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"Every new musical language requires new performance skills. Works such as HO NOW and STRUNG OUT were, in effect, pieces written to develop these skills which include stamina, sustained concentration, and an ability to play continuously in an easy and relaxed manner." - Philip Glass
I got to know Joe Sachse's playing through the band Doppelmoppel. The jazz scene in the former GDR created a special music that expressed an independence and pleasure in playing. Our idea of playing together as a duo has now become reality and from the very first moment playing together was easy and inspiring. There happened to be a recording of this first concert and listening to it we wanted to have it published. Thanks to Jazzwerkstatt this wish has now also become reality. - Nils Wogr…
In a laid-back manner and with apparently effortless ease the American composer involves her entire vocal apparatus in the making of music. And the way in which she integrates other musicians into her elaborately detailed cosmos of sound makes listening a rare treat and attests to a special talent. The musical elements revolve around each other, imitate each other, take turns. The intimate and familiar sound potential of the oral cavity is operated with brilliant skill to reveal a multitude of d…
'Body Sound' is a dynamic collaboration from sound artist Holly Herndon and dancer/choreographer Cauahtemoc Peranda, composed and performed at Stanford University's famous CCRMA. Using Peranda's body as a voice, Herndon maps and spatialises a kinaesthetic grammar of stomping feet and flying limbs punctuated by shuddering shockwaves and wrenched gasps. Like her previous work with vocals and laptops, 'Body Sound' is a unique duet between the corporeal and the computerised, a unique, abstracted exp…
“High End” is the latest musical installment from the People’s Higher Order of Royal Kinship, as facilitated by Los Angeles producer Neal Reinalda. With recent releases on Opal Tapes and Orange Milk, as well as two previous NNA full-length cassettes under his belt, we are pleased to offer PHORK’s debut vinyl record to the masses. On “High End”, Reinalda digs deeper still into the established PHORK sound world, procuring a modern conceptual take on the idea of “ambient music” as constructed with …
We Travel the Spaceways was recorded at a handful of sessions in Chicago from 1956-1959, possibly 1960. Although several of the tunes also appear on other '50s era recordings, as usual, personnel and arrangements differ from album to album. Many of the tunes are quite bluesy, with tympani, bells, and percussion adding an exotic flair, but the big event here is the appearance of the "space chant," which would become an Arkestra calling card for decades to come. The band was starting to she…
Death Blues is a multi-disiplinary project by Jon Mueller that addresses the inevitability of death as impetus to become fully present in each moment. “Non-fiction” is the third musical installment in the larger Death Blues project, and the first for SIGE Records. “Non-ficiton” opens with a a single and insistent pulse, the foundation upon which two side-long pieces that comprise the album are built. Serving as a thematic anchor, the rhyth- mic cycles propelling the compositions are the albums l…
Long out of print, few copies available. Beautiful material from this legendary Bay Area soul jazz combo! The Sons & Daughters of Lite have an incredibly spiritual sound – one that sounds sort of like the best groups on the Strata East label, with touches of Roy Ayers or James Mason-esque soulfulness, but with a little less polish. Many of the cuts have sweet female vocals in the lead – with backing that includes vibe, electric piano, tenor, alto, and percussion by Babatunde. The record's a grea…
A long, single track developing the relation between geography and drugs, the various interaction and how they changed the environment. Following up the immense Dyslexic Action 4xCS set, the duo consisting of Matteo Castro and Francesco Tignola is back with the 18-minute long one-sider Abandoned Geography. Elevating and absolutely lovely broken noise from the combined efforts of Napoli and Conegliano. Matteo Castro's Lettera 22 coming to mind when it comes to the fidelity and execution of…
Originally released as private press limited cdr in 2001, 'Orb' is now available for the first time on vinyl. Second full length after the classic Kenneth Anger's 'Lucifer Rising' cult soundtrack, 'Orb' is a mystic and psychedelic rock opera influenced by Indian imagery. The perfect soundtrack to listen to while reading traditional epic Indian literature. 'Orb' is a perfect fusion between ethereal synth, ethnic ritual percussions that remind Dead Can Dance's atmospheres and the evolution …
Lights on Water is the second Sum of R album on Utech Records after their self titled debut, and the first full-length as the duo of Reto Mäder (bass guitar, electronics, drums, piano, samples) and Julia Valentina Wolf (guitar) after the Ride Out The Waves EP. The album finds the Swiss duo discovering their roots within a prehistoric ceremonial context. Those roots go back to times where the sounds of nature were reigned in, ritualized and utilized as food for the soul. They are the cries…
Portrait of Madeleine Elster is the third solo album for Utech Records by Japanese psychedelic troubadour Suzuki Junzo. A 21st century drone/space electric-blues album in the style of Ode to a Blue Ghost and Eight-Sided Infinity. Crystalline guitar passages soaked in reverb and distorted sadness. Junzo is joined by Ikuro Takahashi of LSD March, Kousokuya and ex-drummer of Fushitsusha and High Rise.
Group Rhoda follows up her delectable debut on Night School with a much sharper and equally seductive album for Not Not Fun - easily one of their best releases in 2013. Her songs are now rendered with a higher fidelity and clarity adopting the purposeful innovations of post punk and the hypnotism of modern electronic music to give her deft arrangements a sturdy poise and transcendent appeal. It's still DIY at heart and we doubt you're gonna hear them on Radio 1 any time soon, but the sense of th…
« Marigold and Cable » marks an indelible new phase in the trajectory of Alex Cobb’s solo recordings and prior missives as Taiga Remains. The album’s four compositions are streamlined and focused, finding a balance between studied contours and compositional intuition. Tints of early Stars of the Lid and Kevin Drumm’s lambent drones are apt starting points, but Cobb routes them through a live set up without the aid of loops or synthesizers. « Marigold and Cable » is heavy with meaning and intent,…
A darker neon-lit return from NNF's far-eastern dream-pop idol "On her first proper full-length album, Tokyo netscape nightingale Sapphire Slows impressively expands on the spider web tone-bank nocturnes of 2011’s True Breath EP, with headier, haunted highs and eerier, elegant depths. Patiently pieced together across all of 2012 (plus change), and inspired by everything from St. Etienne’s plasticine Euro-house, obscured J-pop memories, Blue Bell Knoll and the saddest Section 25 remixes, Allegori…
Remembering his old friend and the days when this live recordings were taken, says Hartmut Geerken: "When John came to visit us in Afghanistan and in Greece, where we lived in the 70's and 80's, my wife Sigi had to extend his bed always with fruit boxes. His height didn't fit into a normal sized bed as well as his musical dimensions were too far out to fit into the mainstream taste of the masses. It was wonderful to hike with him in the Hindukush mountains up the Salang Pass. Afghanistan was a v…
Andrea Bellucci’s “Red Sector A” is probably one of Italy’s best kept secrets, and for sure the project of an author who has always preferred quality over quantity. In 1995, after hitting the European dance charts with a few successful 12" releases, he signed to Minus Habens, the hystorical Italian label. Between 1995 and 2012 he released with them four albums of evolute electronic music, merging deep atmospheres and Techno rhythms, microsounds and Ambient-Dub, big beats and Drum’n’Bass, install…
Performed by Michele Marelli (basset horn): Traum-Formel (1981); Evas spiegel (1984); Susani (1984); Die 7 lieder der tage (1986); Freia (1991); In freundschaft (1977).