We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Previously only available on CD, these amazing jazz compositions with a '60s vibe were recorded at NYC's Air Studio in 1981. The musicians are Charles Tyler (alto & baritone sax), Wilber Morris (bass) and drummer Denis "Jazz" Charles. The pressing is limited to only 70 copies with a paste-on cover (front and back with notes).
Available for the first time, this LP offers two beautiful side-long compositions, recorded live at th Jazztage in Leverkusen, Germany 1986. The musicians are Billy Bang (violin), Roy Campbell Jr. (trumpet), Oscar Sanders (guitar), William Parker (bass) and Zen Matsuura (drums). Limited editions of only 70 copies with paste-on cover (front and back with notes).
John Balistreri and his project Slogun are perfectly known to those interested in industrial subculture. ‘’A Breed Apart’’ was originally released on cassette by Slaughter Productions (SPT 86) in 1996, and it was packaged in a beautifully designed, oversized sleeve with a vellum overlay with a cult serial killer photo from one of the victims of Harvey Glattman. Mass murders and crimes have been used to finely illustrate uncompromising tracks full of hatred against society, the sound of wh…
Maurizio Bianchi began to produce music in 1979, since 1980 using electronic equipment with the avowed goal "to produce technological sounds and in such a way to work on complete realising of the modern decadence". In the beginning, he published tapes under the alias Sacher-Pelz. Industrial Tape was one of the first release under the name MB, recorded in May 1980. Maurizio Bianchi elaborates his abstract and exhausting art with care and great detail. Industrial Tape is a concrete example of …
The question of what’s one’s favorite item from their collection (or accumulation) consistently pops up in conversations amongst fans and collectors, and this unquestionably is always my answer. From head-to-toe, insert-to-tape, all elements are in glorious harmony and conversation with what another. Having the G.R.O.S.S. label’s ’industrial design’ fetish/obsession (some would say a relatively antiseptic departure from much of the other noise tapes of the time) articulating the sexualize…
Komodo Haunts is the psychedelic drone solo project of Ollie Tutty (aka Mt. Tjhris), from Lincolnshire, UK. With his music he explores drone structure, sonic textures, meditative zones and personal fictions. Making use of analogue and digital technologies; tape jams playing on human familiarity, natural ambiances, faux-exotica, mythologies, "reality therapy".
Taking inspiration from drone masters and new age wanderers the Suijin album is all about getting into "the zone” and could be the so…
Phil Julian is a UK based sound artist, composer and improviser active since the late 1990's, with a prolific output under the Cheapmachines alias and his own name. His work has been released on a catalogue of imprints and encompasses sonic textures ranging from harsh squalls of noise to compositions structured around hyper-minimalistic timbres and drones. Studio recordings and live performances within Europe and North America have focused on the use of electronics, particularly unstable and-or …
Special limited edition CDR for February-March 2015 Europe tour, featuring electronics and field recordings by Rudolf Eb.er. recorded in or around Rudolf Eb.er's house in Osaka, Japan 2012 to 2014, except track 12 recorded under his basement in Dübendorf, Switzerland 1976.
Spectrum Spools presents the first reissue of American minimalist composer and electronic music pioneer David Borden's 1981 masterpiece, Music for Amplified Keyboard Instruments, a work of the highest archival significance. A radiant achievement in sonic elegance, experimentation, and ambitious composition technique, Music for Amplified Keyboard Instruments contains four pieces, each utilizing three players and six keyboard instruments. - Borden was a central figure in the development of America…
Charles Cohen uses his Buchla Music Easel to replay Indonesian hardcore band Senyawa's "Di Kala Sudah." While enjoying a few months in Germany, Cohen conducted a ritualistic tonal re-adaptation, flushing the song through layers of spaced-out, orchestrated grooves. Meanwhile, in the U.S., explorer of the deepest depths Robert Turman smashed Cohen's "Conundrums" into small bits and recrafted it in his own masterful manner. His beaten and edited version displays ability similar to Cohen's, m…
2014 release. Final part in the Charles Cohen trilogy on Morphine Records. Featuring various works made for dance and theater productions between 1976 and 1988. Eleven tracks in total -- lovingly spread over a double LP and featuring some of the most beautiful material of the series. While in the process of recording and optimizing the old reel tapes for the initial track list, Cohen discovered a master tape that was originally prepared for an extremely limited cassette release on the Gen…
First chapter in the trilogy of Charles Cohen retrospective works, featuring some of his early works stepping into the archives of one of Philadelphia's best-kept underground secrets: synth composer Charles Cohen. This excellent release beholds seven key tracks (recorded between 1979-1988) that go into uncharted polyrhythmic/ambient/cosmic territory. The label says "First chapter in the trilogy of Charles Cohen retrospective works, featuring some of his early works from the Philadelphia's '…
Limited repress. Infratracts revealed. Eight outstanding tracks from the twisted minds of Philadelphia's finest. After the Topographic Interference four-tracker and the abstract head-banger Decant/Churn releases, the duo formed by Kenneth_Lay and V.Hold has established the fundamentals of a real new generation of psychedelia and wild technological freedom. This is the clear and definitive Metasplice manifesto: fist-rising -- scream if you can read it."The two EPs outlined the Metasplice sound:…
Memory is a funny thing. 10 years after touring the UK with the Feedback: Order from Noise tour I am trying to recall the concerts that I experienced in some sort of trance. There I was, the youngest member of a group of musicians that consisted of a mixture of good friends and musical heroes, apparently the curator of this musical adventure, ravaged by self-doubt. Would it all work out? Now, ten years later my memories have been altered every time I have thought back to those days, every t…
Wall and Rodgers have worked together informally and irregularly for the best part of two decades, but it has been since Wall took the leap into improvisation, roughly five years ago, that the potential for their collaborations to become something more solid has evolved. So the pair have worked together, either just informally in Wall's studio or out playing live gigs since 2006, and they have produced a body of material that Wall has then sculpted into the composition that appears on the CD. Th…
John Wall, computer-generated sounds, severe editing, arrangement and composition. Alex Rodgers, voice, computer-generated sounds. This work was compiled from improvisations, independently-recorded fragments and pre-written texts over the specified period. A second edition of Work 2006 -2011 (E114) is also available. Mastered by Jacques Beloeil and John Wall.
This latest collaboration by electronic composer John Wall and his old sparring partner, poet Alex Rodgers, gets off to a terrific st…
Psychedelic music all began with the tiniest possible bang: a minuscule pressing of a self-produced LP by Zen Buddhist scholar Alan Watts. In one cosmic flash of inspiration and group improvisation, the next two decades of musical innovation was pre-supposed: psychedelic rock, spiritual jazz, and even new age. As this micro pressing barely made it out of the ashram, it was his writings that actually spread his ideas, usually through osmosis: he was profoundly influential on the beat poets and th…
Both musicians have been active in the scene of improvised and experimental music for twenty years, both have been astounding their audiences with their intricately developed playing manners. Now they joined their forces on this album.
eRikm, based in Marseille, started his musicial activities as a virtuoso turntablist in early 90s, gradually shifting his focus to more abstract music, sometimes abandoning turntables or substituting them with minidiscs or CD-turntables. His recent record ou…
The meeting of heavyweights of electroacoustic improvisation from Europe and the Pacific United States happened during MKM trio tour in Northern America. This recording, at CalArts in 2010, yielded interesting results: a nervous displacement of noises and rich sonorous timbres. Casey Anderson, from Los Angeles, works with sound in a number of media from composition and improvisation to installations. On Five Lines he played a combination of digital and analog instruments of his own design…
Much needed vinyl reissue of a legendary Italian album from the 90s, finally remastered and housed in truly deluxe edition. Starfuckers' "Infrantumi" was recorded in the summer of 1997 in Massa, in the cramped attic of the Bocci house, all the equipment we had was: a sampler, a small mixer, an analog synth, a digital multi-effect, an electric guitar, a cheap transistor amp, a low wattage monitor, a vintage drum kit and a turntable. For recording we decided to use a mini-disc four-track reco…