Portuguese improvisation landscape. For those paying attention, neither should be a stranger by now. Besides being a powerhouse bassist with extraordinary technique, Hernani Faustino is one of the people behind the Clean Feed Label and integrates Nobuyasu Furuya's formations and Red Trio, who recently recorded albums with John Butcher and Nate Wooley.Pedro Sousa is among the most gifted improvisers of a younger generation of musicians…
Casa Corp
Second release for the accomplished trio of Leonel Kaplan, Christof Kurzmann and Edén Carrasco on the follow of last years brilliant Una Casa/Observatorio. Recorded in Buenos Aires, roughly a year after the two pieces that compose the first release, Casa Corp reveals both a continuity and a progession of the trios improvisation. Throughout the single pice, the most outstanding aspect of the record is the interplay between the musicians, up to a point, when several times the sound source becomes …
Rck
Long awaited monolithic boxset release from Manuel Mota, his second so far on Dromos. Material spreads from solo electric and acoustic to various live performances across the five discs. After more than a couple of decades of activity one might believe he knows what to expect of Mota, but the evolution in his work is constant and ever-developing. Throughout each disc and piece of music, Manuel Mota's suspended structures and isolated notes resonate with the intimacy and sentiment Manuel always h…
Foz
A couple of Autumns ago, on the back of a series of concerts and hosting a workshop togheter in Oporto, the duo of Toshimaru Nakamura and Manuel Mota recorded an informal session. From that natural affinity resulted Foz. It may be considered an historic document under the premise that it's Nakamura's first fully improvised, recording solely on electric, guitar in a decade. Throughout two long pieces the duo on call carves a well balanced harmony between more reflexive and purely physical moment…
The Fog
Recorded a couple of years ago at the INTERLACE concert series at Goldsmiths College in London, The Fog is a great showcae of Lexer's and Kasyansky's duo performances. Albeit a short piece, it doesn't lack in intensity nor inventiveness, in fact, it's a very rich and dynamic performance. Grundik's tape manipulations and electronics reveal a detailed attention to the placing and harmony of sounds,while also creating a tapestry of textures throughout, often foccused on the extremities of the frequ…
Vent
Matthew P Hopkins has established himself as a formidable presence in the experimental circuit courtesy of a diverse range of projects including Naked on the Vague's debased rock, Half High's blurred dreams and Four Door's take on techno.  Penultimate Press is proud to reissue Hopkins' second solo effort originally issued as a micro edition self released cdr. 'Vent' proposes a Frankenstein assemblage of the awry ambience heard on the recently acclaimed 'Nocturnes' lp merged with a more extreme t…
Impasse
Impasse is a sideways journey into the archives of London based artist Luke Younger, aka Helm. Originally conceived six years ago in the wake of a Birds of Delay tour, an edited version of Impasse saw the light of day as a mini cdr on the low point label in 2008. This expanded re-issue has the two original tracks remastered along with two other pieces from the same sessions that remained unmixed and unreleased until a couple of years ago. Impasse is somewhat of an anomaly in the Helm canon when …
Music and Words 2
Music and Words 2 is the much-delayed second instalment in an ongoing series of archival documents of Adam Bohman's early work. As with the first volume, this CD is divided into two separate areas of his work. Adam is probably best known as an improviser, playing prepared instruments and objects, but the music here uses little of these purely-improvised techniques. On this CD, the musical sections consist of idiosyncratic lo-fi songs alongside short collage pieces and other experiments, recorded…
Came to Call Mine
Came to Call Mine is a deluxe new art book by visionary musician artist and writer Graham Lambkin.  Playing out like a children's book for adults 'Came to Call Mine' features 50 all new colour illustrations coupled with corresponding texts.  Over a year in the making these works are intrinsically detailed forays on the pencil-to-paper, mind-to-hand alliance.  With only residual traces of human activity we explore a world of noxious environments; a nuclear windstorm singalong of joyous mutations …
Kang gling meeting
A DVD + 45RPM single by Vincent Epplay around the Kang Gling instrument. Recorded in Germany and France in 2013. Like a new procession music made with these bones trumpets used in Tibetan music. Gunter Schickert is a German musician who has played with UFO, Klaus Schulze, etc. Jac Berrocal is a well known French musician. Ghazi Barakat has played as and also with Brezel Göring, Felix Kubin, etc. Vincent Epplay recorded and mixed the tracks and released the movies on the DVD with the help o…
Signature
Refraction without the appearance of colour.' Virilio is the sound project of Dimitris ‘KU' Papadatos and Corinna 'Cosi' Triantafyllidis. The duo launched their experimentations in 2008 initially recording their Skype improv sessions under the moniker Cassettine & KU. The Virilio project, launched in 2010 and it has been their main common vehicle in covering their sonar explorations and experiences in electroacoustic music and subtractive synthesis. They have performed in various occasions from …
Slipping control
Slipping Control derives from the text piece “Tztztztzt Î Í Í…” wrote last year by Ben Vida (and published as a book by Shelter Press). Composed to act as a score, a sound piece and as raw data for electronic control source, “Tztztztzt Î Í Í…” became the intrinsic element that tied some different pieces of art made by Ben Vida and presented at the eponymous show at AVA Gallery (NY, USA) in april 2013. 'I was interested in the rhythm of speaking, interested in using the voice to create rhythmic p…
Mr. Jolly Fucker / Tweet Tweet Tweet
Limited edition repress of this great single by the Notts duo who're now garnering well-deserved attention for their manic blend of punk'tude, crude beats, frazzled electronics and insightful yet acerbic wordplay. 325 only, in clear vinyl and different amended sleeves to the now sold out first pressing.
La messe de terre
A two-part audio-logo-visual Liturgy. Created on August 28th 1996 at the Video Art festival in Locarno. This DVD edition is dedicated to Jean-Patrick Lebel. 'Figurative but non narrative fresco, La Messe de Terre superposes, without mixing them up, the everyday world, the 'here below', a world where the earth is crossed or riddled by water, and the latin text of the catholic mass. This text, chanted or shouted, is made comprehensible by French subtitles and optional English subtitles. The whole …
Kaleidoscope
The idea for the Kaleidoscope works came from the composers' memories of playing with the prismatic toy of the same name as a child. The toy, of course, consists of colored beads in a tube of mirrors, whose reflections generate complex symmetrical patterns that change dramatically in density and texture as the tube is turned. With these pieces the aim was to emulate such dynamic spatial activity through sound, distributing fragmentary materials in space and immersing the listener in a rich and e…
Empty orchestras
Peter Orins project could be called an accompanied solo. The drummer has designed an electronic device autonomous enough to influence him in his play in an almost unpredictable way. Therefore a kind of dialogue is established between the musician and the electronics where the usual roles are reversed: the drummer offers an insistent and repetitive form, transformations and random treatments performed live cause the disorder conducive to improvisation. Magnified timbres or on the contrary disturb…
Object subject to change
Object Subject To Change' is Henrik Rylander's fourth album for iDEAL but the first since 2009. Rylander is king of hypnotizing, focused feedback drone with razorsharp noise and monotonous pulse. Music that feels as comfortable in academic worlds as in filthy basements. Henrik Rylander was the drummer of the provocative, sweaty and chaotic garage rock band Union Carbide Productions (1987-1993). After a few years focusing on his visual art (photography) he started experimenting in sound and espec…
We Thought We Could Change the World. Conversations With Gérard Rouy
One day in 2008 an old friend of mine came to me and said, 'I want to make a film about Peter Brötzmann, do you want to be part of it?' What a question! He didn't know that much about (free) jazz and freely improvised music but from the late 70s on, he had been very much attracted - as we all were - by the graphic work of most of the Free Music Production records, a lot of them being worked out by Brötzmann. He also knew that I had been one of Brötzmann's great fans and I had been acquainted to …
Kartacz
If I were to look at the ideas promoted by the Experimental Studio against Ma e Instrumenty's practices, I would refer to the concept of music which is - for certain reasons - 'impossible' studio electronic productions, preparing instruments, using and editing tapes - all those practices once broadened the perspectives of the art of sound. However, the 'unreachable' sound combinations produced by Ma e Instrumenty could also be considered as an attempt to overcome the 'impossibility' in music. Ho…
Polygamy
In all respects, Andrzej Biezan (1945-83) was an original and creative composer. His main means of expression were intuitive creation based on general assumptions and well balanced improvisation respecting proportions typical of traditional narrative. According to Biezan's approach, music that is written down is 'music about music'. True creation is only possible in the present moment - neither in the past nor in the future. It is an activity performed in real time. Any reference to the r…