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Now also on vinyl.Mika Vainio, Electric Guitar, Processing, Metallic Percussion. Joachim Nordwall, Electronics, Electric Bass Guitar, Metal Objects, Hammond Organ, Vibraphone.Recorded in Berlin at Studio Schwedenstrasse one day in June 2010. Recording Engineer: Marco Paschke. Mixed and Mastered by Daniel Karlsson in Stockholm at Elektronmusikstudion. Mika Vainio was a member of the legendary minimal electronic duo Pan Sonic. Emerging from the Finnish industrial and rave music scene in the early …
2013 release. Mississippi Moonchile is the much-anticipated new installment of Matana Roberts' unique and forward-looking project and it finds Roberts conjuring some of the most nuanced, thoughtful and substantial American liberation music of the 21st century. Mississippi Moonchile was developed for an intimately woven New York jazz sextet and represents the next leap forward in Roberts' iconoclastic and complex project of memory and recuperation, where historical and contemporary musical tropes…
A meeting between Japanese sound artist Takahiro Kawaguchi and two american improvisors, Nick Hoffman (head of the Pilgrim Talk label) and Aaron Zarzutzki. Recorded by Brian Sulpizio at The Chateau, Chicago, in September 2011 and then edited and mixed by Giuseppe Ielasi in Oreno.Numbered edition of 250 copies. Black vinyl (cut at SST), screenprinted cover on heavy grey stock.
Stefan Jaworzyn, the legendary underground figure with Whitehouse and Skullflower on his CV, revives his Shock label - home to stacks of releases by Coil, NWW, Ramleh in the '90s - with a discombobulated analog assault on the weirdest dancefloors. Two sides unfurl a barrage of modular bleeps and mescaline flash electronics equally inspired by the linear hypnotism of minimal techno and free jazz aesthetics. A-side 'The Fucker' is driven by a a rugged breakbeat through bracing, atonal maelstrom of…
As with their previous 'proper' full-length Gettin' Gone, new album Drone Trailer finds Matt Valentine and Erika Elder Still hooked up with The Golden Road, and ready to spurt forth blistering passages of galvanized psych-rock at a moment's notice: after a scorching pile-up of vintage guitar muck, opener 'Anyway' draws to an ill-behaved conclusion with some improv guitar and free-noise skronk, all completely undermined by a jazzy line in tremolo rhodes piano tinkering. Despite such flight…
In the summer of 2011, I wrote to Francisco López to ask him whether he would be interested in working together on a project. He agreed but on condition that we worked on two separate tracks but using the same sound sources. These sound sources could be processed any way we liked, or even used in their original form, so as to highlight the aural roots of the tracks while at the same time exposing our different sonic approach. LUCA SIGURTÀ The end result is a split album comprised of …
Ways of Meaning, Kyle Bobby Dunn’s new full-length album and the second release for Desire Path Recordings, is a treatise on the resonance of memory; an attempt to harness the finality of meaning as a shared experience.
Mainly arranged for guitar and organ, the six works contained herein offer a look into Dunn’s mind as an artist deeply concerned with time, memory, consequence, identity, and meaning. Each piece, while created from and inspired by very personal moments, represents a point o…
Alto completes a discrete trilogy within JOE MCPHEE’s catalog of unaccompanied waxings (Tenor, 1977, and Soprano, 2007). Recorded live at a Lower East Side bar in 2009, McPhee's explorations on alto saxophone and clarinet are alternately fiery and contemplative, imbued with the masterful intelligence that's marked his work for over forty years. This is a limited edition of 525 copies on 180-gram vinyl, with a JUDITH LINDBLOOM silkscreen print on rice paper and liner notes by HANK SHTEAMER. Digit…
The sound/video installation-project 'Eye Contact with the City' (recipient of an Honorary Mention at PRIX Ars Electronica 2011) was the outcome of an artists' residency in Bangalore in the autumn of 2010. The primary materials used in the installation were the field recordings made and video footage shot at various locations in Bangalore. Materials also included retrieved audio from old reel-to-reel tapes found at the city's flea markets. The extensive repository of field recordings and other a…
Awesome, monolithic slab of metal machine music from 1977, France, Paris...Heldon! A prog/early electronic holy grail replete with breathtaking and far-out Heldon's most crystalline work, building to the epic crescendo of the title track. Many fans consider this to be their masterpiece, but more importantly, Interface is a record that will continue to unfold for centuries to come. Richard Pinhas is an artistic iconoclast. A French intellectual as likely to collaborate with MAGMA as the radica…
Date : December 28, 2006. Place : Inside a tram on a round trip from Ebisu-cho to Hamadera Ekimae on the Hankai Line (12:03- 13:46) in Osaka, Japan. Tsunoda captured solid vibrations using a piezo-ceramic sensor and a stethoscope, and Haco used her 'stereo bugscope' (two inductive microphones) system to catch electromagnetic sounds.
Grey-area exact LP repro edition, originally released on Fahey's Takoma label in 1967. Charlie Nothing was the fractured-psyche pseudonym of author, organic farmer, beekeeper and philosopher/clown Charles Martin Simon, inventor of the dingulator (guitar sculptures made out the metal from American cars). The Psychedelic Saxophone Of Charlie Nothing made a minor splash in the European free jazz melting pot upon its initial release, but the album's non-dingulating psych sax improvisation, acc…
Arghiledes' is a brilliant homage to Greek Rebetiko music of the early 20th century by No Neck Blues Band's David Shuford aka D. Charles Speer. It's his 2nd solo LP under this moniker and a deeply researched, beautifully executed effort replete with in depth sleeve notes and paste-on cover. Coming from a Blues playing American of Greek descent, the project reflects the syncretic nature of Rebetiko music, itself made up of the many disparate elements which formed Greek urban folk music (European …
Patricia's warm, fuzzy post-techno-house slots neatly with the Opal Tapes aesthetic on his debut album, 'Body Issues'. Six tracks come off like a boosted 1991 or Huerco S, pushing malleable bass hits below swirling streaks of melody bursting with ferric quality. There's firm parallels to be made here with Anthony Naples, albeit with a noisier bent in 'Hissy Fit', whilst on 'Melting' juicy acid forms over a brittle jack track and the sweet-but-slamming 'Jospehine' and 'Plural' appear like some GH…
Drag City drops the sixth and latest David Grubbs pop album, The Plain Where the Palace Stood, which finds David once again twining together the diverse strands of his vast interests. Working with Andrea Belfi (drums, electronics) and Stefano Pilia (guitar) - plus Attila Faravelli on electronics - creates a sympathetic groupthink that David expects more and greater from in the years to come. The welcome return of his distinctive overdriven guitar tone is a highlight of the record. And C. S…
Iancu Dumitrescu 'Liminal involvement' for ensemble. 'Le silence d'or' (Israel version) for ensemble and computer sounds. Ana-Maria Avram 'Lux animae XII' for ensemble and computer sounds. 'Telesma' (Israel version) for bass clarinet, ensemble and computer sounds. Contemporary Music Ensemble from Tel Aviv under direction Ilan Volkov with special guest Stephen O'Malley.
Two tracks, 31 minutes. Southern are very excited to present the latest release in our Latitudes series from Master Musicians of Bukkake. Recorded at Southern Studios by Harvey Birrell on 17 April 2010. Additional tracking and mixing at Aleph Studios in Seattle. Produced by Randall Dunn. Mastered by Mell Dettmer. Artwork by Randall Dunn and A.Turner. Elogia de la sombra is the 24th recording in the Latitudes series.Master Musicians Of Bukkake are an enchanting collective, comprising a fine pedig…
This is an album based on the beauty of the electric guitar sound. The pure sound of the electric guitar (mainly “clean” or sometimes get a little bit “dirty” with the fuzz pedal) evokes memories, images, emotions. The harmonics, simple chords, arpeggios, single sustained notes of Sergio Sorrentino’s guitar formed the starting point of the creation of each track. Sergio recorded ideas, sketches and improvisations, which were then further processed by Machinefabriek. Mainly using the sounds of Se…
K11 is a project of Italian sound artist Pietro Riparbelli and lives within the world of radio signals, transcommunication and other invisible phenomena, to create a dimension where the main sound sources are signals from shortwave radio receivers. Another temple to the Great Beast 666 has been composed from said sound sources recorded during an Instrumental Transcommunication Action realized within the Temple of Diana in Cefalù, Sicily. The temple is famously known for its association wi…
"Marissa Nadler's Kickstarter funded self-titled self-release. Brian McTear produced the album, which Nadler says is the 'most honest, natural record' of her career." "You'll want this music to never end...best severe and complex emotions that we've possibly never recognized in this or previous lives." -- LA Weekly