We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
This volume presents Violette's recent two-part exhibition at Barbara Gladstone and Team galleries in New York in 2007, and includes a 12-inch LP of his five-channel audio installation for Gladstone. Recorded at Team Gallery, it was composed and performed by frequent collaborator Stephen O'Malley of Sunn O))) with vocals by Attila Csihar.
Versatility has always been what sets Luca Sigurtà apart. His new solo album ‘Bliss’ out on Fratto9. Recor- ded in 2011 and Mastered by Giuseppe Ielasi, this new offering exhibits his most dreamy side. There are five tracks which sit between cinematic drone music and that of Angelo Badalmenti.
It a soundscape through a sunny afternoon in the North of Europe, filled with white light that illuminates the port and with the presence of distant noise.
Shared between the passion for silence and …
Beautifully minimal new work by Asmus Tietchens using layers and stretch out sound fields as a compositional basis and placing miniatures inside them. 54 minutes, 8 tracks, handnumbered edition in nice paper sleeve 300 copies.
Rhythm Kingz made its first appearance in 1982 playing a couple of gigs in student parties. After hibernation of about 25 years the name was dug out again for naming a line-up which concentrates on blues-based improvization. All the songs on this CD are recorded in impro sessions in 2008: The principle has been that nothing is agreed about songs in advance but the songs have evolved from a tiny idea or a riff played by somebody, and all the other players have followed. Also the lyrics have beed …
It may well be the case that the whole modern classical scene suffered from a possibly fatal case of over-familiarity and over-exposure these last few years, but it would be a shame if a genuinely gifted musician and composer like Iceland's Ólafur Arnalds was lumped in with the vast majority of his contemporaries - the guy is just the real deal. And if there were any doubts about his talents, Arnalds created and released a new song a day for one whole week during the month of October this …
Minimal Wave is proud to announce our 34th release, a limited edition hand-silkscreened 10” release of Schedelvreter (which loosely translates as “Skull Gobbler”), the Dutch side project of brilliant minimal synth pioneer Danny Bosten, best known for his project Das Ding. The seven tracks were originally recorded in Danny’s home studio and self-released on a cassette entitled Hunker via his Tear Apart Tapes label in 1985. The newly remastered 10” is limited to 999 hand-silkscreened numbered copi…
Awesome box-set includes the lps "tesis" and "antisesis", an additional '7 and 50-pages booklet, 23 tracks. "síntesis" was el aviador dro y sus obreros especializados' second album. also featured here is the great (and quite different) 12" version of "selector de frecuencias" (dro-020, 1982), the complete "amor industrial" 12" (dro-040, 1983) and "vortex" 12" (dro-074, 1984).
Latest entry in Touch's bitesize Touch Sevens series, with typically lush cover design and photography by Jon Wozencroft. This one comes from NZ native Paul Douglas aka Rosy Parlane, and was recorded in Auckland back in 2008-9. 'Willow' is a blast, its radiant widescreen drones and shimmering surfaces - which corrode and curdle over the duration - calling to mind the work of labelmate BJ Nilsen. 'Morning' is more reserved, elegiac even; rotary organ tones and delicate processing conspire …
Breathtaking solo organ improvisations recording!! This is the first volume documenting Zorn's breathtaking solo organ improvisations. Although organ was Zorn's first instrument (he often credits Lon Chaney in the silent classic Phantom of the Opera as a primal influence), in 2011 Zorn surprised even his hardcore fans by initiating a new series of solo organ concerts in churches around the world. Premiering at the historic Christ Church in Philadelphia, the word on these concerts spread li…
Berlin Fields is a sonic journey not limited by national boundaries, city limits, or material limitation. Roden perambulates, recording as he goes with the immediacy and quirks that come from using both portable recorder (a Sony PCM-D50) and phone. Exploring intuitively, Roden brings together 19 sonic vignettes via “finds”: things discovered; and “activation”: objects performed on site.Using intuition as a guide, Roden's interactions and sonic interventions – “play” in every sense of the word –…
S K L S are Joachim Nordwall & Henrik Rylander, the key members of Swedish noise-rock band The Skull Defekts. That’s their debut release under the name S K L S, which seems to be a kind of side-project for darker, electronic minimalistic sounds. As opposed to the full guitars & drums line-up of The Skull Defekts follows the traditions of motoric Kraut-style (Can or Neu! — like), S K L S is defenitely oriented mostly on spacey-psychedelic-electronic-meditation of Cluster or Popol Vuh. It’s…
Noise Vs Subversive Computing' is a collaborative project that concerns sound suggestions relating to the realm of more experimental ambient-noise, and is both sophisticated and imaginative. There are not only electronic musicians joining this effort but also radical activists, computer hackers and programming code theoreticians. The heterogeneous contributions are collected on USB flash memory and carefully divided in two folders. In the first there are only…
Since the very first notes, this music appears to be about memory, decay and subversion. It is a deep investigation on the ability of sounds to freely attract or reject each other, in accordance with their own nature and disposition, and still maintain their meaning. Combining dense, multilayered sheets of synthetic sounds, treated bass, electronic percussion, the six tracks reveal their non-architectural principle as the music develops through warm textural details, reverberations, underlying m…
Based exclusively on end grooves from vintagerecords, 'untitled #205' is a straightforward and joyful exploration of the potential for reincarnation of these unintended sonic structures into new life. More a tool than a final product, it delves into static, noise and rhythm with a hopeful perspective.' The untitled #205 mix on the a-side brings us 18 minutes of hissy, textural sound in dissolution, ranging from ryhthm to noise. The b-side has the 20 original loops López constructed out of…
"Iowa City silver apple-pickers Wet Hair pitter-patter into yet another picture-perfect futurist synth-pop raga, 'Blessed.' Yes you are. On the flip, kindred midwestern matrimony team Peaking Lights hotbox a basement of black ark basslines and waterlogged reggae 45s. Sleeve art by Robert Beatty."
To Describe George Washington Bridge is Stephan Mathieu’s 2nd Dekorder release in the 10inch format (reflecting his interest in old 78rpm records) after 2009’s sold out The Key to the Kingdom, and, we’re happy to say, again it features two of the composer’s most outstanding short pieces. Both are recorded utilizing similar methods as used on his most recent album “A Static Place” on 12k yet they are presented in an even more condensed and melodic way. As source material he used transcript…
Just Arrived: Philip Jeck makes geniunely moving and transfixing music, where we hear the art not the gimmick. Philip Jeck writes: A version of An ark for the listener was first performed at Kings Place London on 24/02/2010. It is a meditation on verse 33 of The Wreck of the Deutchsland, Gerard Manley Hopkins poem about the drowning on December 7th 1875 of five Franciscan nuns exiled from Germany. This CD version was recorded at home in Liverpool and used extracts from live performances ov…
FLEXI DISC // CLEAR // 33RPM // SQUARED // 1 SIDE // 1 SONG handmade clear screen-printed cover on holographic paper, killer modular synth experiments by Brooklyn's "Venezuelan in-exile" and No Fun label boss Carlos Giffoni
Marcus Schmickler's new release following his acclaimed Altars Of Science (EMEGO 082CD) is a must-have for those interested in the rising field of contemporary computer music. It reconfirms Schmickler's interest in the liaison of sound, phenomenology and cognitive sciences. Schmickler, therefore, utilizes a new interpretation of 1960's discovery, the Shepardtone, discovered by Roger Shepard, which creates the auditory illusion of a tone that continually rises or descends in pitch yet ultimately …