New Arrivals

Four Systems (1954) is an early and influential example of Earle Brown’s open-form approach to composition. Written as a graphic score, the work replaces traditional notation with visual elements that suggest relationships of pitch, duration, dynamics, and rhythm rather than prescribing exact sounds. Four Systems may be performed by any number of musicians using any instruments, and its duration is equally open: the piece may last as long as desired, provided the time frame is agreed upon in adv…

*100 copies limited edition* This is a special work by acclaimed composer and musician Adriaan de Roover, who has released records on Dauw, Viernulvier, Pias, and Consouling Sounds. Chansons de trottoir / Stoepliedjes documents his relationship to sampling in the form of a radio play. Originally created as a radio piece for Resonance FM in Manchester, the album is a sonic portrait of a walk through Brussels. It is constructed from two field recordings: one made during a walk from Metro Midi towa…

*100 copies limited edition* Low Tide, Hi Grypus! is the new live-iteration of JC Leisure as JC Leisure Group. Documenting an encounter and a communication between human improvisers and atlantic grey seals. The record presents responsive improvisation as a form of cross-species collaboration. The project began on Porthdinllaen, Wales, where Leisure recorded seal vocalisations from a local colony at low tide. Back in their Liverpool studio, Leisure developed a performance system that translates h…

3LP triple set featuring all the Prescription versions and the newly created AD II artworks by Steven Stapleton. The booklet features all lyrics, extensive liner notes and sheds light on the interesting circumstances of the creation of this Coil release by Gary Ramon who not only instigated the sessions but also provided the haunting location for their recordings. Has been respectfully and expertly remastered by grammy-nominated Jessica Thompson. Artwork by Steven Stapleton design & layout by Ol…

At the turn of the millenium the original „Astral Disaster“ subcription-only vinyl release was somewhat of an Unholy Grail for Coil collectors! Virtually unobtainable in its original fiercely limited format of only 99 copies, it is the only album apart from the original „Musick to play in the Dark“ record to combine the genius of Balance and Sleazy with both Drew McDowall and Thighpaulsandra's talents. Like „Musick“ it is an essentially tidal/lunar record with literal washes of sound enveloping …

Oranj is a 14 track LP, recorded in 2025 between Chicago’s Rax Trax studios and Dock Street Studios in London, Andy Baxter taking on drums, keys, bass guitar with long time collaborator Francesca Uberti joining on Rhodes piano for four tracks. Featuring mix engineering from Hackney Recording Studio’s Sean Woodlock (4 songs) and by Lilac Lab’s Shawn Clendening in Chicago (10 songs). Partly an ode to the inventors of analog recording equipment and electric instruments in the middle of the 20th Cen…

Recorded in high summers and brutal winters in 2022 and 2023, Nightingale Floor’s debut album Five Stagings takes the listener through a quintet of spontaneously conjured and patiently crafted pieces for a quartet of musicians scattered across North-West England. Manchester-based poet Lauren McLean provides voice and words, joined by cellist Josh Horsley of Preston duo Powders, Benjamin D. Duvall of Liverpool four-piece Ex-Easter Island Head on sound collages, strings and trombone, with Tombed V…

Bayeté Umbra Zindiko’s Seeking Other Beauty is a visionary statement from keyboardist and composer Bayeté, also known as Todd Cochran, newly available in a definitive all‑analog reissue that brings its futuristic spiritual jazz into sharp contemporary focus. Recorded in 1973 for Prestige, Seeking Other Beauty channels the electricity of early‑70s Miles Davis while drawing on the cosmic funk of Parliament‑Funkadelic and the astral explorations of Lonnie Liston Smith—only with a fuzzed‑out clavine…

There’s a rich resonance to the music of Fodé Lassana Diabaté, whose music has travelled with him from his griot family in West Africa to the North American coast of Unama'kik (Cape Breton). Bala, his first album of purely balafón music, brings together traditional pieces with roots in the Mande empire, original compositions inspired by his time in Unama’kik, and tributes to friends and family members. Diabaté has developed a unique practice on the balafón—a traditional melodic percussion instru…

*70 copies limited edition* Eventless Plot and Bruno Duplant join forces on Fail better, a cassette release that treats failure not as an endpoint, but as a method of composition and a way of listening. Across two long-form pieces, the group carves out a delicate space between electroacoustic improvisation, minimalism and ambient abstraction, letting sounds appear, waver and erode rather than declaring them with force. Recorded by the Thessaloniki-based trio of Vasilis Liolios, Aris Giatas and Y…

Unearth the new issue of Ritual zine – an exploration of folk horror, the Gothic and the weird in film and television. Issue no. 2 hums with strange powers and arcane rites, folkloric detours and uncanny delights. Expect megalithic secrets with Adam Scovell, Rabbit Trap with Bryn Chainey, occult crime with Rupert Russell – plus doomed highwaymen and ghostly 1980s approaches to literacy education.

Pedro Santo's psychedelic soul masterpiece is one of the most in-demand  Brazilian records. Santos was a percussion virtuoso driven by the spiritual  realm, and this record features a unique blend of rhythm and lyrics that touch  on morality, perception and existence. Unlike many rare records, it also has  strikingly beautiful artwork. Unsurprisingly, Krishnanda has a strong following  among diggers like Gilles Peterson and DJ Nuts.

At that time, the musician was studying philosophy and theology, particularly the works of Thomas Aquinas, which are referenced in several tracks. Among these are the absolute classic “Os Alquimistas Estão Chegando os Alquimistas,” “Hermes Trimegisto e sua Celeste Tábua de Esmeralda,” and “Errare Humanum Est.” Always preaching happiness and peace of mind in his lyrics and irresistible grooves, the artist brings his soulful singing and playful swing to other gems of the album, such as “O Homem da…

A landmark recording that is one of Jorge Ben's best albums ever! The album is a perfect realization of the way that Jorge mixes Brazilian rhythms with choppy Afro grooves - and the result is a masterpiece that yeilded some of his biggest tracks ever.

Father of Brazilian soul music, Tim Maia needs no introduction, as he is one of the greatest artists in Brazilian music. From his debut album, self-titled and released in 1970, it was clear he was destined to become a legend. Considered one of the 100 best albums in the national discography, the record returns to shelves just like the original, as part of the “Classics on Vinyl” collection from Polysom, licensed by Universal.

The Christmas Factory was a live piece performed by MJE during November 21 - 23, 2025. Contained here are three preliminary tracks or movements followed by an in-studio rehearsal. During each iteration of the performance, the preliminary tracks were ordered in accordance with a system of chance procedure, with additional room for improvisation using the equipment listed below.

Here's some new material for you as promised. Please have a listen if you like, and let me know what you think. Much of this was recorded live-in-studio, there's less cut-and-paste going on than there was on Perverted Architect -- although there is some still, especially on tracks 2 and 4. The recordings at the beginning of tracks 1 and 4 were recorded at an emergency clinic around 2am last summer, of a drunk man who had been beaten up but was being turned away without being seen by a doctor. Yo…

Fifty-five years ago, Tim Maia released his second album, self-titled. As impactful as his debut album, “Tim Maia” (1970), this was the continuation of one of the brightest careers in national music. Considered one of the 100 best albums in the national discography by Rolling Stone magazine, the album returns to shelves this year on 180-gram vinyl as part of the “Classics on Vinyl” collection from Polysom, licensed by Universal.

Vesuvius was a 1970's musical group with Northwest Indiana roots. The band incorporated elements of prog/rock and psychedelia, combining the theatrics of Gabriel era Genesis and the psychedelic lighting effects of Hawkwind but on a bargain budget. First time on vinyl! do not miss this psych-prog gem!

Originally self-released during 1990, a tapestry of noise, girls talking into tape recorders, pre- and post-song material.

On John Zorn’s Olympiad Vol. 4 – Curling, John Zorn exhumes one of his rarest 1970s game pieces, a slow‑burn study in sustained tones, handing it to ROVA Saxophone Quartet and the William Winant Percussion Group, who turn its minimalist rules into 45 minutes of hovering, hypnotic sound.

On Perseverantia, Vadim Neselovskyi turns his lyric, classically infused jazz language into a meditation on endurance, carving spacious, song‑like structures where fragile melodies, sudden storms and long silences feel like different faces of the same stubborn hope.

On John Zorn’s Bagatelles Vol. 6, John Zorn hands a fresh batch of his angular miniatures to the Brian Marsella Trio, who render them as a volatile, deeply melodic piano‑trio songbook where Monkish heads, free detonations and elusive “exotic” moods feel entirely at home.

On Exotica, Sun Ra is recast as an unlikely lounge visionary, folding the lush fantasy worlds of Les Baxter and Hollywood mood music into raw, off‑kilter Saturn tapes that turn easy listening into uneasy, Afrofuturist escape.

*300 copies limited edition* From the Guts of Essaira claims space in body and time. It follows the path announced with the single 'Dramla / Xirxe', expanding its tensions and guiding them towards a more layered, conscious expressive form. It is an album to be listened to without respite, allowing the sonic material to dilate. The tracks move across a punkstrial terrain rich in synths held in constant tension; sharp guitars and industrial rhythms alternate drive with suspension. The vocals, mult…

Fusing decades of underground New York jazz with contemporary electronics, Daniel Carter and N/UM’s Sphēra takes listeners on a spontaneous and daring journey through generations of improvised music. A telepathic meeting between the mellowed out, octogenarian free jazz legend and an experienced trio at the peak of their powers, Sphēra coalesces into a whole far exceeding the sum of its parts.

*300 copies limited edition* “Avàvâgo Zamran!” marks a new ritual transmission under the name Arrokoth, a project initiated by Guillaume Cazalet (Neptunian Maximalism, Zaäar, Sol Kia...) as an ongoing exploration of musical primitivism, liminality, and distant cultural imaginaries. Conceived as a vessel rather than a fixed ensemble, Arrokoth brings together collaborative works with Dimitar Dimitrov (Corpus Diavolis, Antelogos, Haiku Funeral) and John McKusick (Three Dragon Alley), resulting in a…

*50 copies limited edition* Indefinite Boundary proudly presents its inaugural debut with Window Areas – an immersive and vibrant fusion of six percussive-laden, free-jazz adjacent, post-punk informed pieces infused with dub methodology from Niikkolahs. Thematically following ancient cultures' practices of forming contact with the Otherworld and the concept of the liminal spaces where life and death collide, Window Areas is an entry to the known unknown. From the opening heavy psychedelic gnosis…

** 2026 Stock.** An edition of 300 copies. 20 page colour zine. Fully recycled paper. Covers 250gm Shiro Echo paper. Photo pages on 160 Shiro echo paper. Uncoated and saddle stitched. “Entering the Forbidden Zone” is a film by Conor McGrady, edited by John Buckley, with the soundtrack, “The Dream of Reason Brings Forth Monsters” by Nurse With Wound. The film was originally developed as a video projection for Nurse With Wound performances scheduled for Russia and for the Shepherds Bush Empire, L…

Reduced Price, last copies ** 2024 Much-needed repress, Llimited edition of 150 copies, silkscreened covers and printed insert. ** A hazy, claustrophobic bridge between minimalism, drone, creative conceptualism, ambient music, and noise, we’re thrilled to offer the first ever vinyl reissue of Nord’s “Psycotron - 1” - one of the greatest and most sought-after holy grails of early Japanese Noise. Recorded by Hiroshi Oikawa only a handful of years before his complete disappearance and originally i…

Newly remastered vinyl edition of this seminal 1972 release. In the history of experimental music, few artistic decisions have proven as radical or as successful as Florian Fricke's complete abandonment of electronic instrumentation on Popol Vuh's third album, Hosianna Mantra. Released in 1972, this stunning work represents not just a departure from the Moog synthesizer explorations that defined the group's first two releases, but a complete reimagining of what spiritual music could accomplish i…

** Black UV printed tape dubbed at Headless Duplicate Tapes in a multi-cassette plastic case containing the Marrow tabletop RPG poster and insert with rules to play. **  Marrow – Excerpt offers a concentrated immersion into the strange, shifting world built by Merchants, the Italian electronic duo of Alberto Ricca aka Bienoise and Davide Amici. Since 2016, the pair have treated the studio less as a neutral workspace than as a speculative cartography lab, using samples and synthesis to sketch the…

LAHAR is the new musical work of Bandung power duo KUNTARI, Indonesia. A deeply atmosferic, bone-melting session of ancestral doom sounds delivered by the contemporary Indonesian primal music specialists. LAHAR is a Javanese term which was adopted in geology to describe a violent type of mudflow or debris flow composed of a slurry of pyroclastic material, rocky debris and water. The material flows down from a volcano, typically along a river valley. Lahars are often extremely destructive and dea…

Ethiopiques 32: Nalbandian The Ethiopian resurrects Nalbandian The Ethiopian & Either/Orchestra as a blazing big‑band bridge between 1950s Addis and 21st‑century Boston, restoring Nerses Nalbandian’s forgotten Ethio‑jazz charts with cinematic force.

On Lola, Zbigniew Namysłowski Modern Jazz Quartet fuse blazing post‑bop with Polish highlander melodies, cutting a 1964 London session that became both a historic first outside the Iron Curtain and a cult artefact of fiercely local modern jazz.

Audion 73 is where Audion Magazine’s global circuitry really starts to glow. First published on 3 March 2023 as a 48‑page A4 pdf, the issue threads book criticism, deep historical reappraisal and present‑tense scene reports into one restless survey. It opens, fittingly, on the printed word with “A Fistful of Spaghetti” - an extended book‑review section that uses recent titles on Italian cinema, music and counterculture as a prism, talking through how giallo soundtracks, spaghetti western scores …

Audion 71 catches Audion Magazine in full cartographic mode, tracing how progressive, psychedelic and experimental tendencies have leaked across borders, labels and generations. The issue opens with a feature on Acid Rooster, cast here as “new space-trekkers from Germany”, picking up the kosmische thread with extended jams that feel closer to orbital slingshots than retro homage. The piece listens closely to their long-form structures, guitar textures and rhythmic drift, showing how they tap int…

* Deluxe 88 pages offset printed CMYK, sewn-glued binding, and folded flaps cover *  Building upon and furthering his efforts in attending to the contemporary landscape of music via insightful texts, from the ashes of his longstanding zine, Personal Best, Lasse Marhaug delivers his brand new outing in periodical publishing with the first installment of 8090 VÅG, Nothing Personal. Comprising interviews with Ronny Wærnes, Stina Stjern; Mental Overdrive, Government Alpha, Fredrik Nilsen, Jérôme Noe…

*Listed as one of the four most influential Jazz albums that happened to be released in 1959 (Dave Brubeck -Time Out & Charles Mingus -Ah Um among them), so much has been said and written about Miles Davis'Kind Of Blue, it's virtually impossible to summarize all the necessary info to the length of this page. We could simply list some facts (best sold Jazz album ever worldwide). We could try to explain why it's the best Jazz album ever made, but the music itself will do that to you. As Bill Evans…

The Pink Violin by Jon Rose and Rainer Linz is a gloriously over‑the‑top fake biography of non‑existent violinist–composer Dr. Johannes Rosenberg, a “reformist parody” that lampoons art‑school scholarship, new‑music mythologies and violin culture with such detail and deadpan rigor it almost passes for the real thing.