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The Drag City / Galactic Zoo team delve deeply into the recesses of private press obscurity once again, further revealing the underbelly of American music's recorded history - this time the little known songwriter Ryan Trevor is in the spotlight, who released just one incredibly rare, homespun LP (this one, if you're wondering) which surfaced originally in 1977. Not much is known about Trevor, though the guys at Drag City bill him as a "loner genius", whose work is to be filed somewhere between …
Poet Laureate of East St. Louis+founder/editor of internationally acclaimed journal "Drum Voices Revue". Principal architect of black cultural arts movement of the 60s, teacher & acclaimed writer of countless volumes of poetry, Redmond has been called "the preacher of poetic rhythm" by Maya Angelou, "a carver of high song magic" by Quincy Troupe & "a worker & healer" by Ishmael Reed. On this spirited, funky, streetwise collection of 12 vintage cuts recorded live in the studio in Sacramento in 19…
Tetuzi Akiyama - guitars. Johan Arrias - saxophone, electronics, no input mixingboard. Leo Svensson - cello, organ. Henrik Olsson - drums, electronics, piano. Artwork and screenprint by Peter Larsson. Mixed by Giuseppe Ielasi. Mastered by Daniel Karlsson. Produced by Johan Berthling. Album and songtitles are inspired by the lyrics of Moondog (Louis Thomas Hardin). Recorded in Stockholm 2006. Limited edition of 250 hand numbered copies. The cover is hand printed by its author on recycled covers c…
Bengt is the new solo recording by Mats Gustafsson and is dedicated to Bengt Nordström. Mats Gustafsson plays a plastic alto sax. A classic Grafton sax. The type of sax that was used by Charlie Parker, Ornette Coleman and Bengt Nordström. Nordström is best known having produced Albert Ayler´s first recording Something Different!!!!!! on his Bird Note imprint. It is in his own role as a sax player Bengt was truly inventive. Bengt was playing solo sax improvisation already in 1962 (!!!) Nor…
Blood n guts folk from the Anglo-American duo. The Wire says “The twining harmonies…recall the heyday of English pastoral folk song”. Plan B says "Dumb Supper is one of those rare modern folk albums that will find a home both in the longstanding 'traditional' music community and among those attracted to the form's more experimental and lo-fi possibilities". Most of the tracks are re-discovered and adapted by the Tylers, their searing harmonies and sparse, vital instrumentation breathing n…
A new Astral Social Club album is always a highlight of the year and Generator Breaker is no exception. Neil Campbell is one of the veterans of the British DIY/Drone/Noise scene and with ASC he has slowly formulated his very own and unique musical universe, akin to the psychedelic visions of his contemporaries and sometimes collaborators Sunroof! and Vibracathedral Orchestra but with a more electronic, less rock-influenced approach, instead aiming towards a heavily layered techno-infused …
Joke Lanz aka Sudden Infant creates an unique blend of physical sound-poetry and dadaistic vocals, using contact microphones, prerecorded soundloops and noises. The result is abrupt Musique Concrète juxtapositions of spasmodic gibbering and a battery of disorienting electronics. It's a fragmented field of sound that comes to its own autonomy!' Two great live recordings which shows more the competence of Joke Lanz then the most studio recordings ! Termite Club, Leeds, England (Live 2004-08-21). R…
10 years after the first Edition on CD the most horrifying piece of music available again on Vinyl. Featuring the infamous recording 'For Stringquintet and Asstrumpet' on one side, and a collage of studio-recordings and various live-actions in Rudolf Eb.er's unique style on side b. Mastered & cut by Lupo at D&M, Berlin.
"For this new Latitudes release All Tomorrow's Parties mainstay Alexander Tucker joins forces with Dean Garwood, resulting in three terrific stretched out jams. Perhaps it's got something to do with the fusion of prog influences with jazz and psychedelia, but stretches of this bring to mind the Canterbury scene of the '60s and '70s from which Robert Wyatt and Soft Machine came to prominence. 'Golden Dome' slips into a bluesy cello riff (if that's not too much of a contradiction in terms) that lo…
Now that we've wrapped up our inaugural six-volume CD series, Azul Discografica continues in earnest with our first vinyl release, The Sakada Sessions. Sakada is the duo of Eddie Prevost (AMM) and experimental noise agitator Mattin (Billy Bao, Josetxo Grieta, and countless other projects). Since Sakada's 2001 inception, the pair has performed with a host of radical improvisers of the highest order. This record documents two such sessions: the first, a spare, inverted dronework featuring Alan Cou…
Includes digital download voucher redeemable from the label** Judging from his prolific output, L.A. dude M. Geddes Gengras must have a heavy carbon footprint. But we'll let him off 'cause he makes exceedingly good music. After techno odysseys as Personable, psych-dub trips with Sun Araw and The Congos, and duties in Robedoor, Pocahaunted and LA Vampires, he flies under his birth name for 'Test Leads', perhaps his purest and most honest revelation to date; two sprawling sides of throbbing womb b…
romantic low-fi death rock creepers from prolific Providence showman/illustrator/film-maker Carlos Gonzalez. Some of his catchiest tunes yet. To be listened at night on headphones. Reminds me of morbid childhood, the thing in the mirror, the AM rock n roll station and it’s chintzy announcers, hair collectors and men in heels - - #1 pop hit of the year - - -
Digitalis invite us to dive headfirst into the synth froth of 'Soft Terminal', the latest emission from maverick soundscaper Norm Chambers, aka Panabrite. Over the last few years he's amassed a small library of exceptional material for the likes of Gift Tapes, Aguirre and Digitalis, plus one rather special pearl, a real scene classic, produced incognito and which we've been sworn to secrecy over. Compared with the stacks of dribbling dronesmiths and half-baked fantasists who populate this …
"Kluster (1969) metamorphosed into Cluster (1971) and Cluster became Qluster (2011). In a period spanning over 40 years, Hans-Joachim Roedelius was a driving force behind this unique transformation. Now, as Qluster, he has recorded together with Onnen Bock in the latest incarnation. Three albums already released document the current status of their musical journey to pastures new. Lauschen is not a studio album, but a live recording of a performance for which Roedelius and Bock invited world mus…
Guitarist /composer Glenn Jones claims a lengthy and rich relationship to what his longtime friend John Fahey so famously dubbed "American Primitive Guitar". Aside from being seduced by punk in its latter-70's heyday and brandishing the electric for a large portion of his career (including 20 years as a founding member of post-rock instrumentalists Cul de Sac), it was the acoustic steel-string and the seemingly multi-directional genres born from Fahey's homespun Takoma imprint that informed much…
Brand new split LP from fellow Manchester weirdos A Middle Sex and Gnod. Gnod follow on from some killer releases over the last couple of years, a split 7" with Bong, a tape on Not Not Fun, and most recently a collaborative LP with White Hills. The oddly titled 15 minute 'Why Don't You Smile Like The Other Children?' opens with hazy strings and cosmicly far out voices, this slow groove packs a multi-coloured burst of rhythmic psychedelic vibes. On the flip side, A Middle Sex take up duties of do…
The Slaves may well have gone and made one of the standout debuts of the year - a layered mass of ethereal vocals most reminiscent of Grouper with a brutal, doom-stricken underbelly that at turns sounds like My Bloody Valentine, Sunn O))) and Slowdive, massively recommended if you're into any of the above and available in a limited edition run of 500, with initial copies on pure white vinyl* The Portland, Oregon duo of Barbara Kinzle and Birch Cooper, aka The Slaves, operate in the void …
Garbage freedom noise & riffage from Rochester gents John Schoen, R. Nuuja and Jason Finkbeiner. Liner notes are some sort of prose poetry (translated into arabic; including a reference to Armand Schaubroeck, no less) from everybody's batthroated hero Dylan Nyoukis
By necessity, any conversation about the music of Matt Valentine (MV) and Erika Elder (EE) is eventually going to touch on their prolific output. The Vermont duo's constant production has simply become one of its defining facts. In addition to a steady stream of studio albums for Ecstatic Peace!, MV & EE have continued to release small-batch recordings on their own Child of Microtones label, including a Dick's Picks-style series of live recordings on the offshoot Heroine Celestial Agriculture su…