Drawing inspiration from the "Action Direct" expanded guitar performances of Masayuki Takayanagi, Fusinato places the guitar at the centre of his work. A few crudely played strings provide the impetus for a long chain of electronics which obliterate the original signal and leaves us with a hyper-kinetic wall of full frequency spectrum noise. Like the piano in David Tudor early 1960's performances of Cage's Variations II, in Fusinato's work, the guitar is the object of a dialectic of simultaneous adulation and annihilation.

This LP presents 5 pieces demonstrating various possibilities of Fusinato's current interface between the guitar and electronics, from rapid-fire cut-ups that mimic the dynamics of classic musique concrète, to slowly building mass projections, in which layers of sound gradually rise to the surface, tussling for space at the top until they reach a near unbearable density. Presented mostly in crisp and detailed fidelity, one piece exploits the recording potential of the iPhone to achieve a harsh room-tone reminiscent of the works of Fusinato's comrade Bruce Russell. L'Origine/TEMA is Fusinato's most advanced work to date, moving beyond the startling juxtapositions of sound and silence found on his Spring Press LP to reach new dynamic complexities, new ambiguities between indeterminacy and intention, new relations between instrumental performance and its effacement.

(–) Francis Plagne