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Expo '70 has garnered a great deal of notoriety over the last few years in certain circles in which the moniker is usually mentioned to describe types of cross-genres. After completing a couple US tours and a handful of limited releases and re-releases in 2010, a short hiatus was in order. During this time last year Justin Wright, sole operator of the project, recorded tracks for an upcoming release. Wright entered a basement studio and improvised over two nights layered recordings for the first…
Suum Cuique (pronouned Soom Kwi-Kwe, Latin for "To Each His Own") follows the remit of Young Americans to explore uncharted, experimental, and personal synthscapes, guided by the hand of intuition with an entirely analogue array of machines. In 'Lithic Reduction' concrète textures grind like a millstone to release powdery clouds of analog dust, settling only to be dispersed by gusts of blackened distortion, whereas 'Red Binary' is distinctly electronic, revolving around muted radar bleeps…
ALUK TODOLO are a recondite creature: part okkult black metal fiend & part snide kraut menace. Dry, spare percussion grievously mines the scrapes, shrieks, & shimmer of mutated guitar & bass. Recently feat. at 2009's WFMU Fest in Brooklyn, NY
Starring’s ABCDEFG-HIJKLMNOP-QRSTUV-WXYZ combines minimalist musical patterns with dreamy poetry to create a new style front-woman Clara Hunter likes to call “sparkle prog.” It captures the frenetic energy of the band’s live show, but here it is overlain with a new palate of synthesizers, delay effects, drum processing, aux percussion, and vocals that create delicate, but sometimes radical juxtapositions between the lyrical and the experimental. Though songs like “the best” and “aphonia” …
A fantastic musical performance took place on 27th March 2006 at Vilniaus Congress Hall. Three musical giants - Joe McPhee, Dominic Duval and Jay Rosen (also known as Trio X) made that evening unforgettable for their fans. Rich, colourful, intense, played almost on a telepathic level, this music is a true masterpiece of this amazing group.NoBusiness Records is proud and happy to announce that this performance has been released as a double limited edition LP. Joe McPhee : pocket trumpet, tenor sa…
**Limited edition of 300 housed in handmade silkscreened sleeve. Tipped for fans of Atelecine, Carter Tutti Void, Factory Floor** Ninni Morgia and Silvia Kastel make their first appearance as Control Unit on Italy's freshly minted Backwards label. Guitarist Ninni Morgia is a respected member of the New York underground scene, known for his work with La Otracina for Holy Mountain and Ultramarine Records. His co-conspirator Silvia Kastel was a willing participant in his Ninni Morgia Control …
This is Mama Br solo with voice, tape, guitar, feedback. Limited to 300 copies. White vinyl. Cover from the artist. "A relatively tranquil trance induced by repetetive autistic thumping while Ms. Hjuler successfully calls down the moon. Lousy electric guitar, detuned piano, backwards cassette tapes, and a microphone banged against a floor all get guest spots. Best of all, there's a giggling section." Weirdo Records
Doom rock pioneer, influential drone-master, occultist and professed anglophile, Dylan Carlson ov Earth comissioned by the Southern studios on 16th April, 2012 to record six covers and one original song, found on his latest Drcarlsonalbion issue. Accompanied by Teresa Colamonaco on vocals and Jodie Cox on guitar, 'La Strega and The Cunning Man In The Smoke' continues a progression from his ace instrumental recordings for The Tapeworm to the more recent, collaboration-oriented work 'Modern…
Debut album, originally released in 1956. The blind Kansas native showcases his talent for the minimal & avant-garde here, w/ compositions driven by percussion & Japanese-inspired melodies, complimented by street sounds, recitations, & animal noises. Bizarre even for today's standards, it's a wonder this was released over a half-century ago.
Temperatures are a London-based duo formed by Peter Blundell (bass, voice) and James Dunn (drums, synth). Blundell's rumbling delayed bass runs against Dunn's bursting drums that simultaneously trigger an unruly ARP 2600. Vocals are both muffled and shouting at times and eventually end up getting buried under a (controlled) landslide of sounds. Thanks to their instinctive but thoughtful approach to noise, Temperatures can express a suffocating sense of alienation and mal de vivre, as well as tod…
Picking up the threads with ease, Espers III was intended to be an aural reversal of the layered sound of II. The goal was to record fewer tracks in order to achieve a stronger, more oxygenated sonic presence. Where II was almost claustrophobic in its density and darkness, III was envisaged as being somehow lighter, effervescent; perhaps even of a cheery disposition at times (whoa there! Don't go not breaking our heart, Espers). Under these auspices, recording started in late 2008 and spi…
Just two years separate Pyrolator's 1979 debut Inland and the 1981 album Ausland. Nevertheless, they could hardly be more different from one another. If Inland reflects the industrial decay and politically-explosive atmosphere of 1977 and the years thereafter in the Federal Republic of Germany, then Ausland is a buoyant, playful and yet groundbreaking pop album. There had been some significant developments since 1979. The Ata Tak label, which Pyrolator had co-founded, had hit a rich vein of…
Long out-of-print cassette originally released on Sloow Tapes (Belgium) in an edition of 70 with hand colored inserts. Cassette sold out within a week and has become quite collectible. Recorded after Expo '70 played France in 2008, just weeks after the IAO festival where the label owner and musician met. Upon returning to the states, the experience spawned the 2 day recording session materializing these 2 improvised tracks with no overdubs. Both tracks begin with rhythmic beats and slowly …
Mind-scrambling free jazz, noise, experimental drones, and uncategorizable sound experiments from the wilds of Judith Kan, voice. Jac Berrocal, trumpet, piano. Dan Warburton, violin, keyboards. Béatrice Godeau, cello. Jean-Noël Cognard, percussions. Recorded by Patrick Müller, 2009. Cover by Jörg Morning. Limited to 300 copies.
Another sublime drone album from the unshakably good Root Strata camp, En's The Absent Coast is a real upper tier ambient release. Distinguished by its depth and effortless musicality, this album is one for genre fans to really savour. After the sandblasting noise/tonal onslaught of 'A Dying Sun/Return To Holyoke', the album calibrates itself to a stately simmer that comes to life during the quite sublime 'Honeysuckle Heart', which combines glassy sustains with crackl…
This is Mama Br solo with voice, tape, guitar, feedback. Limited to 300 copies. White vinyl. Cover from the artist."Frau Hjuler has few equals when it comes to shrieking like someone's tickling her with a hot poker. Here you start out with sound effects, in the form of cat meows & nippy dog barks, and move through some swooping feedback before the yowls and huffing noises begin in earnest" Weirdo records
Now Voks is finally presenting his first full-length album (though only 30 minutes long this is epic in Voks' universe - both 3"CD's included 10 tracks each within 20 minutes). While keeping his trademark style of hyperactive and nervous high-pitched twisted pop songs a newborn interest in (italo-western) movie soundtracks seems to be evident. The sound of super fast surf guitars is colliding with what seems chinese opera samples, world music is combined with children's whisteling tunes. Think R…
12" version. Certainly not a group to rest on their laurels (especially difficult when they have new songs burning a hole in their collective back pockets), Deerhunter delivers five new tracks on this extended play. This is not some stop-gap release between albums, or mere leftovers from their most recent Microcastle album, but an all new session. The band loves the EP format and thinks it does not get the respect it deserves. Hell, some bands arguably work best in the EP format, think Cocteau T…
Rhys Chatham has trail-blazed a course through late 20th century music, equally aplomb in post-minimalist composition as he is in punk. Not since Roebling laid his span across the East River has there been an artist who builds bridges in both how we hear music and how we can appreciate art. His latest album, Outdoor Spell, is a further document in that direction. Here has has eschewed 100 guitars, or even himself playing a single guitar, for the trumpet and voice, both electrified and dry. It is…