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Mats Gustafsson is perhaps the pre-eminent saxophonist of this post-free jazz/improv era. A perfect combination of Peter Brotzmann's fiery passion, Evan Parker's extended technique and Ken Vandermark's willingness to explode genre boundaries, Gustafsson's discography spans over two decades and sports numerous must-hear recordings with a long laundry list of collaborators, including such luminaries as Brotzmann, Vandermark, Joe McPhee, Jim O'Rourke, Derek Bailey, Sonic Youth and The Ex. Illustrio…
Fleshpile Thematic, released on The Tapeworm earlier this year, reconsidered as an album of dub versions. Smooth edges roughed out. Re-engineered space. All human vocals erased.
Equipped with a modular synthesizer, a guitar and electronics Patrick Pulsinger and Christian Fennesz approach the master of the treatment of silence, John Cage. The piece on this album, which was recorded live at Wiener Konzerthaus, was inspired by the underlying attitude of Cage’s String Quartet in Four Parts. Upon invitation by the WIEN MODERN festival the two legendary electronic music protagonists tackled the composer’s early string quartet, took it apart and adapted it for two players, alw…
Bilingual (English/French) and biannual, Volume - What You See Is What You Hear is the first magazine devoted to sound issues in art, and to the complex relationships between visual and sound forms, both in contemporary art and history.Interviews Special Issue.'Why a special issue devoted to the interview?This kind of text has been a feature of the magazine since the very first issue, and is intrinsically bound up with words Ð or at least with dialogue, because interviews are not necessarily …
Member of BAT FOR LASHES. The tracks on "Songs for Edna" are actual poems by the late American poet, Edna St. Vincent-Millay. This is majestic & minimal folk in the tradition of Fairport Convention, Karen Dalton & Vashti Bunyan.
Jan Jelinek, Hanno Leichtmann and Andrew Pekler have formed a trio that can truly be called a supergroup. As solo artists, all three members are among the most renowned of Berlin's electronic musicians. When playing together as Groupshow, the three instrumentalists -- themselves largely informed by minimalist sensibilities -- engage with the idiom of free-form collective improvisation, which has a long tradition in Germany dating back to the days of Fluxus and Krautrock. Consequentially, t…
LP album, numbered and stamped vinyl edition limited to 250 copies. A different version from ' Music for Air Raids ', recomposed for the vynil format and entirely remastered. Comes above our heads the distant roar of ' Music for air raids v2.0 ' as a prelude to the waves of polyrhythmic drums and unremitting guitars, of powerful and constructive poundings that will penetrate us to the core throughout the album. As this album is a tour de force end-to-end, with raids of drums, persussions and gui…
The second beautiful album by the duo of Jessika Kenney -- a vocalist known for her haunting timbral sense, as well as her profound interpretation of Persian vocal traditions -- and Eyvind Kang -- a violist for whom the act of music and learning is a spiritual discipline. All tracks were composed by Kenney (voice, percussion, electronics) and Kang (viola, setar, electronics). "The Central Javanese Wangsalan is a kind of riddle (two lines, twelve syllables each, divided 4 and 8 ), sung by the…
A project by the german artist Franziska Koch, edited by Fink Edition, Zurich. "The cleaning of the piano in the house Franziska Koch - Once a year - recurring as of spring cleaning . On this is both spontaneously and passionately played in their living environment for young and old . In the resulting recording is heard, like the piano cleaned, is rubbed and wiped. Knocking noises and random poking against the instruments body give the piece its own rhythm, so as to connect by wiping over the …
special artist multiple signed edition, limited to 150 copies, this is a collaborative record by swiss artists Marc Zeier (G*Park), Luigi Archetti, and Ian Anull. Released for their Exhibition 'Made in China' at Hans-Trudel-Haus, Baden, Switzerland, April-May 2009. The music consists of (manupulations of) recordings the three artist made during their travel to China in 2008. Traditional instruments and field-recordings with electro-acoustic treatment.
Compilation of early gospel recordings spanning from 1927-1955. Sanctifies blues by the Two Gospel Keys, Mother McCollum, Blind Rosevelt Graves, Lottie Bracey, & Sister O.M. Terrell. Beautiful slow country gospel by the Anglin Brothers & Delmore Brothers. Intense vocal performances by the New Gospel Keys, Elder Richard Briant & the Silent Grove Baptist Church Congregation, & much more! All killer no filler comp that rocks hard & get deep & sad too. Ltd one-time pressing
Gatefold 180 gram reissue of tenor saxophonist Archie Shepp's 1967 "tour de force." "...combining free jazz tenor with steady frenetic African drumming. Shepp's emotional and fiery tenor takes off immediately, gradually morphing with the five percussionists -- Beaver Harris, Norman Connor, Ed Blackwell, Frank Charles, and Dennis Charles -- who perform on instruments including rhythm logs and talking drums. Shepp never loses the initial energy, moving forward like a man possessed as the dr…
Composed way back in 1979, 'A Red Score In Tile' eventually surfaced as a vinyl-only edition in 2003. Made up of piano, this shows Basinski's patented tape-loop technique perfectly and still stands as one of his most affecting pieces of music. If you've heard 'Melancholia' you'll likely know what I'm talking about, piano notes are transformed into tones by the slowly disintegrating tape, and the loops become motifs all of their own. The beauty of Basinski's work is in its patience, and this earl…
Already out of print, Eleh resurfaces from the depths with a new full-length release on TAIGA records. Homage to the Sine Wave is the second release in the sound wave series following 2008's sold-out LP, Homage to the Square Wave. In a fashion similar to Square Wave, the elemental approach to construction of the pieces on Sine Wave is influenced by Josef Albers, the visual artist best known for his color studies embodied in paintings of geometric abstraction. Both faces feature sidelong composi…
LP version. Includes mp3 download and full-color poster. After two bone-chilling full-lengths for the Type Recordings imprint, Erik K. Skodvin has embarked on his first journey for his own Miasmah label with Black Tie. While originally conceived as a soundtrack to an installation by Norwegian artist Marit Følstad, Skodvin uses this as a starting point to craft his most unnerving long-form pieces to date. Split into two distinct movements, "Black Tie" and "White Noise," we are exposed to the y…
KK Null (computer, kaospad, voice, member of Zeni Geva). The Noiser (machines, kaospad, voice, member of Formanex). For few years now KK Null and The Noiser had been playing together through Europe giving their best version of a new noise and contemporary music mixing critical beats, electroacoustic composition combined with improvised sound poetry and extreme post-punk. This first album of their collaboration, released by Monotype Records, is a glimpse of their relation to live acts and studio …
Recorded in the 1960s with Marshall Allen featured on Jupiterian flute and Danny Thompson on Neptunian libflecto. The original LP was pressed in very small numbers at the end of the 60′s, with purposely mislabeled details in the liner notes in typical fashion to Ra’s output during that phase. The contents are believed to be from 1963-64, a period that produced some of the composers most revered works and an era when Ra relocated to New York from Chicago. What we do know about Continuation i…
Hard-grooving Ethiopiques killers from the "Ethiopian Elvis". This eponymous collection gathers some of his finest moments from 45's recorded between 1967 and 1974, nine total, mixing R&B, soul, rock'n'roll with that magically mystical blend of modern flair and traditional groove that makes the Ethiopiques series such a treasure trove. You could imagine each of these being classics in their own right way back when, from the soulful organ burn and infectious breaks of 'Kenoru Lebetchahe' w…
Vittelli continues to set out its’ stall with this brilliant LP by Australian sound maker Matthew Philip Hopkins (Vincent Over the Sink / The Bowles / Naked on the Vague / Half High). This is Hopkins’ first solo vinyl outing after a decade of micro-edition cassettes and CDR’s. Nocturnes was assembled during late night headphone sessions at Hopkins’ Sydney home in late 2013. He employs synth, cassettes, fx pedals, contact mic and random objects to create a hypnotic suite of dramatic and highly ev…
LP version; printed innersleeve with lyrics. Before Balf Quarry landed on my desk, I figured the dirtiest thing in Connecticut was Chris Dodd's browser history. Not so. Among other things — like guitar tones that buzz around like contact-high June bugs, Elisa Ambrogio's slack vocals wavering between coy calls and willfully distant snarls, and a production value so low and dense you feel you're listening to them from the dining room above their rehearsal space — Hartford natives the Magik Markers…