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Dale Cooper Quartet and The Dictaphones are back with their third album called "Quatorze Pièces de Menace". This new full-length of the cult French Dark Jazz collective is the follow up of the highly acclaimed 2011 output "Métamanoir" - the second release for the German experimental music label Denovali. Halfway from their debut "Parole de Navarre"'s ambient and drone driven soundscapes and the more orchestrated "Métamanoir", this new collection of tracks is following their quest for dreamy but …
Luke Younger's Helm returns to PAN with four vital incursions marking his first new material since the sessions that birthed his acclaimed 'Impossible Symmetry' and 'Silencer' releases these last couple of years. Since those releases Younger has been hard at work building his Alter label into one of the most interesting imprints around whilst also honing a petrifying, improvised live set that's turned our bones to stone every time we've heard it. 'The Hollow Organ' delivers four tracks of…
Sabisha Friedberg's double LP "The Hant Variance" was recorded at EMPAC with Peter Edwards in a custom-tuned environment using advanced multi-channel recording techniques to capture a configuration of spatialized sound sources. Combining granular synthesis, analogue synthesizers, tone oscillators and field recordings, the composition is comprised of three movements. The low-end bass, which was recorded live with a subwoofer configuration that allowed for rapid directional shifts, serves a…
Terror & Healing is Tsembla’s fourth release after the 2013 LP Nouskaa henget (New Images), Fauna (Ikuisuus, 2011) and Tuplafiesta 7” (Vauva, 2009). Tsembla, aka Marja Johansson, is a Swedish-Finnish artist operating out of Turku, Finland. She’s an active worker in the musical activities of her hometown and a member of the Kemialliset Ystävät ensemble. Arranging sounds from manipulated samples, electronics and objects, Tsembla’s music is rich in detail, riding on waves of warped melodies, flutte…
2014 repress, originally released in 2007. Includes mp3 download. This is Reykjavik-based composer/producer Ben Frost's first release for the Icelandic Bedroom Community label. From the ominous darkness and intensity of its opening moments, one might expect a death metal album to break out in an instant, but Theory Of Machines is an album whose design is as symphonic as it is confrontational -- the tempo doesn't pick up, no hooks or vocals arrive, and when the drums finally kick in, they're…
LP version; presented in a laser-cut full color bronze and black sleeve with full color insert. Includes download code. The Summoner comes four years after the last Kreng album Grimoire (MIA 016CD/LP) and three years after the massive retrospective box set Works for Abattoir Fermé 2007-2011. A lot has happened in the interim, and The Summoner can be seen as quite the departure from the aforementioned works. Pepijn Caudron's most personal album to date, The Summoner was created after a year in wh…
A diary in sound of 74 days, documented by Polaroid photos and Dieter Roth’s corresponding diary entries. Bilingual English/German. Essays by Peter Kraut, William Furlong, Gianni Paravicini. 312 pages.Harmonica Curse is a fascinating long-term diary that Dieter Roth kept in sound and images. In the year 1981, far away in Iceland, the artist played 74 times for an hour on his accordion. He recorded this improvised music on cassette each time. The result is a set of 74 cassettes that Roth made int…
**Edition of 300 with 6.5" x 6.5" illustrated lyric sheet included** Genius art-rock pop shots chipped from Officer!'s '8 New Songs By Mick Hobbs' (AAA, 1983) tape by avowed fans, Blackest Ever Black. Making their first appearance on vinyl following BEB's issue of 'Dead Unique', they give two sublime glimpses of Hobbs' gift for "ambiguous, ecstatic, anguished" songwriting and arrangement that may well have lain undiscovered by the rest of us otherwise. A-side finds the confessional cathar…
"Is there a better all-around bassist with a bow than Barry Guy? That query may scream sycophantic hyperbole, but in taking stock of the British improviser's discography it's an interrogative that can't help but manifest repeatedly.
On Guy's end the distinction of best isn't even a peripheral consideration or goal. He's placed his instrument in near-countless contexts, bringing to it a perfect sense of pitch and dynamics. Five Fizzles for Samuel Beckett is right in line with that sterling…
The first installment in Unrock's new string wringer Saraswati Series presents two of today's most extraordinary guitar maniacs captured on location. While Bill Orcutt, "Re-inventor of the Blues," falls from abstraction into acoustic hardcore serenade on his wooden 4-string guitar, the Kali-inspired Sir Richard Bishop improvises elegantly and calmly through a feverish 17-minute variation of "Zurvan." Limited edition of 700 numbered copies. 180 gram vinyl, ncludes a solid cardboard info s…
Raster-Noton co-founder Frank Bretschneider\'s new project Sinn + Form (Meaning and Form) is based on the conflict between the fundamentally chaotic world described by mathematical and physical theories and models (dynamical systems, probability theory, stochastic systems) and the constant human attempt to recognize, describe, predict, control, and change this world. Musically, Bretschneider simulates this concept with a modular synthesizer system, in which various modules produce a consta…
Split LP, released in an edition of 300 numbered copies on splattered orange/black translucid vinyl, and packaged in silver ink silkscreened cardboard covers with an insert. Richard Pinhas, guitarist from French cult band Heldon, is accompanied by his son Duncan, Oren Ambarchi (SunnO))) and Erick Borelva. Tamagawa plays number of songs that are totaly stripped from subtlety. A suite of audible haikus bring to mind the sound of footsteps in the water... a distant waterfall.
3rd LP from NYC street performer & avant-garde/minimalist composer, originally released in 1957. Perhaps the least accessible of his early releases, this album is made up of percussive jams, usually on instruments of his own creation, street sounds, poetry, & Far East melodies, despite opening w/ a swinging number that is, oddly, the most bizarre thing on the album.
One of two different sets, along with "Two City Blues 1", recorded on one intense night at Tokyo's Shinjuku Pit Inn. A trio of three towering figures, German free jazz legend Peter Brötzmann, Japanese avant-garde wizard Keiji Haino, and wildly versatile American composer and musician Jim O'Rourke, recorded by Yasuo Fujimura on November 23, 2010. Brötzmann: alto and tenor saxophones, tarogato, and clarinet; Haino: guitar, voice, shamisen; O'Rourke: guitar.
Doxy presents a reissue of "Les Concerts du Domaine Musical", originally released by the French label Véga in 1956. Le Domaine Musical was a concert society established by Pierre Boulez in Paris, which was active from 1954 to 1973. Boulez intended to provide opportunities for new music, after a general musical migration from Germany and Austria to Paris in the wake of those countries' legacy of war-torn decades without music. Le Domaine Musical created an exciting milieu in which the best an…
"Musicawi Silt" is the best known Ethiopian song from Addis Ababa's golden era of 1970s pop music. The insistent drive of the rhythm and the mighty blast of the horns - a sublime, angular burst - are unmistakable. Hailu Mergia's concept for the Walias first LP "Tche Belew" was to include compositions by various band members. Since Girma Beyene, a member of the Walias, wrote this addictive song in the mid-70s and the Walias band began including it in their sets, it has spread around the wo…
For their 3rd album together, the trio of saxophonist Peter Brotzmann, bassist John Edwards and drummer Steve Noble are caught live at the 2013 Ljubljana Jazz Festival for three blistering works of free improvisation. This is the second album by the Peter Brotzmann trio with John Edwards and Steve Noble, following “The Worse the Better” (they’re also together in a third one, “Mental Shake”, but with the addition of Jason Adasiewicz and his vibraphone). And just like that first opus, recorded …
Upon first listening there can already be no doubt: music is for Samy Moussa a matter of personal expression and direct, bodily experience. The physical dimension of his compositions presents itself undistorted, in its overwhelming power and sonic quality. Something else also becomes immediately clear: that someone is reaching into the sound forcefully and emphatically, that he aims to overwhelm, to overpower, even to assault. Samy Moussa values the energetic, virile gesture, he would rat…
The Arditti Quartet is celebrating its 40th anniversary this year and they are featured on the new Col Legno CD, with four premiere recordings of works by Rebecca Saunders, Benedict Mason, Luke Bedford and John Zorn. Each of the four pieces is a mini-masterpiece in its own right and the Arditti Quartet performs them all with the virtuosity and commitment they are renowned for. The result is a CD of powerful, gripping and great music!
“These four must be stopped…,” Paul Griffiths wrote more than…
Recent digipack CD reissue "This collective of jazz improv weirdoes banded together for a one-off in 1986 to riff on the deep vibe of all things French and cinematic. Backing vocalist Toni Marshall, Zorn, Beresford, and Toop created a virtual and highly experimental film noir soundtrack to a movie that perhaps existed in the mind of Jean-Luc Godard in the 1950s, but was never made. David Toop is clearly the sonic architect here, haunting the proceedings with his deep use of effects, subdued perc…