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The first release from Dieter Moebius and Karl Renziehausen, a painter. The original LP was released on Pinpoint Records in 1990. Reissue with elaborate miniature paper sleeve of the original LP. Digitally remastered version, limited to 1,000 copies
next to his prolific work as an electronic composer, improviser and producer, "rule of inference" once more features schmickler's as yet less known yet marvelous work as a composer and arranger for classical instrumental settings. similar to his widely regarded album "param" (2001), the album is a collection of various settings, all of them recorded over the course of the last years. "rule of inference" unveils a conception that marks various departures along the history of music: the alb…
Track titles are from paintings by Mark Rothko. Ariel Shibolet (soprano saxophone), Aurora Josephson (voice), Jen Baker (trombone), Scott R. Looney (piano), Damon Smith (double bass). Recorded by Scott R. Looney, 8 January, 2006 at 1510 Studios, Oakland, CA, USA. Mixed by Scott R. Looney. Cover: five linocuts by Aurora Josephson.
When composing for a group, Ken Vandermark as a rule takes into account factors such as each musician's approach to improvisation, personal tastes and individual sound. So when he chose to compose for a tentet that included musicians who were virtually an unknown quantity to him – musicians such as Polish saxophonist/clarinetist, Mikolaj Trzaska and the Ukrainian duo, Yuriy Yaremczuk on reeds and Mark Tokar on bass – it could have been seen as a foray into relatively unknown territory. And it wa…
Though classically trained Arthur Russell's major contributions to the music world is in the dance genre. Despite the fact that his pioneering work in the late '70s and on through the '80s was only quietly acknowledged at the time, his long term impact is best described as formidable. Russell's innovative; left field dance records flew way ahead of what people were used to hearing at the time, due in part, to his involvement in New York's downtown avant-garde music scene. He scored severa…
2 sides of bent frown jazz from the hardcore supergroup of Lorenz, Yeh and Jewell. Side a comes on all fifth dimension hard think: violin scrunch and squeal, hard tom rub and dense harmonic blowing pushed right to the front of your brain box, jams a frantic fanfare with locked horn and strings before giving in with a wheeze and a tinkle. Side b's call and answer shies away as fragments fragment into bowed skin, seesaw string microtone and rasped mouthpiece until spunk rock free jizz looseness ex…
Following his two previous 7“s with ‘acoustic solo percussion’ (see Vital Weekly 687 and 706), here is the third volume. Like before it’s hard to believe its percussion music. But this time we get a detailed notes on the proceedings: side E has ‘two cymbals bowed together with one cello bow’ and side F has ‘a snare drum rubbed with a ring of styropor and two cymbals bowed together with a cello bow’ (and made me wonder how many hands Wolfarth has?). Oh, did I mention ‘no overdubs, electronics and…
last copies, Toy-psychedelia, what a precocious three-year-old might come up with if (s)he had a penchant for the Canterbury scene. Fun to listen to, not sure about the ultimate value. Beautiful cloth cover
'Carl Fredrik Reuterswrd is an artist known for his dadaistic works and Ulf Linde is not only an art professor, he was one of the leading Swedish jazzmen in the early 50s. Usually playing vibraharp. But together with Carl Fredrik on drums they played in small clubs for a while in the late 50s a kind of jazz that is free jazz before it was named that. It is an utterly rare example of free European jazz. Linde plays piano and Reuterswrd drums. The session took place in somebody«s home, the recordi…
LISFRANK was an obscure one-man project from Savona area, Italy, active from 1980 onwards but not releasing much music ever since apart from a few tracks via the own Mask Productions label in 1982 and 1983. The first and only LISFRANK stand-alone release was the 12”EP “Man Mask” (Mask Productions, MKX 01, 1982), definitely one of the best and rarest early 80’s minimal electro 12”s ever and on top of most want lists ever since, including the super hit “It’s Life”, as well as “Violence in m…
New holiday themed single from Moon Duo. Erik and Sanae add more lilt to the season than any combination of egg nog and booze ever will. On the B side the duo wrap a coat around the classic "Goat Head Soup" deep cut "Winter."
"the future is neon purple, and sunglasses are a non stop necessity when this buzzing love duo is oozing by! the only married newsteam, younger than lamonte younger (luke younger's son), we're forced to make our upper body's wet, do some push ups and train all our fingers! luckily we got 10 extra toes, we WILL need them to compete with the echoed skills of MITTLAND OCH LEO! exotica is usually more near than you'de expect, maybe even across the road, or at least across the gaza strip! time to…
Textile is proud to announce the fourth installment in its split 12" series, oren ambarchi / hado ho. oren ambarchi is an electronic guitarist and percussionist with longstanding interests in transcending conventional instrumental approaches. Born in sydney in 1969, he has been performing live since 1986. his recent solo releases triste (southern lord - usa), and grape from the estate (touch uk) have transcended the guitar into a zone of alien beauty and sonic impossibilities to critical acclaim…
"Filmmakers often try to make a great film by making it feel heavier than film is by nature. Rudy Burckhardt seems happy if he can make his feel lighter. That does leave him unique, and he succeeds in it too. There is no distortion of image or sound. Its magic invention - including the later dream-weight - is new and inscrutable. It is a film that changes when you watch it again, it has many surprises I haven't mentioned. Take it as a wonderfully touching dream and as an amazing marvel of…
deluxe 3Xcd EDITION "Metal Box is the second PIL album and their masterpiece. One of these rare things that crosses the sky of rock from time to time. Formed by John lydon after the split of a well known band, PIL turns the back to the past : with cynicism. Exit the image shaped by Mc Laren, place to the music, a powerful funk carried by the hypnotic bass of Jah Wooble that sometimes evokes Holger Czukay of Can, striated by the minimalist riffs of Keith Levene (between James Blood Ulmer a…
Aiaiai, there we go again, 2 years ago it started and now it seems too late to ever stop it.. where is this gonna end, is of course an interesting question.. after a whole night long LA Bamba party (which is seriously a bigger aural torture than any noise gig), a lp with only La Bamba cover versions, a whole night long Popcorn and a accompanied comp lp, it's about time to abuse Eddie Cooley and John Davenport's Fever!on september 3rd 2011 the Fever night is happening on a boat in oostende, and …
Blind Jesus by Andrew L. Hooker and Stefano Pilia debuts with a record that, according to this writer, is one of the best works of avant-rock heard recently: unravelled stuttering in the vein of Storm & Stress fall from crumbling gorges of tape loops, caracoling flights in the foreground interrupted with improvised retro-folk, wanton porno-concrète jokes arm-in-arm with strained ecstatic drones, followed by melancholic acoustic crackling, industrial creaking, soulful moans, obstacular Supreme Di…
It seems as Campbell Kneale (within his Love Will Destroy The World project) aims to discover any darkest and most dangerous corners of the modern experimental music. As an experienced and dedicated hunter, he doesn't walk the empty tracks, rather he's interested much more in rich bushes and impassable thickets. The A side's track is “Glittery Skin”, it shows Merzbow-like pulsating electronic noises, but the main energy-giver is obscure and doomy heavy guitar riff. Sick, anarchic, trancesending …
“23 Frequencies Panoramas - Urban and peri-urban sound-images of Lyon, Saint-Etienne and in between. This record contains about twenty sound images: recordings, or edited recordings, which have been carried out for a few years in Lyon, Saint-Etienne and in betweens. The used recordings have never been distorted or transformed, except a slight filtration when necessary, to reduce some undesirable frequencies, or to reinforce others, which are highly desirable. These sound images deal with …
RESTOCKE!! RCF's '0509' cd is the first release by the Misengarde label, an awesome improvised album between the so-called onkyo and noise tout-court, Asmus Tietchens and Keith Rowe; RCF (Ciro Fioratti) wander lonely through his mc505 frequencies in order to make them talk freely, finding a hidden life and reacting against the machine wild language.The disc had been recorded in May 2009 playing the mc505, a mixer and a small multi fx rack; no edits, no overdubs, no copy-paste. And, 100 copies on…