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Original 1981 release! Slava Ranko(aka Don Philippi) released only one album, Arctic Hysteria (1981), that quotes John Cage, Brian Eno, minimalism, Indian music Don Philippi (October 2 1930-January 26 1993) was a noted translator of Japanese and Ainu and a musician.Born in Los Angeles, Philippi studied at the University of Southern California before going to Japan in 1957 on a Fulbright scholarship to study at the Kokugakuin University. In Japan he became an expert in classical Japanese an…
One of the key but underappreciated episodes in avant-garde jazz, Sun Ra's Atlantis sounds far out even today. Rather than a full-on assault on the senses, Atlantis is an exercise in build-up, with long, almost forlorn passages of Ra on electric keyboards setting a vast echo chamber for his Arkestra to spring forth within. Captured during one of the most adventurous periods for Sun Ra, *Atlantis* features the orchestral perfection of the best big bands of the century-and then proceeds towards mu…
Since Sam Shalabi enjoyed his mini-breakout in 2004 with the Shalabi Effect's The Trial of St. Orange, the Montreal composer has explored the overlap between popular Western music and traditional Middle Eastern musics, particularly those from Egypt, the country from which Shalabi's parents hailed. These projects tend to be diffuse and ambitious: Shalabi works with dozens of musicians on long, brash drones, or plays meditative oud pieces in comfy theaters. Land of Kush, …
another amazing japanese weirdo band with members of the great old punks of aburadako and the free birds of hasegawa shizuo, higher hair then benny b or the fresh prince of bell air, a mental harry pussy like guitar style, dead pan free drumming and a voice that could be recorded somewhere else or under a public shower! a lot of energy crammed on one records anyway, too much to dream of. kito-mizukumi rouber is formed at tokyo. we are dance bands. your ankle is be cramped with a rhythm! we are b…
during my last visit to the states, about 2 years ago, one of the highlights was definatly a night long visit to SCOTT FOUST's house! john shaw took us there and explained from before what it was gonne be like, we would be seated down in a confortable couch while "the last great man" would stand up next to a pedastal with some quality whiskey, dope and cigarettes on it, sporting a mono coloured suit and sunglasses (day and night) while foust is telling stories about different art records, and ma…
New York City, 2069. A new form of crime has evolved. Only one hard-as-nails ex-cop has what it takes to get to the bottom of their plot and stop the new age outlaws from finding the alien artifact and destroying earth as we know it." Back in March this year, NNF released the original version of this album on cassette, but it's maker, Dylan Ettinger, has returned to the master tapes in order to "further articulate the new age sci-fi ambient drift jazz vision of those pieces into something…
A mythical Magma album recorded in 1971, during the 1001 Centigrades period. The album aims at introducing wider audiences to the zeuhl feel, with a less hermetic sound, favoring a groovier jazz-rock approach. Features the vocalist of Ergo Sum on one track as well as Tito Puentes on trumpet; otherwise this is pretty much the same line-up as in their previous album. A few dreamy moments with acoustic guitar and flutes (the track 'Clementine'), and other typically dense moments with pulsati…
""the divine" marks the second phase in the trilogy proposed by john twells aka xela. crawling out of a castle dungeon in pursuit of its predecessor, "the illuminated", this lp finds itself trapped in an abandoned church somewhere in a damp southern wilderness. church bells chime and rattle through the record's first piece, echoing and distorting through a fog of chattering voices and prayers. tape loops stumble over tape loops and the solemn, ecclesiastical drone slowly decomposes into thick, c…
What's been described as a trumpet player trapped in a two dimensional universe is in fact the unique work of Justice Yeldham (aka Lucas Abela), a maverick musician with an unhealthy obsession with sheets of broken glass. In his infamous show that has astonished and bemused countless people in over 40 countries, yeldham ecstatically purses his lips against sheets of amplified glass whilst deftly employing various vocal techniques ranging from throat singing to raspberries, turning discarde…
"for the latest of their sound expeditions, the two warriors of experimental music from two generations (hans joachim irmler from faust and fm einheit as a founding member of einstÜrzende neubauten), have rejuvenated themselves and added a feminine touch. here, the german multimedia performer ute-maria paul, as well as the american composer and bassoonist katie young, broaden the sound cosmos which could already be explored on "no apologies", irmler's first co-operation with fm einheit. b…
"Nottingham duo Felix make their Kranky debut with this fine and idiosyncratic collection of songs. The main focus here is the vocal/piano/cello talents of Lucinda Chua, whose sparse yet quirk-loaded minimalism receives guitar and bass backing from Chris Summerlin, who's probably best known for his work in the rock band Lords. Chua's writing is quite unlike anything else currently out there; her lyrics convey strange or often very simple, domesticated ideas delivered in a pared-down, plaintive f…
Follow-up to last year's well-received full-length of collaged live performances released on SHDWPLY. This is another half hour-plus of the Baltimore drum/drone collective at their most zoned and loose-limbed.
Words are more often then not the point of departure for many works of Das Synthetische Mischegewebe. The track - titles here stem from ‘El Mundo Alucinante’ de Reinaldo Arenas, which itself is inspired by François-René de Chateaubriand’s ‘Mémoires d'outre-tombe’. It is about time rather than history and about being in history. Having lost the war of time, the only thing that remains to do is being, and here we go, ‘being infiniment exigent’ in it’s means of expression. DSM began in Berlin arm…
First released of Malass aka Vincent Malassis. Project from experimentation and improvisation based on the research for organic textures and maximum musical expression. The purpose of this approach is to create a balance between noise, dissonance and melody. Thought as a filmic trip that allows emotion thanks to a sound design inspired from american minimalism and french concrete music. Ambient music mixed analogically in order to get a landscape of feedback, reverb and echoes which acts on both…
Sandy Bull's 1965 LP Inventions remains one of those legendary albums that almost no one has heard. Its impact, however, can be scene in the title of this new compilation spotlighting a great unsung hero of "psychedelic folk." "Blend," the 22-minute opus from 1963 that opens this disc, surely fits that designation, perfectly blending folk, jazz, and Indian influences into what Bull called "new guitar raga." An eclectic virtuoso who switched from acoustic guitar to banjo to Stratocaster to oud (m…
Harmonizer, or as lovingly referred to as HARMO around these parts is the Vermont duo of Toby Aronson and Greg Davis, whose previous effort, their self-titled debut on Aronson's own stellar NNA Tapes label was the definitive 5th world statement, and solidified them as sensais in the koan of new drone worship shared by the likes of fellow melodic noisers Caboladies and OPN. In fact Greg Davis (Kranky, Carpark) is zone veteran shredder whose explorations into pastoral electronics have been w…
'Bo Weavil presents a sublime duo recording from old sparring partners Oren Ambarchi and Robbie Aveniam recorded live in Tel Aviv in 2009. This is a single edit of the performance which perfectly captures the chemistry between Robbie's busy percussive maneuvers and Oren's textural overlay. A previous performance of the pair was documented on the 'Clockwork' CD (re-issued by room40) and prior to this the notorious 'The Alter Rebbe's Niggun' CD was released on Tzadik. Here, the two come together w…
Limited to 455 transparent vinyl copies, including remixes from Vatican Shadow, Roly Porter and Kangding Ray* Violetshaped is a collaboration between the enigmatic Violet Poison and Berlin-based artist Shapednoise. "Violetshaped Remixes Part 1" is the first of a remixes series divided into several parts. This first instalment features remixes from Roly Porter (formerly of Vex'd) following on from his acclaimed debut album for the Subtext label, Vatican Shadow - aka Dominick Fernow, owner …
Roy Brooks ! what can i say about one of the greatest jazz drummers ?! a man who paid his dues, who lived an hard life...who's Detroit Jazz ! started to play in the 50's with Yusef Lateef, spent 5 years with Horace Silver doing the hard and the bop, then with Dexter Gordon, Lee Morgan, Jackie McLean, two years with Mingus, played with Max Roach M'Boom... plus many others... in the 80's he formed The Artistic Truth & The Aboriginal Percussion Choir... the rec. on this album is even more precious …