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S K L S are Joachim Nordwall & Henrik Rylander, the key members of Swedish noise-rock band The Skull Defekts. That’s their debut release under the name S K L S, which seems to be a kind of side-project for darker, electronic minimalistic sounds. As opposed to the full guitars & drums line-up of The Skull Defekts follows the traditions of motoric Kraut-style (Can or Neu! — like), S K L S is defenitely oriented mostly on spacey-psychedelic-electronic-meditation of Cluster or Popol Vuh. It’s…
It may well be the case that the whole modern classical scene suffered from a possibly fatal case of over-familiarity and over-exposure these last few years, but it would be a shame if a genuinely gifted musician and composer like Iceland's Ólafur Arnalds was lumped in with the vast majority of his contemporaries - the guy is just the real deal. And if there were any doubts about his talents, Arnalds created and released a new song a day for one whole week during the month of October this …
"Copper Glove, the new project from Baltimore's Door (formerly Earth Crown; who shared splits with Secret Abuse and Kites on past Arbor releases), shows a further progression of his one man industrial-noise synth unit. In opposition to his former work, Copper Glove is more mindful of composition; utilizing tone generators and processed synthesis and vocals, to present a dense cut up analog form of industrial concréte. Door's nihilistic optimism carries itself with a sense of effortlessne…
EVPs from Case File PAW159. Part of an ongoing collection of essays and observations into the nature and experience of Electronic Voice Phenomena. The collective, entitled The Phantom Monographs, will have future releases which will be available over time and may be assembled in a final completed monograph.
Preservation's latest captures Italian experimentalist, Fabio Orsi in hungry, visceral form. Joined by Rich Baker's original drum loops, Fabio plays guitar, keyboards, voice and effects on eight relatively short, one might even say poppy, rock postures within an immersive ambient sound sphere. Considering that he's best known for lushly textured drone and ambient works 'Stand Before Me, Oh My Soul' is a hugely confident sideways shift into a new realm of more aggressive sonics with a def…
In recent years, there has been a surge of electronic artists, for the most part new comers, who have rejected the digital approach which had dominated since the nineties in favour of the more organic analogue textures pioneered during the late sixties and well into the seventies by German experimental musicians, from the most exploratory, with the likes of Emeralds or Oneohtrix Point Never, to the bulk of the Scandinavian disco scene, spearheaded by Lindstrøm, Prins Thomas and DiskJokke.…
Lemur presents their latest position in the quest for a new improvised chamber music: Acoustic sound-oriented music from four highly original players. ”Aigéan” is Lemur’s awaited follow-up of the acclaimed debut ”IIIIIIII” from two years ago. Continuing their work to develop an improvised chamber music with an emphasis on sonic experimentation and ensemble character, the ensemble delivers a darker and more fragile album. More open to explore the particulars in each piece, the ensemble see…
Beautifully minimal new work by Asmus Tietchens using layers and stretch out sound fields as a compositional basis and placing miniatures inside them. 54 minutes, 8 tracks, handnumbered edition in nice paper sleeve 300 copies.
Marcus Schmickler's new release following his acclaimed Altars Of Science (EMEGO 082CD) is a must-have for those interested in the rising field of contemporary computer music. It reconfirms Schmickler's interest in the liaison of sound, phenomenology and cognitive sciences. Schmickler, therefore, utilizes a new interpretation of 1960's discovery, the Shepardtone, discovered by Roger Shepard, which creates the auditory illusion of a tone that continually rises or descends in pitch yet ultimately …
'The Icy Echoer constitutes a premiere in many respects, for both, the label and the artists. After countless collaborations with the likes of Leif Elggren, CM von Hausswolff, Bryan Lewis Saunders and others (mostly released on CD), this 7' marks the first time that Esposito's works are published on vinyl, while the same applies to the Fragment Factory. Likewise, believe it or not, it's the very first appearance of Drumm on a 7' platter. Michael Esposito is an experimental artist and long…
Berlin Fields is a sonic journey not limited by national boundaries, city limits, or material limitation. Roden perambulates, recording as he goes with the immediacy and quirks that come from using both portable recorder (a Sony PCM-D50) and phone. Exploring intuitively, Roden brings together 19 sonic vignettes via “finds”: things discovered; and “activation”: objects performed on site.Using intuition as a guide, Roden's interactions and sonic interventions – “play” in every sense of the word –…
Appearing for the first time on vinyl are the complete highly acclaimed Andrew Liles remixes of the first five classic Current 93 albums. Andrew Liles has reimagined Nature Unveiled, Dogs Blood Rising, In Menstrual Night, Dawn and Live at Bar Maldoror. Also exclusive to this set is a sixth LP, 'Haunt Invocation (Apadno)' which is a remixed version of 'Faust' and 'A Special Plan'. These influential albums by Current 93 are regarded by many as ground breaking and innovative, building upon this And…
2012 repress; originally released 2006. Biosphere is Norwegian composer and performer Geir Jenssen, and this is his fifth release for Touch. In the early 1990s he was a pioneer of so-called "ambient techno," but since then, he has refined his sound into something more magnetic and enduring. Dropsonde isn't a soundtrack like the interwoven Substrata nor an episodic journey in the way that Autour de la Lune is. Here Geir Jenssen is pushing new directions towards the jazz colors of Miles Davis a…
The second release from Dieter Moebius and Karl Renziehausen. The tracks were recorded in 1991-92 and released on Nova Era in 1992. Reissue with special miniature paper sleeve. Digitally remastered version, limited to 1,000 copies
Gorgeous collection of rare and early italian wave releases from 1982 - 1987, after an exhausting work of "archeological" research, selected by Danza and with intro text by Fred Ventura in a limited run of 500
Since the very beginning 13 years ago Supersilent have always moved forward with the greatest integrity. No albums, or indeed concerts, sound the same, yet there´s always a strong signature present. So also with this album. Mostly recorded by Jan Erik Kongshaug at the famous Rainbow Studio in Oslo, this was their first session after drummer Jarle Vespestad lef the band. This time they have moved slightly towards a more acoustic landscape with Ståle Storløkken, for the first time with Supersilent…
'd'incise is a member of the Audioactivity, music & visual collective founded in 2000 in Geneva (CH). In 2002 he starded to produce different kinds of electronic music, from dub to electronica, dangerously sliding to the more experimental ways of electroacoustic. His world is made with sound fractures, nevralgic crepitations, melancolic atmospheres and a non-dissimulated fascination for rust and faded rhythms. 'Lethargie...' , his newest CD, is not far from described above. A mixture of f…
As the album title could say, this is a way to the "wonderland" (also called as "the other side" - many names have been used during the history of humankind), which shouldn't be mixed with the adventure's of the famous Alice - though it might give some idea about what is going to happen, but that's just the start of it all - the start of nothing else but listener's mind. What are the "echoes" then? They are something which is coming from beyond to here where we stay - so the album is a link betw…
"with the antithetical self" consists of improvisational pieces completed between winter 2008 and spring 2009. i would sit quietly in an empty room daily and calibrate myself to all noises surrounding. from there a single tone would be introduced, which i would listen to for fifteen or twenty minutes before joining in. on some days, listening was enough. at other times, i would hear a song within the tone and mimic it, bringing it out into existence and layer it from there with additional instr…