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Berlin 2007 was a monumental performance for Cluster, marking their first live performance in Berlin since their 12-hour concert in the Galerie Hammer in the Europacenter in 1969. The performance was a massive success as a sold out crowd cheered loudly for Cluster to return to the stage. Fortunately, the concert was preserved for posterity and is proudly presented here on Important Records.
Packaged in a deluxe digipack.
Cluster was formed around 1971 when Roedelius and Moebius left Conrad Schni…
Radio Massacre International is a British trio of Steve Dinsdale (keyboards, electronics), Duncan Goddard (keyboards, electronics) and Gary Houghton (guitar, keyboards). These three musicians have worked together in various configurations since the early 1980's and formed R.M.I. in 1993. They released their first album in 1995 and since that time have released dozens and dozens of albums. Appealing to fans of classic era work by Ashra/Manuel Gottsching, Heldon, Pink Floyd, Popol Vuh, Steve Roach…
Comes in mini LP replica with obi and insert with lyrics & insert of notes mostly in Japanese. In 1972, the left-wing intellectual film critic Uwe Nettelbeck suggested to Anthony Moore that he should write some (relatively speaking) straight songs. He took up the challenge, inviting his old school friend Peter Blegvad over to Hamburg to form the band Slapp Happy. They were joined for a session in Wümme by the young singer Dagmar Krause and Faust as their rhythm section; the recording became the …
*2024 stock* This is the third Out of Standard!! compilation dedicated to the French oblique musics we like. The former two where edited in the 8o's in the cassette format. Artists featured were Armand Miralles (Heratius Music Corporation), Aversion Sonore, Costes, DDAA, Denier du Culte, Die Form, Dz lectric, Etant Donnés, Moly, La STPO, Les 3 Phallus, Nu Creative Methods, Orient-Express, Pascal Comelade, Stenka Bazin, Toupidek Limonade, Vivenza, Vox Populi.
This time we have French underground …
*150 copies limited edition* Jabbering people, a dry bassline, nagging punks, the bassline again, a dry cough, the U-1 passes by a guitar starts weeping: welcome to Schickreich, a rare recording of a super group that cut short into a duo. Comprised of bass, hurdy gurdy, Jew’s harp player, DJ, Intermedia-artist Udo Erdenreich, and Berlin’s cosmic kraut legend Günter Schickert. They were bandmates in Ziguri and played since the late 1980s off and on as Schickreich. Marmo now brings to life an albu…
Reissue of the third album by the German band Wallenstein, originally released in 1973. Recorded at the Dierks Studios by Dieter Dierks, the group consisted of bandleader Jürgen Dollase, Harald Grosskopf (drums), Dieter Meier (bass), Bill Barone (guitar), and Joachim Reiser (violin). In 2022 the original analog masters were newly remastered. An elaborate work, which has led to a very good result.
"We must show social conditions, not just songs." a wise music ethnologist once said. But how to transport environments into song sonics? The enigmatic duo Greymouth found a creative answer and sent their conceptions to Berlin Neukölln, right at the steps of the bustling Kashual Plastik office, where an unclear corpus of operative's fashion new sounding crypto currencies 24/7. Four tranquilized speed ballads waxed on 7inch vinyl, carrying drunken melodies, kraut-intoxicated grooves, and outlandi…
LP version. This highly experimental work represents some early sound collages from this quirky British composer. Affiliated with the avant rock group Henry Cow, Anthony Moore's works are highly regarded in the experimental music scene thanks to his Flying Doesn't Help album from 1978, a cult masterpiece of avant rock which enjoyed a much higher profile in the underground than his debut. This could be attested to the abstract nature of this recording, which explored tape-loop repetitions that bu…
Founded in 1978 by Rock Magazine editor-in-chief Yuzuru Agi, Vanity Records captured the cutting-edge musical trends of its time, including new bands working with post-punk values, alternative approaches by musicians who had been in bands, and electronic and industrial music as the cutting edge of the times. Vanity Records is said to be one of the first independent labels in Japan, and is an indispensable part of the independent/indie music scene in Japan from the late 70s to the early 80s. The …
Vomit Heat and International Music are artistic relatives. Both come from the Ruhr area in Germany, both love psychedelic rock music and at the same time are also involved in avant-garde projects. Heute is something like a concept single, a multi-layered journey full of hints, references and danceable psychedelia. The title track is taken from the upcoming Vomit Heat album Second Skin, to be released spring 2022.
After the overwhelming success of last years 1971-74 box set release, containing the first four studio albums and for the first time ever this lost ‘last’ album recording, ‘Punkt’ gets a deserved and necessary stand alone release to the relief of fans and collectors and the undoubted future gratification of those yet to experience the magic in these recordings. 'While working on the “lost” album which the band recorded in Munich, it became clear that I was listening to the last ever made recordi…
Over seven tracks that span 80 minutes, the expansive, looping, shifting synths and rhythms of Bajas Fresh mark the trio’s most diverse and ambitious record.
A budget-priced collection of tracks by artists who've had releases out on Fourth Dimension Records or whose music has entered the label's orbit and made a good impression. In an ideal world there'd be at least several albums by all concerned on Fourth Dimension Records, but the label operates from more or less the same dingy old basement it always has and subsequently has to limp along in usual fashion. It is precisely because of this that 'An Oblique Reference to Zeros' has been assembled. The…
*Limited edition 100 copies* 4th compilation of French unconventional projects on Out of Standard!!, ADN side label. Mastered by Ruggero Tajé. Dedicated to Chris Marker.
We're heading for the dark side of the krautrock kaleidoscope with this month's Electronic Sound cover stars, the inimitable Can. Prompted by the release of 'Live In Stuttgart 1975', the first in a series of archive Can gig recordings, we speak to Irmin Schmidt about the band he created with Michael Karoli, Holger Czukay and Jaki Liebezeit towards the end of the 1960s. As we try to deconstruct their wholly unique brand of sonic voodoo, Schmidt reveals the inner workings of Can, together with his…
Nicola Giunta and Gioele Valenti (the musicians creating the Lay Llamas dimension) seem to communicate from a different solar system their ecstatic gaze towards an imaginary future world. They rely mainly on a narrative tone of mysterious and spectral dark-psych shades, digging abyss of glacial depht of the self, where light filters through lysergic languors and radiant progressions of luminous dust. Oneiric voices refer to the hybrid chaos of a metropolitan jungle, as a hypnotic and psychic di…
The Dictaphone is the solo project of Jérémie Morin. back after 3 years of recording hiatus, the French DIY synth artist delivers another fine album of electronic drone and abstraction.
Frigidaire Tango's The Cock was released in 1982 on Young Records. At that point their earlier primitive punk influence had merged with different influences, namely krautrock and glam, as well as a hint of prog rock, which resulted in a brand new sound, very personal and sought-after even in the new wave era. In September 2010, The Cock was listed by the french magazine Tsugi as one of the most underrated 100 records in the history of contemporary rock.
*300 copies limited edtion* University Challenged are Ajay Saggar ("Bhajan Bhoy"), Oli Heffernan ("Ivan The Tolerable"), and Kohhei Matsuda ("Bo Ningen"). The trio began in 2019, playing shows in Holland, where they gained a reputation for delivering highly dynamic sense-rattling shows, ranging from gentle melodic orchestral spinouts to epic power jams, all backed by beautiful self-made films in the background. The plan had always been to record an album, and get the collective musical force and…