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Sub Rosa presents a release by composer/violinist Baudouin de Jaer. Gayageum Sanjo: compositions for 12-string gayagrum, Prelude, 5 sanjo and 10 studies. According to legend and to recent archeological digs, the gayageum is a millennial zither-like instrument featured in all Korean traditional repertoires. "Sanjo" is usually translated as "scattered melodies." This style of music was informed by southwestern shamanic music (Sinawi) and the great epic songs (Pansori) from the same regi…
Crescendo. That's the word that most aptly fits Valusia, the latest ep by wunderkind Nika Rosa Danilova, aka Zola Jesus. Building layer upon layer upon layer of synths and drums and vocals, Valusia, honestly, gets better the more times we spin it. Her career is on the upswing as well, with no signs of a de-crescendo: tours with Fever Ray, Wolf Parade, among other big names. The four songs on this 18 minute record stand with the best Zola Jesus has released. The "cleaner" sound of the Stridulum e…
Originally released in 1976 by Nippon Columbia, this is the final album by legendary Japanese space/psych-rockers Far East Family Band. Droney and far-out electronica influenced by German producer/electronic music composer Klaus Schulze is more pronounced, merging prog rock with electronic music to create something rather weird and wonderful. Although Schulze oversaw the production of the album rather than playing on it (which he definitely didn't!), the synth star here is Masanori Takahas…
Rogelio Sosa was born in Mexico City in 1977. His work explores a wide range of aspects that deal with sound morphology, structures of auditory reference, intensification of the acoustic space and performativity. His projects include solo and collective improvisations, music compositions, sound actions and sound installations. All of these are produced using electronic media. He started studying musical composition with Julio Estrada and then electroacoustic music at the Ateliers UPIC and IRCAM …
A striking collaboration took place between Andrea Belfi on drums and assorted small percussion and Rutger Zuydervelt on guitar and organ. Together they produce the 'pulses' and 'places' mentioned in the title. Organic yet partially improvised, it resembles a kind of sonic geography. The listener is taken away for a journey of mild drones, soft yet outspoken percussion. A strong release.
In March 2006, Idea Fire Company made their first appearances in Europe. Core members Karla Borecky and Scott Foust linked up with Frans de Waard and hit selected hot spots in The Netherlands, Belgium, and Germany. Adding de Waard (Beequeen, Shifts, Kapotte Muziek, Freiband, etc) was a brave gamble that paid off handsomely. Armed with only a tiny digital keyboard (Borecky), a radio/cassette boombox and small echo unit (Foust), and a sawed off MS 20 (de Waard), the trio captivated audiences large…
The collaborative efforts of Athens native Savvas Ysatis and New Yorker Taylor Deupree were well known in the early and mid 1990s through their work as SETI, Futique, and Arc, as well as their soundtrack to Japanese architect Toyo Ito's famed Tower of Winds building in Yokohama, Japan. After going their separate ways, Ysatis to recording for Tresor in Berlin, and Deupree to founding the 12k label, they have united again for their first project in nearly 10 years.
Almost all of Ysatis and Deupree…
Massimo Pupillo, Terrie Ex & Paal Nilssen-Love recorded this gem live in concert at Kongsberg International Jazzfestival in July 2007. With the two tracks, Slap & Tickle on 32 & 16 minutes, they attack all senses with an exploding riot of free rock. If possible to describe, the music is in the midst of Black Flag, DNA, Pere Ubu, Last Exit, James Blood Ulmer, early Sonic Youth & of course Terrie's very own legendary band The Ex. All free improvised. Total freedom, total rock!
Bill Fay is one of English music's best kept secrets. At the dawn of the 1970s, he was a one-man song factory, with a piano that spilled liquid gold and a voice every bit the equal of Ray Davies, John Lennon, early Bowie, or Procol Harum's Gary Brooker. He made two solo albums but his contract wasn't renewed, which left his LPs and his reputation to become cult items. But he never stopped writing, the music kept on coming. Now, in his late sixties, he has produced Life Is People, a brand …
The disc is a recent release on the Monotype label by a group named LHZ+H, who are the semi regular trio of Thomas Lehn, (analogue synth) Carl Ludwig Hübsch (tuba) and Philip Zoubek (piano) augmented on this 2008 occasion by the trumpeter Franz Hautzinger, who on this occasion added a delay pedal to his instrument. The release contains four improvised tracks, and is named Scope. Now, I have been known to describe some improvised music as brooding a good few times before, perhaps trying to …
ASESOME NEW RELEASE! Josh Hanson is another of Portland, Oregon’s underappreciated sons. Having come up through the ranks of long-time, long-forgotten faves Hochenkeit, he also spent time as a member of The Davis Redford Trio. But Hanson’s path diverges into a totally different sphere nowadays, spinning solo modular synth exploits to the stars. Influenced not just by the likes of Subotnick and Cluster but also various types of Eastern sounds, Hanson is looking forward, trying to find new pa…
"Alchemic Heart is a special project presented by Vampillia who have colored these two colossal compositions with beautiful contributions by members of the Boredoms, Jarboe (ex-Swans), Inswarm and Japanese Noise-God Merzbow. Layered strings, piano, bass, noise and voices are weaved mysteriously and expand as two magnificently parallel aesthetic worlds. Comprised of two pieces, 'Sea'/'Land,' a primitive landscape is created via listening and destroyed when the pieces are complete. Vampilli…
Reissue of debut release by the collaborative duo of Chicago-based percussionist STEVEN HESS (HAPTIC, PAN AMERICAN) & French composer/producer SYLVAIN CHAUVEAU. Produced by Helge Sten (Deathprod), whose characteristic smudged ambience is evident as he submerges Chauveau & Hess' compositions beneath a swamp of cavernous reverb & synthesized smoke.
Extended sonic fluxes of synthetic nature mixed with delicate acoustic and electric guitars chords and riffs, crowd noises, indefinite and fading melodic "spots" of unknown origin, feedbacks, echoes, pulsations, vibrations, cracklings, rustling waves in continuous movement... But also sudden pauses, unpredictable and improbable inserts of folk blues radio transmissions, crystal clear water sounds, static, wrapping and dramatic electronic weaves, metallic tickings... An extraordinary range of sou…
Once again unveiling hidden treasures from his archive of tape loops, William Basinski releases three pieces made at his Brooklyn apartment during one night in 1982, adding a fourth composition (based on the same source material) made earlier this year. You can't help but wonder why this music, recorded so long ago, is only just surfacing. Was the world not ready for WIlliam Basinski in 1982, or was WIlliam Basinski simply not ready to hand himself over to an audience at that point? Whatever the…
Hailed as a hero of underground film in the 1960's, director Masao Adachi presents the shocking new film 'Yuheisha (Terrorist)' after a hiatus of 35 years. The soundtrack was composed by Yoshihide otomo, who is known worldwide for transcending the boundaries of jazz, improv, and noise. As a producer and film composer, he has gained critical acclaim for the soundtracks of 'Heart, beating in the dark', 'Canaria', and 'Boku Wa Imoto Ni Koi Wo Suru'. Also appearing in the film and playing acoustic g…
In the beginning there was the piano. As soon as he had mastered the basics, Jean-Philippe Goude discovered the spell of melancholy while working on a little musical piece: an etude ringing out in the style of a somber hymn. Not the dead meat smells of somberness that, according to Picabia, serious people emit, but the earthen gravity of an abyss dug by life itself. Everything is the result of this bedazzlement. At 11 years old, Jean-Philippe Goude closed his eyes. When his eyelids finall…
Sylvia Hallett (violin & electronics, voice), Danny Kingshill (cello, voice), Gus Garside (double bass & electronics). First formed in 1988, arc have developed, through improvisation, a collective language that draws on the European textures of the violin family (with a little bit of voice added). This is their first album to use live electronics, at times effectively increasing the group to a quintet. They previously released two albums of acoustic improvisations in 1992-3 on Uneasy Listening a…
"This latest in the ever-popular Latitudes series comes from Drag City avant-folkists White Magic, who have turned in a single ten-minute piece based on Eastern harmonies, delay loops and a tranced out approach to jamming that verges on Sunburned Hand Of The Man territory. For the vast majority of its duration 'New Egypt' relies upon a central three-note piano riff, which soon accumulates layer after layer of various other instrumental sources while seemingly improvised lyrics haunt the song thr…
Urs Leimgruber (soprano saxophone, tenor saxophone), Alexander Schubert (electronics, violin), Oliver Schwerdt (piano, percussion, organ) and Christian Lillinger (drums, percussion). Recorded April 17th 2008, Leipzig.