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Strut present a brand new compilation documenting the groundbreaking maloya scene on Réunion Island from the mid-‘70s, as Western instrumentation joined traditional Malagasy, African and Indian acoustic instruments to spark a whole era of new fusions and creativity. Compiled by Réunionese DJ duo La Basse Tropicale, ‘Oté Maloya’ is out now on CD and LP as well as digital formats. The CD and LP versions include an extensive booklet featuring the history of maloya by Nathalie Valentine Legros of 7…
This Mini-LP is taken from the rare and so nice 1999 'Ruckus in Lo-Fi' LP (Sweden). A singular Instrumental / Hip Hop and Cut-up/DJ album, with 2 hidden strong Balearic tracks inside. One is the now so famous and in demand 'I dream' gem, a headtrip beauty based on the Pink Floyd groove, with its 1999 ORIGINAL VERSION + a killer 'Wolves of Asha' Balearic Remix from our man Joe Morris
1970's experimental & electronic music recorded in soviet Russia by Yuri Morozov. Banned by the KGB for its esoteric content and references to forbidden spiritual texts, Yuri recorded over 46 albums between the 1970s until his death in 2006. Only available on cassettes passed around in secret within the Russian music underground until now.
This rare & highly collectible original 7" single from 1971 introduced electronic voice phenomena (EVP) to the wider British public. Recorded by Konstantin Raudive & issued to accompany the publication of his seminal book 'Breakthrough - an amazing experiment in electronic communication with the Dead'. Grab yourself a copy in its original sleeve still with the orginal erratum insert plus new sleeve notes from the publisher explaining the origins of this remarkable & highly influential recording.…
Asakusa Follies is a luminous scene of interplay between melody, breath, and the shakuhachi flute. Following on from the initial triptych of electro-acoustic releases on the Cuspeditions imprint, Clive Bell’s Asakusa Follies shifts the listener away from the studio and toward the player himself. Breath is a central theme in the album where a punctuation of purring, spitting, flicking and gasping intersects the tones, overtones and noise of the shakuhachi. The opening composition Ultramodern Vari…
LP version. Richard Scott’s ‘Several Circles’ is a seamless blend of improvised performances and forensically detailed electronic music that bristles, writhes and grows like some mutated living organism. Recorded between 2013 and 2015 in both Manchester and Berlin, this vital new album is a combination of instant, improvised performances and highly structured acousmatic compositions that have been, in Richard’s own words, “microscopically edited, constructed, layered and mixed over many hours in…
Filmmaker Jef Mertens brings a raw, urgent, and unpolished vision focusing on a band that has spent almost four decades defining and redefining not just their music, but the boundaries of music itself. Band members Don Dietrich, Donald Miller, and Jim Sauter tell their story with the help of artists, writers, photographers, and filmmakers that include noted critic Byron Coley, drummer Chris Corsano, guitarist Thurston Moore, groundbreaking Japanese noise unit Hijokaidan, and Switzerland's master…
"Live in New York, 2010 presents a tremendous one-night engagement by saxophone colossus David S. Ware and his latter day Trio in an intimate club setting -- the Blue Note on October 4, 2010. Featuring his perennially steadfast musical partner William Parker on bass, and equally incomparable Warren Smith on drums, they were celebrating the recent release of the studio album, Onecept (2010). Having played an electrifying set at Vision Festival in June, this extended night in October was the third…
"Meditation / Resurrection is a double-album presenting a bounty of beautiful new William Parker compositions performed by two of his flagship ensembles, the Quartet -&- In Order To Survive. It was recorded & mixed live during a one-day studio session in late 2016. With the tone of the pieces & performances reflecting our current moment, this is Parker & the groups' follow-up to 2013's epic Wood Flute Songs box (2013). At the core of both groups is Parker's foundational bass together with rhythm…
Christophe Guiraud uses old instruments such as the Hotteterre flute, the viola da gamba or the viola bass, combining them with electronics. Born in Toulouse (south of France) mid-seventies, he lives between Brussels and Paris. His early works come from alternative rock, free jazz and harsh noise (Tellemake, 2 records on Angström Records). His more recent pieces mixed the beauty of the polyphonies of Ars Nova (XIVè century) and noise. This nonesuch hybridation creates a music easily recognizable…
Frühe Jahre is the first time reissue of C-Schulz's early work from late 1980s and early '90s. Schulz's first LP, 10. Hose Horn, was introduced alongside other debut LPs from Jim O'Rourke and Frank Dommert on Dommert's Entenpfuhl label in 1991. Combining the cathartic sounds of industrial, early techno, and innovative pop with inspiration from acousmatic, New Music, and Dada, Schulz's music is a prime example of the Cologne experimental music scene of the time. Rhythmic delights, outlandish juxt…
2010 Release. Featuring never-before-seen archival footage of Burroughs, as well as exclusive interviews with colleagues and confidants including John Waters, Patti Smith, Iggy Pop, Gus Van Sant, Genesis Breyer P-Orridge, Sonic Youth, Laurie Anderson, Amiri Baraka, Jello Biafra, and David Cronenberg, WILLIAM S. BURROUGHS: A MAN WITHIN is a probing, yet loving look at the man whose works at once savaged conservative ideals, spawned countercultural movements, and reconfigured 20th century culture…
Theory Of Obscurity tells the story of the iconic renegade cult band The Residents. From the group's formation in Shreveport to their success in the burgeoning San Francisco avant-garde music scene of the 60s and 70s, The Residents redefined what a rock band could be. A story that spans 40 years and is clouded in mystery. Many details surrounding the group are secret, including the identities of its members. Our film takes viewers inside this incredibly private group with unprecedented access…
When the bunch of filmmakers known as The Pattern Group (Roland Moreau, Georges Perdriaud and Jean Talansier) did Libra, their second movie, in 1973 they thought it would be a good idea to use bits from Pink Floyd's Ummagumma and Atom Heart Mother to create its soundtrack. The movie, a 90-minute film with no dialogue, depicts the story of four youngsters living in communion with nature, an idyllic life that is drastically changed when a U.S. satellite crashes in the area and attracts the …
"The music takes on short, fleeting forms: fading here, held and moody there, as though the improvisation encouraged skepticism of firm certitudes. The tightness of the discourse, however, demands enlightening energy and lucid tautness." (Jean-François Abert, excerpt from the liner notes)"We have already seen that in the history of the universe, such a spiral nucleus of sounds that subsides on itself and grows dense, that softens and dilates, that provides its exceptional energy of cohesion even…
The culmination of 11 years working on music for this band, Wild Red Yellow was recorded in 2011 by an expanded version of Larry Ochs Sax & Drumming Core. With very critical help from engineer Philip Perkins, Ochs then slowly mixed and edited the two soundscapes on this new 2017 release, dedicated to film-makers Julie Taymor and David Cronenberg. The Sax & Drumming Core was originally a trio of Ochs on saxophones and two drummers – Scott Amendola and Don Robinson. They released two CDs and toure…
To date, celebrated Chicago musician Rob Mazurek’s solo endeavors have focused on his modular synthesizer and keyboard musings. On “Rome,” Mazurek’s sensitivity on cornet is at the fore, but we also find him using various electronics, and seated at a piano. Here the presence of the piano is expanded. He plays it conventionally, with preparation, with direct manipulation of the piano’s interior, and as a resonator for his cornet to create ethereal, otherworldly overtones. “Rome” was recorded and …
There’s a good side in the present day global dimension and that’s called “cultural syncretism”. Roots Magic is an Italian band who’s gradually building up a repertoire between Deep Blues and Creative Jazz, and this is their second effort. As in their previous release, the track list consists of personal renditions of Delta Blues classics (mostly Charlie Patton) played with an overtly exploratory attitude derived from the Free Jazz tradition, as well as a number of pieces composed by some chosen…
"This year sees an exciting new undertaking from the Strut camp. We’re launching ‘Original Masters,’ a series of essential original LP reissues exploring rare and under-rated African, Latin and Caribbean music classics, curated by leading collector and DJ, Duncan Brooker. If that right there is enough to let you know that you’ll be needing each of these classic LPs, we’re offering a subscription option which guarantees a copy of each of the four 1LP Original Masters releases we have planned for …
Topics covered include: frogs, location recordings, fake synthetic music, stepping off stage, confusion, playing naked, nihilistic anal punk, to be the drunk Klaus Schultze, less is less, being self-contained, grouping of sounds, sound maps, playing 18 gigs in 30 years, marine biology, moving the fingers very fast, the Shinjuku 60s art scene, doing interrail tours in the 1970s, knowing communists, lack of protest, secretly buying Pink Floyd records, karaoke with CC Hennix, incoherent note…