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This rare collection of recordings from the 1970s features Anthony Braxton at the height of his power and makes an indispensable contribution to his discography. Personally selected by esteemed Italian musicologist Francesco Martinelli from long forgotten cassettes stored in the saxophonist's home, these six tracks were not released commercially until 1999. While the sound quality is mixed, the music is some of Braxton's best. There are two solo performances ("Composition 8G" and "Composition 8C…
Ernesto RODRIGUES (viola), Neil Davidson (acoustic guitar), Guilherme RODRIGUES (cello) and Hernâni Faustino (double bass). Recorded in Lisbon 18-11-07. Neil Davidson has taken his acoustic guitar on many fascinating sonic adventures, forever pushing the language of sounds possible with this instrument to new places. Here he joins a group of musicians from Portugal led by the rather legendary Ernesto RODRIGUES on viola and also featuring his son Guilherme RODRIGUES on 'cello and Hernani Faustino…
A long overdue meeting of two of the titans of the saxophone. Alan Wilkinson (alto, Baritone & Voice) and Peter Brotzmann (clarinet, tarogato & tenor) together with Willi Kellers (drums) and Simon H. Fell (bass) blow up one hell of a storm. The individuals on this recording consciously commit, putting themselves 'out there', over the edge. The energy, the electricity, generated by saxophonists Wilkinson and Brötzmann, is a result of their fearless approach to the precipice and their willingness …
Franz Hautzinger (quartertone trumpet), Masahiko Okura (reeds) and Tetuzi Akiyama (tape delayed electric guitar). Recorded in Tokyo, 2004.A rebus is "a representation of a word or phrase by pictures or symbols", as you probably all know. Just wondering what the words might be then, on listening to this remarkably active (in its discreet lowercase way) trio outing from trumpeter Hautzinger, saxophonist Okura and guitarist Akiyama. EAI is, after all, supposed to be slow and spacious (think Hautzin…
Pinkcourtesyphone is the not so secret alter ego of renowned sound artist Richard Chartier, and while it seems to be geared more towards a looser, more relaxed sensibility than the serious artist guise that is usually thrust upon him, it lacks none of his careful attention to structure and detail. Quite a bit of the material on this compilation (recorded erratically between 1997 and 2011) could pass for his normal work, but throws enough curve balls to give it a distinct identity all its…
Reissued by Fledg'ling in 2007, this is a classic title from 1971 by Chris McGregor's magnificent big band -- Brotherhood Of Breath. Arguably one of the most influential albums to emerge from the London jazz scene of the early 1970s, the Brotherhood of Breath was an exuberant big-band created by South African-born pianist and composer, Chris McGregor. In South Africa, McGregor had formed the racially mixed Blue Notes in the early 1960s. By 1964, finding it very difficult to work at home, t…
AWESOMEEEE!!!! The construction of this latest opus from C. Spencer Yeh's Burning Star Core comes from the collaging of sixty-six live recordings, captured over the course of an eleven year-period. The editing time for this monstrous undertaking was fairly substantial too, taking up two further years of on-and-off assembly. In addition to Yeh himself, the list of contributors takes in an expansive cast of notable noise and improv artists, including Hair Police's Mike Connelly, Trevor Tre…
“The interpreter is a very important person indeed in Cage’s piano music, and a top international expert like Steffen Schleiermacher is a must for a complete recording such as this one: he knows the nuts and bolts and all the fine nuances.”
Barbara Romen, hammered dulcimer. Kai Fagaschinski, clarinet. Gunter Schneider, guitars. All music by B. Romen (AKM), K. Fagaschinski (AKM), and G. Schneider (AKM). Recorded by Christoph Amann at Amann Studios, Vienna, May 31st, 2008. Mixed and mastered by Christoph Amann with Schneider and Fagaschinski on October 31st, 2011. 300 copies.
Urs Leimgruber (soprano saxophone, tenor saxophone), Alexander Schubert (electronics, violin), Oliver Schwerdt (piano, percussion, organ) and Christian Lillinger (drums, percussion). Recorded April 17th 2008, Leipzig.
The new record by Dominique Petitgand, Mon possible, gathers sound and musical pieces created between 2001 et 2010. Still composed of voices, words, noises, musical atmospheres and silences, the stories here get more enigmatic than on the previous records (Le sens de la mesure, Le point de côté, Le bout de la langue, also released by Ici, d’ailleurs…). The music, interpreted and composed by Dominique Petitgand (recorded with the sometimes subliminal of some accomplices : Marc Sens, Dominique A, …
Dispenses a sinister frailty of howling swells in hissing static that combusts into crawling shock heaps, to the effect of Mayhem performing Twin Peaks incidentals in a prairie recorded by The KLF. A brief description casts them as black metal's answer to Throbbing Gristle.
“The only existing recording by this legendary 1979 trio. Alexander von Schlippenbach and Sven-Åke Johansson was a working duo, when Peter Brötzmann joined them for a trio tour in Sweden in the fall of 1979. They were all three part of the strong growth of the free improvised music and free jazz in Europe. In 1979, though, the era of revolutions was already history. They had all played in groups that made any retreat impossible; not to mention their solo works. The music of the trio 1979 could r…
A collection of fascinating and obscure "nocturnal sessions” alternated with more "classic" electronic parts based on sequencers and synthesizers, more abstract and minimal sonic sketches, involving and tense deep drones musical mixtures, distorted and dilated electric guitars, deformed human voices, more static and fluctuating typical ambient movements, cold inserts of pulsating and "techno oriented" sounds, suggestive atmospheres built on bizarre loops, flat organ backgrounds and low guitar no…
This compilation, originally released in 1984 as a vinyl LP by Multiple Configuration in collaboration with the legendary ADN label, is finally available again in a completely remastered CD version. "Ekhnaton" collects tracks recorded by the most daring and remarkable bands that were active in the experimental Italian scene during those years. "Simple Italian Research Vol. 1" was (and still is) the subtitle of an album that includes two tracks from each of the following bands: Maze 1066, Tasaday…
After numerous CDs, CDRs, cassettes and LPs, Brothers of the Occult Sisterhood have established themselves as one of the many lights in modern improvised outsider music. Their latest offering, ‘Grass Openings’ sees them continue down this winding path of intoxicated trance derangement. Drawing heavily from psychedelic, jazz and weirdo traditions to create a unique form of mutant sound.
After 4 intensive days of recording with Steve Albini (WTF!?! Thought he didn't like jazz) The Thing created Bag It!, a new mastodon of ecstasy music. The Thing is well known for their free jazz versions of rock classics from artists such as PJ Harvey, White Stripes, The Sonics, Yeah Yeah Yeahs & Lightning Bolt. This time the band is only doing two rock interpretations, one by Japan's 54 Nude Honeys & one by the The Ex/ Muzsikás. The rest of the tracks on the album are written by Mats Gustafsson…
It all began with Study Ten. After releasing his 4th Static album, which included ten songs, about 15 musicians and which took almost 6 years till its release, Hanno Leichtmann had the wish to record an album in one go, without endless recording and mixing sessions. While experimenting with his modular system he discovered a method to compose that, what he later called Minimal Studies. A modular sample player which can be controlled manually, by a sequencer, LFO or any CV source would mak…
Primordial Undermind's second full-length blast of psychedelic freakout guitar bliss evolves the sonics found on their critically-acclaimed September Gurls debut into freer, more expansive territory, while retaining plenty of the finely-honed song craft familiar to those lucky enough to have grabbed any of their unfailingly excellent singles. Long modal excursions into the heart of free guitar darkness like "Device", "Turning of the Worm" and "Persistence of Trinity", are counterbalanced by defi…
“The interpreter is a very important person indeed in Cage’s piano music, and a top international expert like Steffen Schleiermacher is a must for a complete recording such as this one: he knows the nuts and bolts and all the fine nuances.”