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*250 copies limited edition* "Pipeworx" is the new release from Irish musician Mel Keane, out April 24, 2026 on Deardogs. For the last two or so years, Mel Keane has been researching and making work in response to the pipe band (bagpipe and snare drum military adjacent marching bands) tradition, which is found mostly in countries that have been colonised by the UK, such as Ireland.
This new record came as the result of this research, exploring the instability and directness of the bagpipes, but…
*2026 stock* The album features a mesmerizing live recording of Absolute Body Control captured at the historic Altes Stadtbad in Leipzig, Germany during the E‑Festival. Showcasing 11 standout tracks from the band's remarkable catalogue, the release delivers raw energy, atmospheric synth textures, and a powerful, intimate performance that highlights their signature blend of cold-wave minimalism and dark electronic intensity. Remastered for clarity, the recording preserves the venue's cavernous ac…
Musics for the Savage Planet' is the new album from Bloodcog, part of a year-long project to record a new soundtrack to the 1973 animated movie 'Planete Sauvage' (also titled 'Fantastic Planet'). As well as the full 70-minute OST, 'Musics for the Savage Planet' is compiled from two takes to form 13 discreet tracks. Bloodcog is a band from the North-West of England featuring five of the region's top improvisers, with a sound part rock, part free jazz, part musique concrete, part electronica (and …
*100 copies limited edition* Sculptural, dreamlike and intimately detailed, Precious Moments is the fourth album by singer and composer Oliver Mann - this time in collaboration with acclaimed Bologna electro-acoustic composer and guitarist Stefano Pilia. A tender remembrance across nine short tracks exploring the affinity and thrills of friendship in a time when we all have internalised distance, the album features guests Mick Turner (Dirty Three / Mess Esque / Cat Power) and a scene stealing ca…
Set in the heady atmosphere of revolutionary Moscow, The Twenties is the young poet and communist Varlam Shalamov’s celebration of the new culture of the Revolution, the brave crazy brilliance of his generation of writers, the mass poetry readings, the boundless optimism and creativity. Shalamov writes of them all with the wonderful subtlety and empathy and humour that secured him his place with these dazzling new talents, and have made him known as one of the greatest writers of the twentieth c…
Kassel Jaeger (aka François J. Bonnet) returns to Shelter Press after Swamps / Things, Shifted in Dreams, and the recent reissue of the classic Zauberberg, co-composed with Akira Rabelais and Stephan Mathieu. With this major new album, entitled Sub Re, Bonnet continues his long exploration of the musical possibilities of sound, extending the concrete approach developed at the Groupe de Recherches Musicales, the historic and essential Parisian studio that Bonnet has been directing since 2018. Sub…
*300 copies limited edition* In 2021, at the invitation of Chant du Moineau, Le Un experimented in collective spontaneous creating on a section of the Dordogne River. In an aquatic and poetic logic of space, Le Un continued its research along the Gironde estuary. Three working sessions with three different teams, ultimately bringing together the entire orchestra and our guests: Claire Steimer, historian, Olivier Chadoin, sociologist, Eric Chauvier, anthropologist, Guillaume Bonnel, photographer …
*2026 stock* This is the Big Band version by Otomo Yoshihide Special Big Band (OSBB) of the 48-minute suite "Sora to Mirai to," written entirely for this performance. "Sora to Mirai to" was originally composed at the request of conductor Yutaka Sado and premiered by the Hyogo Performing Arts Center Orchestra on January 17, 2025, the 30th anniversary of the Great Hanshin-Awaji Earthquake. Although it is an orchestral work, it includes elements of improvisation; soon after its premiere, Otomo imme…
*2013 release, 2026 stock* Dive into the experimental sounds of Wormhole, the 2013 electronic album by Oshima Teruyuki and Sakaguchi Mitsuhisa. Recorded at Fool On The Hill Studio, this CD release blends glitchy textures, ambient pulses, and deep sonic layers. You can download or listen online to tracks like "Quark 1" and "Quark 3," each offering a journey through digital landscapes. With a 5.0 rating, Wormhole is praised for its immersive and innovative approach to electronic music. Fans of uni…
*2026 stock* The first collaboration between Atsuhiro Ito (optron) and Masataka Fujikake (drums) is a quartet featuring Yasuhiro Usui (guitar) and Hideki Tachibana (alto saxophone). 55-minute sound scroll edited and reconstructed from a live recording at Shibuya Park Avenue Classics.
*2026 stock* This is the first recording by the unique trio of Tetuzi Akiyama (guitar), Toshimaru Nakamura (no-input mixing board), and Masataka Fujikake (drums). This is a full album of six songs recorded at the now-defunct Asagaya Yellow Vision and is an isolated work in which the inner universe of the three members is clearly imprinted on the disc.
This is the second album by the trio "Honnomajika Naharu", consisting of Lapis (guitar & vocals), Hiroshi Higo (bass & vocals), and Masataka Fujikake (drums). This is their first release in about a year since their last album (Honnomajika - Naharu X Keiji Haino: FDR-1052), and is a live album with Otomo Yoshihide (guitar & vocals) as a guest. It is another miraculous work, completely different in type from the previous album, as if the multiple layers of expression have been crystallized into on…
On 1001 Est Crémazie, the self‑titled orchestra of middle‑schoolers and Cégep staff capture the exuberant birth of modern Quebec: raw jazz‑rock, DIY tape lore and Quiet Revolution aftershocks pressed into one unlikely, fiercely alive school‑band artefact.
Who’s Gonna Buy? by The Lemon Dips is a shadow‑streaked 1969 relic of UK library psych, where fuzz garage, freakbeat hooks and eerie cues for film and TV collide into a strangely compelling, collector‑beloved ghost of the De Wolfe catalog.
On Guitar, Solo, Michael Scott Dawson distills his tender ambient language to its essence: frayed guitar melodies, soft tape ghosts and pastoral field recordings breathing in unison on a Japan‑toured sister album to Music For Listening.
On Closed For The Festival, MIDI Janitor turns childhood memories of a Donegal Christian commune into warped, luminous hauntology: junkyard beats, dream‑logic electronics and uncanny “thin places” where pastoral bliss slips into quietly sinister wonder.
On Flood Coil, Norwegian artist Kjell Bjorgeengen and noise architect Lasse Marhaug collide flickering electronics and dense signal storms, turning sound into a volatile field of interference where image, electricity and feedback are felt rather than merely perceived.
On Displaces, sound artist Francesco Fabris fashions a high‑dimensional cartography of memory, hyperobjects and matter, where langspil, biophonies and geophonies are folded into phased time‑space, drifting between suffocation and release in an eerily tactile sonic ecosystem.