We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
As a long-time fixture at the far end of collectors Euro electronic shelf this Gallic magnetic conceptual synth-pop classic has been in risky disc-jockey orbit waiting over thirty years for the right time to touchdown on planet earth to refuel. With the recent critical resurrection of Jodorowsky’s un-made version of Herbert’s sci-fi blast masterpiece and more and more electronic music fans veering from dance music into the sub-genres of PINA and dark ambient the eve of the original novel’s fift…
Nazoranai comprises three gentleman, three friends and three fans of each other's creative output. The Most Painful Time Happens Only Once Has It Arrived Already..? is the second release from Nazoranai, a power proposition made up of three sound/song heavyweights: Keiji Haino, Oren Ambarchi and Stephen O'Malley (no introductions necessary, intimidation checked in at the door). Recorded by Chris Fullard at CCSO, Birmingham, July 9th 2013, The Most Painful Time... expands the trio's devastating ex…
A full-length overview of the avant-garde piano repertoire of Nelly (aka Pétro) van Doesburg, performed at various De Stijl, Dada and Bauhaus events in Europe between 1920 and 1925.
Born in the Netherlands in 1899, Nelly met De Stijl founder Theo van Doesburg in 1920. Over the next decade the couple lived in Wiemar, where Theo was an associate of the influential Bauhaus art and architecture school, and then Paris. A conservatory-trained pianist, Nelly often accompanied her husband's lectures wit…
Musique de la Rose + Croix is a double disc set of solo piano music collecting Satie's enigmatic Rosicrucian pieces (1891-1894), together with an instrumental version of his ballet score Uspud (1892) and the meditative works collected as Pages Mystiques (1893).
For a short period Erik Satie was appointed official composer for the esoteric Ordre de la Rose-Croix Catholique du Temple et du Graal, founded in Paris by the flamboyant mystic 'Sar' Joséphin Péladan. The first Salon de la Rose-Croi…
This full-length archive CD explores the highly influential Bauhaus school of art and architecture, which operated in Germany between 1919 and 1933.
The spoken word element centres on a revealing talk by Walter Gropius, the architect and theoretician who founded the Bauhaus in 1919. The album also includes contributions from the school's third and final director, architect Ludwig Mies van der Rohe, as well as teacher Josef Albers. All interviews are in the English language.
The musical con…
Surrealism Reviewed is a collection of spoken word recordings by Surrealist artists, writers and poets. Made between 1929 and 1963, these historic audio recordings include poetry readings, interviews, lectures and manifestos. Most are in the English language, though some are in French (marked FR below). The remarkable contributions by Robert Desnos and Herbert Read were feared lost for several decades, unheard since they were cut onto acetate discs in the 1930s.
Running for 74 minutes, wit…
Written by eccentric French composer Erik Satie in 1893, the extraordinary score for Vexations is just three lines long, yet a complete performance (840 repetitions) may last for anything between 14 and 28 hours. First performed by John Cage in 1963, this enigmatic, surreal work is today recognized as a musical milestone in the avant-garde canon.
This meditative 69 minute recording features 40 repetitions of the motif, performed by Alan Marks on piano in 1987.
Musica Futurista is a comprehensive collection of music and spoken word from the Italian Futurist movement 1909-1935, including original recordings made by Filipo Tommaso Marinetti and Luigi Russolo. As well as vintage free-verse readings by Futurist founder Marinetti, this popular primer includes recordings of the celebrated intonarumori (noise intoners) devised by Russolo, including a fragment from his lost landmark work The Awakening of a City.
As well as restored archive recordings, the …
Sold out at source, few copies availeble. Duo recordings by the late Toshiro Mimaki (percussion) and Kiyohiro Takada (bass and electronics). Both were part of the legendary Les Rallizes Dénudés and the abstract electronics, hypnotic percussion and two-note bass riffs remind one of their earlier band, though the overall atmosphere is far more abstract and echoes weird dark vibes in the depths of space. The lp comes with a bonus 7” documenting the only known recordings by Oz Band, the duo’s band p…
12-string alchemy from the wilderness of Western MA, Pasquarosa's compositions trans¬x with hypnotic ¬finger picked melodies of a true occult nature. Known for his work under the Crystalline Roses moniker, his acoustic playing resounds with mysticism and unknown pleasures.
A dazzling debut from Bay Area guitarist Aaron Sheppard whose virtuoso fi¬nger-picked six string attack is stunning in both its precision and melodicism. Sheppard's album is a bold introduction to a remarkable new talent in the world of acoustic guitar.
2014 restock, released 2010. 12-String arrangements from a true master of the instrument, Brokaw shows a range from waltzes and ballads to experiments and rhythms. Member of Codeine, The NewYear, Come, Thurston Moore and the NewWave Bandits and many more ensembles.
Futurpiano showcases three influential avant-garde composers associated with the Futurist movement, by way of piano music composed between 1913 and 1933.
Arthur-Vincent Lourie was the first Russian Futurist musician, and a signatory of the original St Petersburg Manifesto in 1914. The five Syntheses written that same year offer a form of dodecaphony, while Formes en l'air from 1915 is a Cubo-Futurist conception using an innovative form of notation, dedicated to Pablo Picasso.
Born in the Ukraine…
Cubist Works presents four works composed by Erik Satie between 1913 and 1924 for his collaborations with Pablo Picasso. These include piano and orchestral versions of his scores for the celebrated 'Cubist' ballets Parade (1917) and Mercure (1924), as well as a seldom-heard organ 'diversion', The Statue Found (1923).
The 60 minute anthology also includes The Puppets are Dancing, written for the French Futurist dancer and poet Valentine de Saint-Point in 1913, and the ludic Trois valses distin…
This acclaimed recording of Erik Satie's symphonic drama Socrate is performed by Music Projects London, and was originally released on Factory Classical. Completed in the spring of 1918, Socrate is a typically eccentric piece from avant-garde composer Erik Satie. Written in three movements for voice (four sopranos) and small orchestra (or piano), the text is extracted from three Platonic dialogues and depicts the last days of the Greek philosopher Socrates, condemned to death for corrupting the …
A collection of Dada-related works by French avant-garde composer Erik Satie (1866-1925) including music used by Francis Picabia, Tristan Tzara, Kurt Schwitters and René Clair. An enthusiastic Dada activist in Paris between 1920 and 1924, Satie collaborated extensively with Tzara, Man Ray, Pablo Picasso and Jean Cocteau, wrote often in Picabia's journal 391, and became a sworn enemy of the Surrealist faction lead by André Breton.
Performed on piano by Bojan Gorisek, this unique selection include…
This 74 minute album offers four spoken word extracts by Marcel Duchamp (in the English language), including The Creative Act, a fascinating lecture delivered in Houston in 1957, as well as a lengthy interview recorded in 1959. The remainder of the album explores Duchamp's remarkable musical experiments.
Devised in 1913, the Musical Erratum for piano forms part of the sequence of notes and projects which led to his celebrated artwork, La Mariée mise à nu par ses célibataires, même (The Bride …
This 160 minute anthology features selected piano and orchestral works by Les Six composed between 1915 and 1945, including collaborations with Jean Cocteau, Guillaume Apollinaire, Max Jacob, Marcelle Meyer and Denise Duval. Highlights include a digitally remastered cast recording of the Surrealistic opera Les Mamelles de Tirésias, co-created by Francis Poulenc and Apollinaire, and new recordings of Dada-related works performed by Peter Beijersbergen van Henegouwen.
All selections were re…
Definitive best of CD by acclaimed Los Angeles postpunk group Savage Republic. Formed by noted artist-designer Bruce Licher in 1981, and inspired equally by punk and Krautrock, the band went on to record four studio albums between 1982 and 1989, most issued through their own Independent Project Records label. The band were particularly popular in Europe, touring regularly, and even grazing mainstream consciousness with an appearance on the soundtrack of the movie Silence of the Lambs.
The …
Following on from our popular primer A Young Person's Guide to the Avant-Garde, LTM now offer a more comprehensive overview of French avant-garde music in the 20th century.
Commencing with pioneers Claude Debussy and Erik Satie, this chronological double disc set moves forward to absurdist and dreamlike Dada and Surrealist compositions (Duchamp, Picabia, Desnos, Ribemont-Dessaignes), as well as the more conventional work of Jean Cocteau's celebrated 'Group des Six', and onwards to postwar electr…