Released in the summer of 1972 by the Italian library and soundtrack label Flower Records, Condizione Umana stands as far more than a mythic entry in the catalog of Rino De Filippi. An enigmatic and multifaceted figure in the Italian music scene, De Filippi-already known for his role in the legendary psychedelic project Braen’s Machine alongside Piero Umiliani and Alessandro Alessandroni-dives here into the deepest and most unexplored territories of the human condition, tracing a sonic path that blends experimentation, introspection, and groove. In recent years, the rediscovery and reissue of foundational Italian Library Music albums have brought to light extraordinary works by composers like Umiliani, Alessandroni, Egisto Macchi, Ennio Morricone, and Bruno Nicolai. Within this ongoing context of creative exploration, Condizione Umana emerges as one of the most fascinating and sought-after episodes-a hypnotic journey through jazzy sketches and intimate atmospheres, where each track becomes a piece of an emotional and visionary mosaic.

Within the vast landscape of visionary Italian productions from the 1960s and 1970s, Library Music occupies a unique place: music conceived to serve as the soundtrack for films, television, and radio, but which, thanks to the creative freedom granted to its authors, often transforms into pure avant-garde. Condizione Umana is a perfect example of this tension between function and art: an album that, although born to accompany images, reveals such coherence and depth that it can be listened to as a standalone work-capable of evoking inner worlds and complex states of mind. Through a series of instrumental sketches that oscillate between jazz, funk, psychedelia, and experimentation, De Filippi explores the many facets of the human mind, alternating moments of tension and release, darkness and light. The primal, ritual percussion of “Crivellamento,” for instance, could easily be mistaken for a lost classic by Four Tet tackling the repertoire of the Gruppo di Improvvisazione Nuova Consonanza, while the other tracks move between suspended atmospheres and ultra-modern grooves, the result of a rich and daring timbral palette. Four Tet’s own work has often been described as abstract, textural, and rhythmically inventive, blending organic and synthetic elements in ways that feel both intimate and expansive, and that same spirit of innovation and emotional resonance pervades Condizione Umana.

Like many masterpieces of Library Music, Condizione Umana remained for decades a secret cherished by insiders and collectors, but now returns to vinyl, ready to captivate a new generation of listeners. This record shines a light on the visionary talent of Rino De Filippi, standing tall among the greatest achievements of Italian avant-garde music from the 1970s: infectious, surprising, deeply human, and impossible to forget once the needle hits the groove. Condizione Umana is not just an album; it is a sonic journey that invites the listener to explore the boundaries of perception and creativity, an essential piece for anyone seeking to understand the richness and modernity of Italian Library Music.