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**Limited edition of 500 coloured LP** « It's stressfull! It's shocking! It's everything a disturbed mind can imagine! » A zombie wearing a Nazi SS uniform terrorizes the French countryside. Meanwhile, some really weird shit is happening, involving a possessed horse, a pirate boat and a couple of car drivers desperately fighting the evil tearing the land to pieces.No plot needed for the madness to begin, as this movie is filled with the insanity guaranteed to give you psychedelic dreams. Directe…
** numbered edition of 199 copies, deluxe wooden box** Atrax Morgue is the brainchild of Marco Corbelli as sound project started in the early nineties and focused in various areas related to the field of psychopathology: murder, violent death, sadism, necrophilia, schizophrenia and insanity. The primary influences come from projects as Brighter Death Now and Whitehouse, pioneers of a minimal, evil and visceral electronic; and from the legendary projects Mauthausen Orchestra and The Sodality. Th…
Jason Kahn, Günter Müller and Norbert Möslang, all from Switzerland, comprise MKM trio, spontaneously founded in 2006 in Tokyo during their Japanese tour. They immediately achieved very fine results and collaborate since then. Their sound hovers between the at times harsh rhythmic noise of Norbert Möslang’s cracked everyday electronics and the rich sonorities of Günter Müller’s percussion-based samples and electronics. Jason Kahn’s work on analog synthesizer bridges these two worlds, adding high…
Keith Rowe is mainly known as the pivotal and crucial musician standing in the forefront of the first wave of the European free improvisation, co-founder of AMM in 1965 and inventor of tabletop guitar playing techniques which remained his central sound tool until now and which he extended with a lot of electronic and other gadgets and devices. It’s his fifth release on our label following “Shifting Currents” with Bill Thompson and Rick Reed, his composition “A Quartet For Guitars” performed n 20…
The “score” or inspiration for this CD was a solo concert of Burkhard Stangl at the Reheat festival at Kleylehof in 2014. The theme of the performance was the song Bésame Mucho by the Mexican composer Consuelo Velázquez.Chesterfield then took the recording and recomposed it, and composed new pieces mixing everything with old and new recordings, home recordings, accidental recordings, live performances ... all Chesterfield from 2013 till now ... a Chesterfield diary of songs, of noise, of longing…
Angélica Castelló is a Mexican and Austrian composer, sound artist, performer, curator and teacher. Her sound work and compositions concentrate on fragility, dreamworld and the subconscious. Performs continuously solo or in cooperations everywhere between Mexico City and Vienna. Numerous compositions for ensembles, radio works as well as installations that operate at the interface of music, performance and visual arts. Several releases on labels like Mikroton Recordings, Interstellar records, Mo…
Norbert Möslang had been playing in Voice Crack duo with Andy Guhl in 1972-2002, they’ve been working with “cracked everyday-electronics”, modifying and recontextualising the use of home electronics. After the split he continued working solo and in different musical combinations using “cracked everyday-electronics”, among them a duo with eRikm with whom he played in duo from time to time since 2002. He released numerous solo albums as well as collaborations with Günter Müller, Jason Kahn, Ralf W…
Fantôme Phonographique present a reissue of Pur En Finir Avec Le Jugement De Dieu by Antonin Artaud. Antonin Artaud was a French poet, dramatist, and director and one of the most important figures in 20th century European theater, and especially the avant-garde. His piece "Pour En Finir Avec Le Jugement De Dieu" was recorded in 1947 to be aired on French radio. But the project was shelved not only for its scatological, anti-American, anti-religious content, but also for its avant-garde sound, wi…
Empty Editions is pleased to present Failed Celestial Creatures, the unanticipated debut collaboration between composer and writer David Grubbs and musician and sound engineer Taku Unami. Recorded at the Kyoto underground performance space Soto, the album takes inspiration from a reading list which Grubbs refers to as something like an “assignment” exchanged in emails between the two artists before the recording sessions.Primarily recorded in Kyoto, the album takes inspiration from the duo’s sha…
Shelter Press continue to pull us deeper into their uniquely curated soundworld on this exceptional new album from prolific composer and synth builder Justin C. Meyers, an artist who has had a cult following in the US underground noise and electronic scene for many years. This new album is a staggering collection of complex but gradually immersive modular compositions; a jittery, fragile thing that attempts to catalogue the precarious life of an artist with all the despondancy and joy that can e…
Edition of 250 copies. "Premiere loop-age and analogue slurping from Brighton’s F.Ampism. Put simply this record is a jitterbug in a bubbling pond, coz this collection of nine fine sound pieces are all about fluid movement and itchy digit fidgets. Songs like ‘The Loosest Caduceus’ ripple like time waves, setting off yeasty fireworks behind my eyes. ‘Sand/Blood/Glass’ becomes a relic from my formication nightmare. And ‘Absolute Beyond Ill’ drives gravity back into a wood-lined barrel. Oh yeah Amp…
CD edition. The duo Anne-James Chaton and Andy Moor has produced original works where poetry and guitar combine in explorations of thematic axes. With the project ‘Heretics’, of which Tout Ce Que Je Sais (All I know) is the second part, they revive the most obscure, violent, erotic passions, summoning the great figures of their personal mythologies. In the company of Caravaggio, Marquis de Sade, William Burroughs and figures such as Jose Mujica, the duo immerses the listener in another wor…
**warehouse find, last copies, originally this LP was available only as a part of 4LP boxet Musick For Liberation And Ecstasy** and unavailable as stand alone release** Formed in Japan after the collapse of the noisy, SPK-ish White Hospital — the other half of which, Jun Konagaya, went on to continue as Grim — Vasilisk consisted of Tomo Kuwabara and Yukio Nagoshi, with other members (including longtime fixture of the Japanese underground, drummer Tatsuya Yoshida) joining in from time to time. L…
**180 gram vinyl LP + insert with obi-strip** Chris Thompson started out his career in Hamilton, New Zealand in 1965, then turned professional in 1968. In the early seventies he moved to England, where he played the guitar with Californian folk singer Julie Felix. While in England, Chris also played with British Folk-Blues legends Wizz Jones and Davey Graham and made his debut album in 1973. Originally issued on the Village Thing label, it has been claimed as one of the best acid folk alb…
A seminal album from Johnny Harris – the David Axelrod of the UK! Like David, Johnny worked heavily at the end of the 60s and early 70s – blending funk and jazz influences with older styles of soundtrack and instrumental work, coming up with a sublime style that was never duplicated, and barely understood at the time of release. (That's one reason why this album's lain under-appreciated for years – and why we're so happy to have it back again now!) Movements is a brilliant suite of tra…
Orhan Gencebay-Gönül Bağlarında Türküola continues to recreate its tradition with its new vinyl reissues that has been a great catalogue already. Orhan Gencebay’s LP called Gönül Bağlarında is not a reissue but an album that displays the early years of Gencebay that were not previously presented in an album form before. The songs were generally released on Türkofon and Topkapı singles between 1968-1970. Some of them reflect the folkloric period of Gencebay while others give us a retrospective of…
**Edition of 200** The unfathomable quantity of Pan Daijing meets Werner Dafeldecker’s mercurial sound art on this surprise, limited edition 7" pressing.
Leading on from her heavily arresting Lack album for the PAN label, A Page To A Corner is Daijing's first collaborative release. The title track is a lethargically hypnagogic thing, with Daijing lamenting an unseen force, bound into a mesh of monotone drones and keening strings to ultimately quease-inducing effect.
On the B-side, Daughters…
Juan Mendez, aka Silent Servant, finds his ideal EBM vocal foil in Ori Ofir under their Sterile Hand moniker. The duo's first vinyl round for Not Waving's Ecstatic label is a dark and sleazy run of deviant industrial techno and pugilistic EBM cuts made over the last year. Following Silent Servant's killer split 12" with Not Waving and Pye Corner Audio in 2017, and two fierce 12"s with Marcel Dettmann and Phase Fatale in 2018, the L.A.-based artist behind Sandwell District and Jealous God is a…
Kantamoinen is perhaps the most intimately beautiful yet little known LP in MIka Vainio's Ø canon, bridging the gap between his classic ‘90s minimal techno productions - compiled in the vital Metri and Olento collections - and the project’s subsequent turn to more ambient, kosmic and dub wise dimensions in the coolly brilliant Oleva and Konstellaatio albums.
Upon original release it was an immediate favourite of ours - a go-to disc for hazy daydreaming and post-club head salvage alike, dr…