We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Leaping from a twig, a spider lays a strand of silk in the open air. Intuitively, it traces a design, reactive to its environment but guided by something deeper. As it works towards the center, something resembling a home emerges, intricate in its design and inevitably imperfect. The web comes to represent the creature’s creative response to the world and its needs within it. Artmaking and music- making emerge from a similar nerve: through the impulsive drive to create a space for one’s self, cr…
*2025 stock. 200 copies limited edition* "Strings and Stamps. When two become one. A cliché from romantic texts, perhaps, but also an apt saying for the duo that has created the music on this album. They come from different backgrounds and traditions but have both found ways to break free from those conventions without making an ostentatious break—instead, it feels entirely natural and deeply organic. A new realm has opened up for us and for them, where their strings intertwine like a shared cli…
*2025 stock. 300 copies limited edition* The fiddle player Hans P. Kjorstad from Oppland and the cellist Ernst Reijseger from the Netherlands met each other in the winter of 2022 after the concert series Blow Out! in Oslo invited Kjorstad to come and play with whoever he wanted. The choice was simple, Reijseger's background as a pioneering improviser since the 70s (ICP, Amsterdam String Trio, Clusone 3+++) plus the later years' explorations of the interplay between sound and image in collaborati…
*100 copies limited edition* "Composer and percussionist Sarah Hennies and composer and bassist Tristan Kasten-Krause make music rooted in observation. Timbres across percussion and string instruments gradually meld into one; pitches gently float into consonance after bristling in dissonance. With The Quiet Sun, their debut duo album, the two musicians present two pieces that survey their nuanced approach to sound as it grows over time. The album, recorded at Issue Project Room, presents two wor…
Tip! *200 copies limited edition* In the depths of Geneva’s Fonderie Kugler red-lit-boudoir, stand four grand pianos surrounded by divinities. The two elder Erard brothers are tuned down a quarter tone lower than their neighbours, a twin pair of gleaming and valiant Yamaha’s. Charlemagne and Seppe both sit facing each other, managing the 428Hz tuning from the tip of their left hand, while the right hand controls the conventional 440Hz machine. This four-piano fantasy was born a few years ago, w…
For over half a century, Sven Åke Johansson and Rüdiger Carl have explored the boundaries of music together. Villa Hügel captures a rare moment: a concert with no audience, recorded in 2020 in the library of Villa Hügel during the 2 x Kippenberger exhibition. The few present could only experience it in-house via TV transmission. Carl on accordion, Johansson on percussion, cardboard, and crackle box—an interplay of structure and openness, sound and silence. This release follows Johansson’s exhib…
*300 copies limited edition* Bertrand Gauguet, alto and baritone saxophones.Jean-Luc Petit, contrabass clarinet and sopranino saxophone.Recorded and mastered by Pierre-Henry Thiebaut22 and 23 June 2024 - Chapelle Saint Martin, Bignac (Fr)Photography - cover: B.G.Photography - inside page: Claude MesnardWarm thanks to Philippe Levreaud and Anne MaillouJean-Luc Petit and Bertrand Gauguet are members of the UN.
*2025 stock* "Ricardo Arias & Violeta Garcia Anagazas, Estatagemas, Jugarreta Y Tretas eh? MC Amazing duo set, recorded in Bogota, Colombia, in March 2020. Garcia plays cello and Arias plays bass balloon. Garcia’s cello playing has plenty of freak register exploration going on, and it’s almost shocking how much sound Arias is able to get from his inflated bladder. You’d think it could be a sort of gimmicky thing to do, but there’s some real majesty going on here. Sounds totally great and it’s a …
Intimate guitar recordings made at C Haxholms home in the countryside. This tape to me feels like a quite unique snapshot into the Artists daily life, But at the same time the music feels very composed and thoughtful. A very sweet and heartwarming tape
The inspiration for these pieces comes from the Chinese folklore of Guanyin, a deity whose name translates to ‘the one who perceives all the sounds, or cries, of the world’. Also known as Guanshiyin 觀世音, she is the embodiment of infinite compassion. I grew up knowing of Guanyin as a female deity, but recently discovered that she had transformed through the centuries from the male Hindu bodhisattva, Avalokiteśvara. I instantly found an affinity for this gender-fluid figure, who was said to have a…
Tip! *180 copies limited edition* Sub jam is proud to announce the release of the first full-length album of the one and only Ake. Ake is a typical self empowered avand-garde artist of today's china. she start to play music with her totally unskilled violin and a desire of being exist and a planty of still time, as the only valuable propoty of many people, in around 2016. she is part of the new/no wave of performance art and the newly reflourishing fluxus spirit. this album is mostly a collectio…
'Solo Acoustic Guitar Improvisations VII' is volume 7 in a series Dirk Serries is recording in honor of the Höfner archtop guitars. A few years ago Dirk fell in love with the acoustic guitar and specifically the Höfner brand for its specific and unique harsher sound their vintage archtop guitars hold. It's definitely far away from Dirk's electric constructions but at the same the acoustic approach is merely another way for him to express his fascination for sound in particular and how you can …
New collection of Adam Bohman's signature cut-up found text pieces and intricate close-mic'd improvisations with homemade stringed instruments and small objects. Guaranteed to get your mouth watering and head spinning. While the ordinary well-adjusted citizen is liable to whitey within 30 seconds, those of us with stronger constitutions will be unfazed by the regressive babbling state you may find yourself in. Hold fast, you are one joyous step closer to enlightenment.
"Adam Bohman has been oper…
*100 copies limited edition* Solo. Acoustic but with unexpected sounds, without unnecessary virtuosity but full of surprises. Characterized by cowbells which, however, instead of being played, in the course of the concert are hung from the body and allowed to resonate. Soft, not aggressive. Melodic and full of noise. Dirty; and the dirt is the interesting part of it. An unshouted cry. A rustic in search of shibumi.
"O Most Noble Greenness is a collaboration across centuries between Du.0 and Hildegard von Bingen, a German abbess and composer from 1100 A.D. Though separated from the composer by the remove of time, language, geography, and instrumentation, we nevertheless felt Hildegard’s presence as a living, breathing source of inspiration. Channeling Hildegard’s visceral embodiment of natural and mystical imagery, we deconstruct her song "Item de Virginibus" to uncover new sonorities and form. Throughout t…
The members of House on Fire met Ben Richter in 2019 while we were all attending CalArts,and as our ambitions as a group grew, we wanted to work with someone who would engagethe latent, unexplored possibilities of our instrumentation. The piece sprawls - musically,temporally, physically. Each movement reconfigures the group around a spare set ofinstruments, in each permutation pulling out new composite sounds. Wells plays cello and bassmelodica simultaneously, Andrew tunes a C# drone, Richard pl…
enclosures addresses issues of space, place, reverberation and resonance across five pieces. Anexercise in scale, each piece is a portal: a biome, containing its own environment, weather, sense of time. Featuring juxtaposed convolution reverbs that transport an ensemble through real and imaginary spaces, beatings between Just Intonation and Equal Temperament, a triptych of environmental portraits, an exercise in the musicalized resonance of the harp’s pedal mechanism, and finally, an exploration…