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Mapping (1995-97). Aerial (2002). Deepfield (2000). Still Time (2001) for flûte and electronics. Melt (1994). Symbiont (2002). Silk to Steel (2005). Cortex (2004-05). DVD-Audio with several versions: Surround 5.1, Stéréo and Stéréo (Dolby Digital). 'Composition is, for me, like a giant puzzle in which the overall shape is fixed but the pieces and the picture itself change and undergo subtle transformations as one is constructing it. The computer tools that I use, enable me to fix the edges - the…
next to his prolific work as an electronic composer, improviser and producer, "rule of inference" once more features schmickler's as yet less known yet marvelous work as a composer and arranger for classical instrumental settings. similar to his widely regarded album "param" (2001), the album is a collection of various settings, all of them recorded over the course of the last years. "rule of inference" unveils a conception that marks various departures along the history of music: the alb…
LP version: for the ninth volume of FRKWYS, a music and film series pairing contemporary artists with those that may have preceded them in style and/or approach, Sun Araw and M. Geddes Gengras meet The Congos in Jamaica.
Jerk is a collaborative artist's book and audio recording by director Gisele Vienne, author Dennis Cooper, musician Peter Rehberg and performer Jonathan Capdevielle, which translates a previous collaborative theater work into a violent multimedia disquisition on puppetry, serial killing and homoeroticism. The play and book are based on the Texan serial killer Dean Corll. As in their theater works, Jerk. Through their tears is a multi-faceted exploration of these artists' combined interest…
one of the best releases so far by the radical australian turntablist and 'body' artist Lucas Abela: a trio of glass, drums and piano was in Lucas’s minds ear when he arrived and two completely different musicians came forward to form this unlikely band. First to be recruited for drums was Yang Yang whose antics in his own band Mafeisan has given him the reputation of being the craziest exponent of the normally conservative Beijing scene. His ultra loud out and proud personality is in stark cont…
The Annual 'White Night' Festival in Tel Aviv is Israel's only cultural event dedicated to Improvised Music and Free Jazz. It is a twelve-hour musical marathon promoting creative, improvised music and facilitating collaborations between Israeli Artists and artists from abroad. It also fosters the development of young musicians, exposing their work to the world. The 2006 event was the second year this beautiful event took place and hopefully the tradition will continue in the years to come. This …
"Sam Shalabi returns to his Land Of Kush project with this new concept album tackling notions of shame and sexuality. Monogamy follows on from Shalabi's excellent Thomas Pynchon-inspired Against The Day LP expanding the title of his ensemble with the Egyptian Light Orchestra suffix especially for this release. There are some twenty-four musicians and sound artists gathered for Monogamy, and you can certainly hear the scale of the endeavour; tapping into Montreal's experimental scene Shalabi co-o…
Para Pacem Para Bellum” is the first CD release with the great music of Svyatoslav Lunyov's. That serious, highly emotional and spiritual work is the result of two general methods of creating music: academic tradition (scores, acoustic instruments and playing of the real musicians) and the contemporary/experimental way (generating, synthesis, editing with computer tools). Needs to say that this electro-acoustic work combines the well-known traditional elements of the Requiem, Passions and the Ma…
2005. Harold Rubin (clarinet, poems, cover drawing), Jean Claude Jones (electro acoustic bass & live electronics). Recorded on May 2004 & July 2004 at Digi Hip Studios, Hod Hasharon, Israel. This album documents the musical - spiritual meeting between the two leaders of the Israeli improvised music scene. Harold Rubin started the movement on the late 1980's, after his legendary group Zaviot disbanded, leading a long series of ensembles active in the Tel-Aviv area, where he lives. Jean Claude Jon…
A truly ethereal pairing from Italy. While MCIAA has already established a massive offering in all formats, this 7"is Valerio's first vinyl appearance proper. His side is dominated by free jazz sax loops and trance vocals, with moments of twinkling percussion and electronic euphoria. An amalgamation of improv styles pulled off in a way only Valerio can. On the flip is a beautiful example of the lush guitar ambiance, wordless vocals, and alien space toy sound effects that the Opalio brothe…
Blind Jesus by Andrew L. Hooker and Stefano Pilia debuts with a record that, according to this writer, is one of the best works of avant-rock heard recently: unravelled stuttering in the vein of Storm & Stress fall from crumbling gorges of tape loops, caracoling flights in the foreground interrupted with improvised retro-folk, wanton porno-concrète jokes arm-in-arm with strained ecstatic drones, followed by melancholic acoustic crackling, industrial creaking, soulful moans, obstacular Supreme Di…
Aiaiai, there we go again, 2 years ago it started and now it seems too late to ever stop it.. where is this gonna end, is of course an interesting question.. after a whole night long LA Bamba party (which is seriously a bigger aural torture than any noise gig), a lp with only La Bamba cover versions, a whole night long Popcorn and a accompanied comp lp, it's about time to abuse Eddie Cooley and John Davenport's Fever!on september 3rd 2011 the Fever night is happening on a boat in oostende, and …
About 15 years too late! Finally out. This is the first 7" in a yearlong monthly series of limited 7"es that will really be all over the place. anything goes: from the acid of Pierre Elitair to the mincecore of Agathocles or a prank by Frieder Butzmann! This first one could actually be an lp! As usual with noisecore, grind or mince, this one has more tracks on it than 5 lp's together! 10 songs by each band, Agathocles drills holes in your skull and pours in a cocktail of assgrinding diarrhea rec…
The exotic follow up to "Dreamers." Featuring the same dynamic band of masters from Zorn's inner circle, this presents 12 more lyrical & adventurous instrumentals combining world music, surf, exotica, soundtracks, easy listening, minimalism & more into a fabulous & exciting new music.
Exclusive collection of the Hype Williams videos work, probably the most genuine reflections of pop culture mixed with the hyper-contemporary obsession of domestic self representation. Here you can find a massive exploitation of the Long Takes and a deliberate use of digital folklore. VHS edition
Reflex is the fifth solo album by Switzerland's Reto Mder (Ural Umbo, Sum of R, Pendulum Nisum) as RM74. A creepy, paranoid record of sinister melody and complex structure. Electronics, organ, synthesizer, guitars and other instrumentation drifts in and out of bizarre atmospherics. The tracks gain emotional resonance as they move among vexing swells of dense, rotting psychedelia. Presented in a heavy matte sleeve printed with dark metallic ink. Includes fold out insert. Photograph by Phill…
Jean-Claude Jones (electro acoustic bass, live electronics). This solo bass album is a distillation of my language, the articulation of my voice on my instrument. It is free improvised music, focused on energy and the moment. This project incorporates electro-acoustic sounds and noises, groovy rhythmical games and sporadic forays into melody.
De Stijl's excavation of The Parasites Of The Western World turns up the lead single for their second album in the form of an exact reissue. Originally released circa 1980-81, 'Politico' opened the B-side to Substrata with a rippin' new wave roller full of glam stomp, proggy arrangement and punky attitude. The synth-fueled instrumental B-side was exclusive to the single, and as tradition dictates, far more interesting, featuring Terry Censky and Patrick Burke in an ebullient symphony of s…
Very Friendly is a comic book project that subjectively collects its material from the world of experimental electronic music and will mix stories of an autobiographical nature with historical accounts. In other words; the reader will get a chance to meet some of Sundin's musician friends and colleagues as well as take part of some historical events where a classic recording or performance took place. The first issue of Very Friendly, released in April 2009, presents over 52 pages three main sto…