Reissues

* Deluxe reissue, with obi strip + 4 page booklet, 180g vinyl* In November 1976, Jef Gilson’s phone rang. What a surprise! It was Serge Rahoerson, one of the musicians he had met in Madagascar at the end of the 60s and who had played on his first album “Malagasy”. Rahoerson announced that he was in Paris for a few days.  Immediately, Jef wanted to organise a recording session, starting the next day. He thought of a trio including Serge, Eddy Louiss on organ and cellist Jean-Charles Capon, who ha…

A radical album with uncompromising blasts of atonal electric guitar, free-form sonic explorations and richly layered passages. "Have you ever imagined what a meeting between the Silver Apples and Sonny Sharrock would sound like? In 1974, Jean-Jacques Birgé, one of the first French synthesizer players (ARP 2600) along with Francis Gorgé, virtuoso guitarist, created some unique improvised pop music.The unreleased and flamboyant recordings featured on Avant Toute would be the source for the cult 1…

** Deluxe 180 gram vinyl + extensive booklet ** The axolotl is a species of salamander native to Mexico, living in a state of larva and having the capacity to regenerate damaged organs. This brief introduction doesn't tell us if the axolotl sings. But, for the one that concerns us here: yes, indeed. In Paris, at the end of the 1970s, Etienne Brunet and Marc Dufourd would improvise regularly, inspired by some other saxophone-guitar duos: Claude Bernard-Raymond Boni firstly, then Evan Parker-Derek…

** CD edition, digipack deluxe ** First ever reissue of highly sought after french jazz funk fusion nugget from Alain Bellaïche featuring, Jerry Goodman (Mahavishnu Orchestra), John Hicks (Strata-East) & Fabiano (Fabiano Orchestra). Remastered from the master tapes. Restored artwork + 12 page booklet & Obi Strip      A Frenchman who is returning (but who we seem to discover!) from the USA is something unusual. Everything seemed to start out well for Alain Bellaïche: Born in Tunis, childhood in C…

Big Tip! Quartet Records, in collaboration with GDM and Universal Music Publishing Italia, presents a revised, remastered reissue of famous giallo score composed by Ennio Morricone in 1971 for Cosa avete fatto a Solange?, directed by Massimo Dallamano and starring Fabio Testi, Joachim Fuchsberger, Cristina Galbó and Camille Keaton. Morricone’s thriller scores remain some of his most distinctive and original works. As demonstrated in his scores for Dario Argento’s efforts in the genre, Morricone’…

Quartet Records, in collaboration with GDM and Universal Music Publishing Italia, presents a revised, remastered 45th anniversary reissue of Ennio Morricone’s bizarre sci-fi score for Aldo Lado’s The Humanoid (1979), a sort of parody-reboot-plagiarism-homage to the recent Star Wars success that featured a cast of actors famous for their recent appearances in The spy who loved me, and Moonracker: Richard Kiel, Barbara Bach and Corinne Clery. The story encompasses stealing revolutionary scientific…

Sounding as fresh today as it did in 1973, Seven Songs places the Gary Burton Quartet in an orchestral context, with compositions of Michael Gibbs – inspired by Messiaen and Charles Ives as well as Miles and Gil Evans – and exceptional soloing by Mick Goodrick, Steve Swallow and Burton himself. The production is exemplary: Seven Songs set a new standard for recordings of orchestral jazz. While there is still a handful of ECM titles from vibraphonist Gary Burton that remain unreleased on CD, perh…

Andrew Cyrille’s title Lebroba is a contraction of Leland, Brooklyn and Baltimore, birthplaces of the protagonists of an album bringing together three of creative music’s independent thinkers.  Each of them made his first ECM appearance long ago: drummer Andrew Cyrille on Marion Brown’s Afternoon of a Georgia Faun (1970), trumpeter Wadada Leo Smith on his own classic Divine Love (1978), and guitarist Bill Frisell on Eberhard Weber’s Fluid Rustle (1979); these are, of course, players of enduring …

When Circle took the stage in Paris in 1971, they weren't just performing - they were igniting a musical revolution. This extraordinary quartet, featuring Chick Corea (piano), Dave Holland (bass), Anthony Braxton (reeds), and Barry Altschul (drums), represented the cutting edge of jazz experimentation at its most vital. Fresh from their tenure with Miles Davis, Corea and Holland were eager to push boundaries in an entirely improvised context. They found the perfect collaborators in Braxton - who…

Barre Phillips was the first musician to record an album of solo double bass, back in 1968, and he has always been an absolute master of the solo idiom.  In March 2017, Barre recorded what he says will be his last solo album, the final chapter of his “Journal Violone”: it is a beautiful and moving musical statement.  All the qualities we associate with Barre’s playing are here in abundance – questing adventurousness, melodic invention, textural richness, developmental logic, and deep soulfulness…

Revisited and remastered, with additional takes, texts and photos, here is the very first ECM session, recorded in Ludwigsburg in November 1969, featuring the great American pianist Mal Waldron, whose resume included work with Coltrane, Mingus, Dolphy and Billie Holiday. In his original liner notes, Mal wrote: “This album represents my meeting with free jazz. Free jazz for me does not mean complete anarchy… You will hear me playing rhythmically instead of soloing on chord changes.” As Jazz Journ…

Bordeaux Concert is a special document from Keith Jarrett’s last European tour. Each of Jarrett’s 2016 solo piano concerts had its own strikingly distinct character, and in Bordeaux the lyrical impulse is to the fore. In the course of this improvised suite, many quiet discoveries are made, and there is a touching freshness to the music as a whole, a feeling of intimate communication. Reviewing the July 2016 performance, the French press spoke of hints of the Köln Concert and Bremen-Lausanne in t…

Antenna showcases David Virelles’ mastery in fusing Afro-Cuban spirituality with avant-garde innovation. This reissue highlights its hypnotic rhythms and spectral harmonies.

Original 1980 LP edition, first pressing – printed in the USA. For light relief from his darker, more existential works, Michael Mantler assembled two fine ensembles at the end of the 1970s to play music that might be described as the Thinking Man’s Answer to Fusion. "Like a more mature and musicianly Mahavishnu Orchestra" according to Melody Maker. Two original albums, remastered, on a single CD.

Original 1985 LP edition. This one is a bit of an outlier. More a showcase for keyboardist Don Preston’s (The Mothers Of Invention) array of 1980s synthesizers and drum machines than a jazz album. As the story goes composer Michael Mantler wrote this music for a conventional orchestra with the solo trumpet part, but then decided to transpose orchestral partitions to Preston’s gadgetry. It is not known if this move was informed by the budgetary constraint or perhaps creative or even financial inc…

Another outstanding Prog Rock classic, originally released on Vertigo in 1971 and now available again on LP. Like the first album, originals of this one are also increasingly hard to find in mint condition, and have peaked over £1,000 at auctions. ‘Asylum’ has a striking cover artwork, very typical of the style of the day, and was Cressida’s second album of eight extended rock workouts, with Peter Jennings’ superb keyboard playing backed by John Culley on lead guitar, enhancing the lead vocals o…

* 300 copies, machine-printed numbered edition, gatefold cover, 180gr vinyl * 1973’s Sulle Corde Di Aries was Franco Battiato's third release and showed his fascination for electronic, minimalist and systemic musics, as well as his third chapter in Battiato’s foray into esoteric pop. While the artist would venture further out into avant-garde terrain on subsequent releases, his early records enjoy a lyrical and playful spirit—eschewing traditional, song-based composition in favor of kosmische vo…

Les Rallizes Dénudés with Fujio Yamaguchi as a member, burst into a historic live performance at Shibuya Attic in October 1980, and this is finally officially released!

The collaboration between Brian Eno, one of the main figure in ambient music, Holger Czukay, a pioneer of krautrock from the band Can, and J. Peter Schwalm, a German composer, resulted in the creation of a musical project called Sushi. Roti. Reibeckuchen - a unique live collaboration. The impromptu performance was documented in 1998 in Bonn, Germany, but it has recently been released to the global audience.

Finally! The very first commercial release of two legendary remixes of Arthur Russell's "In The Light Of The Miracle". Both are widely regarded as transcendent masterpieces and very much befitting of the title “holy grails”. These long-beloved mixes are the types you'd wish would last for eternity. With almost 30 minutes of music here, we very nearly get our desires granted. At last, these jaw-dropping mixes are widely available to every Arthur fan in the world. This is musical perfection. The d…

Dizonord is very happy to bring you the reissue of this French 1988 underground self released gem, re-mastered from master tapes! Dubby, punky, politically engaged new wave with a sense of humour, we've always been touched by the voice of Agnès (bass) and the phlegmatic Michel (machines and graphics). We could have thought the language barrier would have stopped the pleasure of this record but obviously not, as Mobutu song is already an international digger classic! We really hope you'll enjoy t…

For the first time ever, the complete recording sessions for the Spotlite vinyl album ‘Fingers Remember Mingus’ expanded with bonus tracks. The original album sessions, and the extra tracks, were all recorded between 1979 and 1983. Co-produced by Jazz In Britain with Dave Green, who formed and led the Fingers quartet and who provided most of the recordings from his own tape archive and wrote new notes to complement the 24 page booklet which compiles contemporary reviews and articles about Finger…

Monk’s Blues is an album by Thelonious Monk, accompanied by a big band arranged and conducted by Oliver Nelson. Produced by Teo Macero, the album was recorded in Los Angeles by Monk‘s working quartet augmented by a group of top Hollywood studio musicians. The Monk Quartet included Monk on the piano, Charlie Rouse on Tenor Saxophone, Larry Gales on Bass and Ben Riley on the Drums. Additional musicians a.o. Tom Scott, Buddy Collette, Bobby Bryant and Conte Candoli. Monk’s Blues is available as a l…

“Lone is about loneliness and hidden places. It’s been my shelter for the last three years. It’s a work full of internalized questions. Am I still who I was before? Do I have the same energy and ambitions? Is this all still really me? A sense of nostalgia permeates through all its tracks, though each one has a different root. I’ve always felt connected to both tribal and dark atmospheres, and cinematic moods as well. The beautiful dualism with CTM’s cello, and the romantic guitar featured by Car…

Like trekking through the Swiss Alps with François Bayle...

Medium Ambient Collection 2022 is the first highly acclaimed ambient compilation on the Medium label, run by electronic musician/producer Masanori Nozawa. The "black" version starts with Japan's leading sound artist Chihei Hatakeyama, followed by Endurance from Muzan Editions, Takuya Yamashita, Minguss, AcidGelge (909state), Molelule Plane, miffrino, and many other musicians! Newly re-mastered for vinyl, this is a masterpiece of a gem of a disc that deserves to be called the 2020s version of "Ka…

Medium Ambient Collection 2022 is the first highly acclaimed ambient compilation on the Medium label, run by electronic musician/producer Masanori Nozawa. The "White" version includes tracks from well-known artists such as H.Takahashi (Unknown Me, Kankyo Records), Hakobune, and Enitokwa, as well as Daisuke Matsuzaka, who runs the ambient festival Off-Tone (also in charge of mastering), Pollypraha, who has released music on 12k, and lyricist Yumi Iwaki. Newly re-mastered for vinyl, this is a mast…

Japanese Ambient / New Age / Left-Field. For fans of Hiroshi Yoshimura, Midori Takada. The first vinyl reissue of Hiroki Ishiguro's masterpiece "Koh Maiton", which has been gaining attention from diggers and collectors in recent years after being featured on the groundbreaking compilation album "Heisei no Oto: Japanese Left-Field Pop From the CD Age (1989-1996)" from one of the most renowned label "Music From Memory". Hiroki Ishiguro is a Tokyo-based pianist, synthesizer player, and composer bor…

In 1991, Yuji Takahashi and Mamoru Fujieda collaborated in staging a sound installation at the Sezon Museum of Art in Tokyo, making extensive use of the new artistic possibilities provided by the advent of personal computers. In this installation, a culmination of their investigations into the aesthetic use of new technology, these two renowned leaders of Japanese experimental music used sensors and transducers on objects and in the space itself, via MIDI conversion, to trigger pianos, synthesiz…

Reissue of this German rock classic album from 1971 by Hamburg quintet Alcatraz, coming with an additional track, recorded in 1972 at the Windrose Dumont studio in Hamburg. Alcatraz largely instrumental music was related to Miles Davis "In A Silent Way", early King Crimson and Soft Machine. Most successful was the 12 minutes "Simply Headphone Mind". The 13 minutes title track was a long improvisation with lots of fuzz guitar. According to Dag Erik Asbjornsen "Vampire State Building" is currently…

Sta-Kaidan was a miraculous collaboration band formed by Michiro Endo of The Stalin and Jojo Hiroshige of Hijokaidan, which became the origin of the later "Kaidan Collaboration" series, such as SOB-Kaidan with SxOxB, Togawa-Kaidan with Jun Togawa etc. Recorded at the Kyoto University in September 1983 by one of audience, this legendary live recording in chaos and violent paformance, which had been out of print for many years after being released as a CD in 2014 to commemorate the 35th anniversar…

CD Version. The peculiar and relatively unknown musical experiment by Alessandro Mendini, crafted together with a strange company that included supposedly distant outfits like Matia Bazar (chart-topping Italian pop band) and Magazzini Criminali (experimental, highbrow theater collective) and released by a major label that printed a tiny amount of copies.The opening track “Casa Mia” included random quotes from Cinismo Abitativo, a “poetic” editorial written for the design magazine MODO exactly 40…

of the crazy collaboration between Japan's world-famous King of Noise, Hijokaidan, and vocaloid Hatsune Miku! The first vocaloid to join the staircase series, which has seen numerous collaborations with Stalin, S.O.B, Atomic Bomb Onanies and even idols such as BiS and avandoned, is called "Hatsune Staircase"!　 The first vocalist, Shiranabata Kamin, and the second vocalist, Rusha, have been performing live continuously and have gained many fans in Japan and abroad. This album is based on the jack…

2024 reissue. The origins of the Genoese band Garybaldi date back to 1965, the year in which guitarist Pier Niccolò "Bambi" Fossati, together with Maurizio Cassinelli (drums), Angelo Traverso (bass) and Marco Zoccheddu (guitar), founded the Gleemen, authors of a self-titled LP released in 1970: an excellent album, still linked to certain 1960s sounds, but in which Bambi Fossati's Hendrixian style began to make itself heard. In 1971 the band changed its name to Garybaldi and the following year re…

2024 repress. Weather Report’s long and illustrious career had many twists, turns and revelations. Live In London draws on the best moments of performances delivered at the Hammersmith Odeon in June 1983, with former Chic percussionist Jose Rossy, plus a take of ‘Corner Pocket’ as played at the Dominion Theatre one year later with Mino Cinelu. Mainstay Joe Zawinul mans the ship alongside saxophonist Wayne Shorter, this edition of WR driven by the frantic beats of Omar Hakim and the bass of Victo…

2024 repress. In 2013, Niko Tzoumanis released ‘Hope Is The Sister Of Despair’ on limited CD, issued here on vinyl (2xLP) with 4 previously unreleased tracks. The album was made following the end of a relationship and taps into a rich vein of sequencer romanticism, from Tangerine Dream-obsessed-‘Berlin School’ daydreamers to the whole nebula of music inspired by Warp’s Artificial Intelligence series.  It also looks forward, prefiguring the return today, in troubled times, to the comforting inner…

Super tip! 2024 small repress available. It is probable that the first voice in existence was that of a frog," remarks renowned herpetologist Charles M. Bogert in the liner notes for Sounds of North American Frogs. These critters have been singing, croaking, barking, and chirping for millions of years, and Bogert captures 57 species in his 1958 compendium of frog calls. Sounds of North American Frogs has become one of the most coveted Folkways LPs, and we're proud to present a remastered version…

Huge Tip! One of the furthest experiments in library music, this first official vinyl reissue under Sonor Music Production license resurrects a work that pushed the boundaries of what production music could be. Chitarre Folk, conceived in July 1974 and produced by the small publishing company Nike, stands as a testament to Italy's unique ability to transform functional music into transcendent art. The album is brilliantly propelled by the telepathic interplay of two six-string alchemists: Bruno …

Grey-area reissue of Organisation's Tone Float, originally released in 1970. German rock band, Organisation, is often referred to as the prototype or predecessor of Kraftwerk -- the godfathers of electronic music. In fact, it was the first iteration of Kraftwerk and if the band had managed to overrule its record label, RCA, Tone Float would have been credited as such. But given that the album was to be released only in the United Kingdom, the label opted for the more Anglicized name, "Organisati…

"The two reissues presented herein include the last sessions that Donald would record with his brother, bookending a turning point in Ayler’s music. The Village Theater sessions, from late 1966 and early 1967 (the latter without Donald) mark, arguably, a high point in his work to that date, where the musical ecstasy he sought was as close to realization as he ever achieved – and new avenues may have been opening up – whereas ‘Love Cry’, from the summer of 1967, indicates at least partially a piv…