an edition of 250 copies on 180 gram virgin black vinyl. A live LP of incendiary concréte guitar shards. Two live sets from SuperDeluxe Tokyo. Imagine Derek Bailey slamming his guitar into the circuitry of David Tudor and the subsequent brawl. Polite applause please. This is the sound of Caravaggio. Marco works outwards from his home in Melbourne, Australia. Primarily a visual artist he produces artwork through the employment of an open methodology, avoiding practice riddiled with formal desicion making. He has been working within the fields of music for a number of years, producing devestating torrents of piercing guitar sput.
'...Whatever music is or isn't, it certainly does not have to be as relentlessly deafening as Marco Fusinato's barrage, which was about as pleasant as being attacked by a squadron of F/A-18s...' – Anna Schwartz Gallery
'Marco Fusinato's work is a series of propositions that question and re-configure accepted cultural forms and concepts, laying bare their construction, re-using them in particular contexts, exploring how those worlds are made...' – Sarah Cottier Gallery
'...Whatever music is or isn't, it certainly does not have to be as relentlessly deafening as Marco Fusinato's barrage, which was about as pleasant as being attacked by a squadron of F/A-18s...' – Anna Schwartz Gallery
'Marco Fusinato's work is a series of propositions that question and re-configure accepted cultural forms and concepts, laying bare their construction, re-using them in particular contexts, exploring how those worlds are made...' – Sarah Cottier Gallery
Details
Cat. number: spring#9
Year: 2010
