*100 copies limited edition* Stemming from the archaic verb “harken” which means “to listen” or “to give respectful attention to”, indeed, this gathering of contributions from 32 field recordists and sound artists from across the world tunes in to the plethora of vocalizations, mechanical emanations, and any other acoustics phenomenon produced by animals. Over the course of 4 hours, the compilation invites listeners to immerse themselves in non-human semantics and sonic traces, spanning from the little-known vibroscape of insects, the hiccuping calls of hammer-headed bats, the peculiar gurgles of rock ptarmigans, the eerie signals of ribbon seals, the formic attacks of ants, a detour to the rhythm of yeast, the rustles of pink river dolphins, to the whimsical cries of tropical frogs, and many more.
Yet, the title 'harkening critters' holds an ambiguity. Are the critters being listened to, or are they the ones listening? Who is who?
3xCD
6 printed panels sleeve
limited edition of 100
sounds recorded and arranged by → alëna korolëva, alyssa moxley, andrew pekler, artificial memory trace, cheryl e. leonard, diane barbé, felicity mangan, félix blume, gina lo, grégoire chauvot, izabela dłużyk, jana irmert, jonáš gruska, joshua bonnetta, juan josé lópez díez, katharina schmidt, kmru, léa paintandre, ludwig berger, marc namblard, martha mutiso, max wolf, mélia roger, murmer, nikki sheth, nikos sotirelis, pablo diserens, patricia wolf, raphael malfliet, selu herraiz, stéphane marin, yoichi kamimura
texts and pictures by each artist - unless mentioned otherwise
cover picture by slavek kwi
curated by pablo diserens and mathieu bonnafous
forms of minutiae — fom12 — 2024