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The second album from Australian band Naked On The Vague, who have doubled in size for this batch of new material. The tone is characterised by dark and fearsomely heavy garage-punk, with a wafer-thin coating of distortion lending a little extra bite to the band's already vicious dynamics. "Bleak, unrepentant, withering and droll, Heaps of Nothing is a 21st century codification of the gallows wit and mesmerizing otherworldliness of (Dub Housing-era) Pere Ubu, Primitive Calculators and L…
Presenting a new collaboration featuring Oren Ambarchi on guitar, the electronics of Robin Fox, and both performing on various other instruments. The music on this album came about as the result of the two being asked to co-compose the soundtrack for a new production by renowned Australian contemporary dance company Chunky Move for their Connected production. 'Chunky Move's artistic director Gideon Obarzanek was drawn to the organic and deeply musical qualities of Ambarchi's work and the digital…
The lonesome banjo picker returns! Recorded in one take in a de-sanctified century old cathedral in Northern Minnesota, The Uses of Infinity is a 6 part cosmic hobo’s dream suite for 23 string banjo. Cast in the drifting nebula of the whole tone scale, Paul Metzger plucks, picks, bows and spins his way through a 40 minute odyssey making for his most ambitious and adventurous musical trip to date
Ombrophilia is a collection of sound experiments I made with porcelain bowls filled with water between 2006 and 2008. Inspired by Jalatarangam, traditional Indian instrument, I started to play the 'waterbowls' with wooden spoons and metal wire (Mylapore, Jalatarangam Revisited). Since I immersed hydrophones in them, I have tried various ways of resonating the bowls without touching their surface : flicking, stirring, waving and dripping water All the compositions here are multitracked and…
This disc brings together the Sun Ra recordings "Cosmic Tones For Mental Therapy" and "Art Forms Of Dimensions Tomorrow" (recorded in 1963 and '61-'62 respectively). Cosmic Tones functions as a kind of blueprint for the sort of large-scale jazz weirdness that would inform much of Sun-Ra's subsequent works, featuring the woozy reeds of 'And Otherness' and the afro-jazz experiments of 'Thither And Yon'. On 'Adventure Equation' a space echo treatment on the recording which is reprised for the sax f…
This ultra limited, and long out of print cd-r from 2007, finally available again, now as a super swank (and still quite limited) lp...Another gorgeous sonic transmission from right here in the Bay Area, from AQ fave Jefre Cantu-Ledesma, the man behind Tarentel, and the Root Strata label. Those familiar with Cantu-Ledesma's music know that he usually speakers in hushed whispers, breathy and breathless, soft sonic shimmers allowed to drift like billowy clouds into your ears. But here, C-L …
“Almost Washed My Hair” erupts from the stereo like some bastard child from a universe where Iggy Pop fronted The Velvet Underground and the only song in their repertoire was “Sister Ray” but they could never remember how to play it. This ear-splitting and cacophonous rock sounds as raw and powerful as anything else in my record collection. The deafening guitars dominate everything; only ghosts of vocals and a hammering beat are perceptible under the overloaded amplifiers. However…
Third in a trio of limited edition new LP’s from the ever mysterious Vibracathedral crew, returning from another relatively quiet period with an uncompromising set of outre’ jams. Slightly reorganized around a lineup of stalwarts Mick Flower and Adam Davenport with frequent collaborators John Godbert (Total) and John Moloney (Sunburned Hand of the Man), the band here stretches way, way out over these six sides, taking in several different styles while maintaining “that” sound all the way through…
"Originally released in 1971 on Dandelion Records this was Bridget St. John's second and, arguably, best album. Produced and scored by Pink Floyd collaborator Ron Geesin, Songs For The Gentle Man was recorded at Sound Techniques in Chelsea (where everybody from Fairport Convention to Nick Drake had made albums) and is a far more sophisticated work than its predecessor. Organized around a small chamber orchestra, Songs For The Gentle Man is a set of cool, pastel songs that simultaneously h…
The Immeasurable Gift is a testament to cathartic possibilities and the role of creation/release as a means of understanding. Recorded throughout the past three years in a variety of locations and personal moments; encapsulated by a common, unrelenting concern. Beautifully delicate, elegiac melodies concealed within curtains of dense electronic ambiance reveal themselves like the light at the end of the tunnel; a signifier of the temporary vessel form. Balancing recklessness with care and…
When Cold Cave embarked on their first UK tour in 2009 one of the most sought after pieces of merchandise was an exclusive split release with Prurient limited to just 100 copies on Cassette. Hospital Productions have mercifully pressed up the tracks from the tape - plus one additional cut exclusive to this LP to satisfy the vinyl vulture's appetite. In stark comparison to the glam-electro melancholy of 'Love Comes Close', this is a collection of incredible bleak and isolated dark ambience…
Luc Van Acker is all except an obscure musician. Already from his solo records in the early 80's he has been building a name for himself as a multi talented musician and performer. While his early works are rather experimental he later joined forces with other musicians (who have become famous with bands like Front 242 and Ministry) to create a more rock orientated industrial / electronic act called Revolting Cocks. The session on this record is from 1981 and thus a very early piece of music in …
Sensacao Do Principio is the third release proper from Tropa Macaca and their first with an American label. Their previous efforts on Ruby Red and Qbico were magnificent (though hard to find) efforts of blotted, aural sci-fi codifications somewhere between Anar Band and Blues Control. The two-track full-length continues their foray into post-psychedelic instrumental morphine, where Moolah's LP and Pink Floyd's "Several Species of Small Furry Animals Gathered Together in a Cave and Grooving with …
This double album (divided into two LPs), recorded live at the Nippon Columbia Studio in Tokyo in 1974, was the group's final effort before disbanding. Here Kosugi and the Travellers blend Eastern and Western instrumentation, vocal chants and electronics to create free-form psych-laden drones. This historic album is an essential and influential piece of Japanese avant rock." Part One LP, clear vinyl in clear plastic sleeve with black lettering. Limited edition …
Extremely rare recording of Can performing live at Aston University in Birmingham, on March 4, 1977 and featuring the new addition of Rebop Kwaku Baah (the Ghanian percussionist well-known for his work with Traffic, Steve Winwood, Eric Clapton, etc.) and Roscoe Gee (a Jamaican bassist who had also recorded with Traffic). Holger Czukay, now freed from bass duties, began experimenting with an array of electronic sounds, which he also began adding to the mix in part to counterbalance Can's …
The third LP in the series produced by Kommisar Hjuler and Mama Baer has just Mama Baer on one side and on the other side we find the highly respectable Runzelstirn & Gurgelstock. This originally Swiss project has moved to Japan ages ago, and there (and most likely anywhere else) he performs his pieces, aktions as they are called in the best performance tradition. Here a piece from April 2009 in Osaka and its quite a surprising one, if you know their previous work. Much of that older work consis…
Tomorrow, Tomorrow and Tomorrow was written and recorded as a follow-up to the Bill Fay Group's Time Of The Last Persecution. Although recorded between 1978 and 1981 this album never saw a release at the time, and it fell to the Durtro/Jnana label to unearth these lost 20 songs. Fay comes across as one of those artists who fell victim to the machinations of the music industry, with his first two albums going largely overlooked until an eventual resurgence in interest as the years passed. …
First release for the italian duo (Alessandro De Zan, Riccardo Mazza), recorded and assembled during one year, giving as result the deepest sound ever. Beautiful and fresh vibes coming out from acoustic guitars, percussions, flutes, voices and birds' field recordings, in five fine composed tunes spacing between Amazzonia and Africa, flying on the wings of perfect bliss. This is going to be particularly appreciated from those who love '70s brazilian psych such as Lula Cortez, Zè Ramalho, Stenio M…
Wierd Records is proud to announce the release of a vinyl edition of Xeno & Oaklander's Vigils EP, originally self-released by the band as a limited edition CDR in 2006, here remastered with a previously unavailable bonus track. Merging the cold, cinematic aesthetics of artist Liz Wendelbo with the architectural exactitude of Sean McBride (a.k.a. Martial Canterel), Xeno & Oaklander have been the sharpest spearheads of twenty-first-century minimal synth since their formation in 2004. Using analog…