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"Now that things are different, a moment on your own brings back memories..." Blackest Ever Black is pleased to present the first vinyl edition of the legendary demos recorded in 1981 by Weekend - the trio of Alison Statton, Spike Williams and Simon Booth. Alison Statton began her recording career with Philip and Stuart Moxham in Young Marble Giants, one of the most unique and important bands to come out of the UK post-punk/independent scene. YMGs dissolved in 1981, at which point Statton began…
Oblique sound-system murderers from the trio of Amos Childs, Seb Gainsborough (Vessel) and Sam Kidel -- members of Bristol's noted Young Echo collective. Killing Sound make their full recorded debut on this self-titled 2x12", with four tracks cut obnoxiously loud across four sides by Matt Colton at Alchemy.
Blackest Ever Black presents to you Dead Unique, an album by Officer! recorded in 1995 but - outrageously, inexplicably - never before released into the public domain. This then is not a reissue or a revival; it’s a new record that just happens to have been maturing in the cask for, oh, a little shy of 20 years. It also happens to be a lost classic of English art-rock, and the crowning achievement in the career of its mercurial creator, Mick Hobbs. Londoner Hobbs’ roots are in the fecund RIO sce…
Mind-shattering double LP of dysphoric space-rock minimalism from two luminaries of the Swedish punk underground. Second Launch follows Bremen’s self-titled debut of 2013 and comprises 11 controlled improvisations, reinforced with overdubs, that take clear inspiration from the dark side of kraut and progressive rock, early electronic and drone music, whilst also owing something to the fathomlessly bleak interior landscapes conjured by Nico/Cale on The Marble Index and Desertshore. The complex di…
Will to be well is the new studio album by Dalhous, their second for Blackest Ever Black. This double-LP, due to be released on June 30th, reflects writer-producer Marc Dall’s continued interest in the life and arcana of R.D. Laing, but also alludes to more universal and enduring mysteries: the relationships between body and mind, illness and wellness, the physical and the metaphysical. The fifteen tracks assembled here also showcase the maturation of a uniquely gifted and expressive composer: D…
Dark Pool is the new studio album from Black Rain, the project’s first in 18 years. Produced in New York City by Stuart Argabright, Black Rain’s founder and figurehead, Dark Pool is a work of hard-edged sonic fiction rooted in cyberpunk's quintessential neo-noircityscape/dataspace but projecting into a farther future of biotechnological advancement and alienation. Partly inspired by the writings of Philip K. Dick protégé K.W. Jeter (particularly 1996’s Edge Of Human, which picked up where Ridley…
Recorded on 1st November 2013 as part of Bergen Kirkeautunnale, Norway. Featuring BJNilsen and John Beaumont's 'Black Death', a new project using voice (tenor) and electronics; Charles Matthews's repertoire includes performances of organ pieces by Arvo Prt, Giacinto Scelsi and Johann Sebastian Bach; Marcus Davidson's 'Ananta' is released for the first time, and Spire regulars The Eternal Chord and The Spire Ensemble also perform. Spire is an organ-based live project curated by Touch's Mike Hardi…
Turkish free-improv group KonstruKt was formed in 2008 by guitarist Umut Çağlar, and since their inception, they’ve gained notice through their collaborations with such old-guard stalwarts as Evan Parker, Marshall Allen and Peter Brotzmann. The latter introduced them to the legendary Joe McPhee at the Krakow Jazz Autumn festival, and after striking up a friendship, they invited him to join them in Istanbul for a concert in March of 2014. Babylon was recorded the day after he arrived, w…
Pascal Battus : surrounded guitar. Eric Cordier : electronics, hurdy gurdy. Jean-Luc Guionnet : amplified objects, shiftelia and others instruments. Recorded by Phéromone Live at Théâtre 347, Paris, Mars 2002. Musicians plays dense and slow textures between minimal music and brutals torsions. Théâtre 347 is the second album of Phéromone after 14 years with 'Disparlure' (Corpus Hermeticum Records 2000).
Experimental programmer and musician. He bases his work on the deconstruction of field recordings, no-conventional sinthesis and the creative use of technology errors. Luthier-digital with a 'pure data' environment, which he uses to develop his own no conventional tools for processing and real time algorithmic generative composition. He can be placed somewhere between Computer Music, the Aesthetics of Error, and generative Noise. He seeks the creation of virtual sound universes, imaginary sounds…
Thierry Monnier is half of the Sun Stabbed group and a member of La Morte Young. He practices electric guitar and love tapes, cassettes, and field recording. In this tape, he accelerates, he cuts, grinds, climbs (and dismantle) anything that comes to hand He has already released several CDr, cassettes or vinyl records, he manages the Doubtful Sounds label and works at Metamkine!
CM von Hausswolff used to co-run DS Art Gallery and the publisher/record company/organizer Radium 226.05 in Göteborg, Sweden, during the 1980s. Meanwhile he was also a part of the duo Phauss with Erik Pauser as well as engaged in the rock bands Blue For Two, Psychonauts and Evil Dead Goofball. He was also active in the visual art group VAVD and the combo Elggren, Liljenberg, Pauser and von Hausswolff doing mainly live-installations and performance art.
CM von Hausswolff writes (liner notes for '…
Lovely collaborative work by Daniel Löwenbrück and Marcellvs L. on Ideal Recordings, edition of 300 copies. 45RPM LP for maximum sound quality. Composed of field-Recordings captured in Thailand, Iceland, and UK. Mastered and cut by Andreas 'Lupo' Lubich at Calyx, Berlin. Marcellvs L. (b.1980) is a renowned Brazilian Video- and Sound-Artist currently living in Berlin and Seydisfjödur, Iceland. His particular and radical production attracts attention by the intensity with which it associates philo…
This album is about resonance: on 'Saman', which means 'Together', Hildur melts her voice with her cello, connecting the two instruments together. The result is a highly involving and moving album, recorded, mixed and mastered in Berlin. Hildur's sylph-like vocals contrast beautifully with rich cello tones, resolving the tension between light and dark to produce a unique listening experience. Renowned bassist Skúli Sverrisson guests on 'Heima'. This is Hildur's 4th album for Touch, after 'Withou…
All compositions by Mattias Gustafsson: magnetic tape, field recordings & electronics, recorded to tape 2012-2013. Altar of Flies is back on iDEAL with this new, untitled album, his first since 'Permanent Cavity' (2010). Mattias Gustafsson's industrial, Mjölby-style musique concrète is deeply personal and even though the music is often sparse and minimal, it always contains restrained energy explosions and psychic tensions. This, his fifth proper LP (and a long line of nice releases on hot label…
Accelerated Standstill is an assembling of locked grooves found on customary vinyl records. The records have been collected and performed live between 1997 and 2013. Locked grooves normally functioning as a 'barrier', avoiding the needle coming into contact with the label at the centre of the record. All grooves sound different, depending on how dust has effected and transformed the soft surface of the vinyl.
By using a triple vinyl deck set-up this (analytic auditory observations of) ending gro…
The LP contains "Music Out Of the Moon" and "Perfume Set To Music" one of the first electonic chillout music composed, originally released in 1947 and 1948 on 10" 78RPM. An unusual mix of different styles and musics represented by the 3 men who contributed to the album: Dr. Samuel J. Hoffman played theremin in several sci-fi and horror movies during the 40s and the 50s, masterpieces as "Spellbound" and "The Day the Earth Stood Sill"...Les Baxter "The Father of Exotica" and his dreams of Pacif…
Truly an outstanding live document, by the trio comprising Peter Kowald (1944 - 2002), doublebass. Daunik Lazro, alto & baryton saxophones. Annick Nozati (1945 - 2000), voice. Recorded in Instants Chavirés, Montreuil, February 2000 by Jean-Marc Foussat. Duos, trios and one solo from Annick Nozati. The only time they did play together.