New Arrivals
Trente belles annes
Triumphal new CD, the first new recordings in an age, from one of the greatest bands on the goddamn planet, the trio of saxophonists Jim Sauter and Don Dietrich and guitarist Donald Miller aka Borbetomagus: this is a roof-raising performance, recorded live at Instants Chavires, France, 19th December 2009. Borbetomagus combine the elevated amplifier violence of Jimi Hendrix at his most combustible with the spontaneous free music polyphony of Ascension-era Coltrane and the ‘guitar smashing’ h…
Piano solo
Recorded live at Cafe OTO in March 2009 during Otomo Yoshihide's first residency here. This was one of only a handful of solo piano performances Otomo has given where he uses the instrument as a control matrix for harmonically rich feedback tones and devastating clusters of complex noise. Beautifully rendered with maximum dynamic range by Lupo's 45rpm cut!
Spontaneous combustion
We're thrilled to announce the next release available from OTOroku! Recorded in October 2011 - 'Spontaneous Combustion' splits the second set of the first night of Decoy's two day residency with special guest Joe McPhee across two sides of heavyweight virgin vinyl with two colour artwork by Oliver Pitt. 'a show that surpassed all expectations to become one of the very best things I've seen this year.'The Liminal Alexander Hawkins, hammond B3. John Edwards, double bass. Steve Noble, drums. Joe M…
Between two worlds
Native californian guitarist danny paul grody has always been more of a fellow traveller than a true disciple of the american primitive school. he came up in gauzy, san francisco post-rock outfits like tarentel and the drift. his music is spare and otherworldly. his ideas, more often than not, are realized in repetition rather than in florid displays of virtuosity. his compositions seem to owe as much to john luther adams as to john fahey. one imagines the grooves on his copy of the seminal west…
Don't tell the driver
Finally, after 15 years, Big Mick Turner has turned in the big rock record we always knew he had in him. Yeah, Don't Tell the Driver is a different kind of record from all the Mick Turner records -- not just his own, but the ones he's done with Dirty Three, Bonny Billy, Cat Power, Fungus Brains, and Venom P. Stinger put together. So, what's so different about Don't Tell the Driver anyway? Well, Mick grew a mustache for this one. That must mean it's his Sgt. Pepper; a consolidation and developmen…
Spiraltendenz
After ten years from the date of its recording (2003), this surreal jam between kaleidoscopic Stuttgart's collective Metabolismus and evergreen American improviser Eugene Chadbourne, is finally turning into a wax. You'll have the cheerful feeling of listening to Sun Ra jamming with Stockhausen while together on a trip to Stonedland! What's on this record is basically high lysergic psychedelia meeting crazy free jazz, with some spared funky grooves and fragmented tapes manipulations. You'll be…
The Men Parted The Sea To Devour The Water
Numbered edition of 700 housed in die-cut, origami fold and foil-blocked jacket** 'The Men Parted The Sea To Devour The Water' is The Haxan Cloak's long awaited Latitudes edition. It's his first release since that jaw-dropping eponymous album (an end of year favourite across the board) and means that we're possibly one step closer to two things: a vinyl edition of said LP, and his hugely anticipated album debut for Tri Angle. But let's not get ahead of ourselves....here we find Bobby Kr…
Eye of the microphone
A somewhat surreal audio rendition of the sounds of The City of London. BJ Nilsen (b,1975 Sweden) is a sound and recording artist. His work is based on the sound of nature and its effect on humans. Heprimarily uses fieldrecordings and electronic composition as a working method. He has worked for film, television, theatre, dance and as sound designer. Track notes: In 2012 I received a scholarship from the Leverhulme Trust for a one-year Artist in Residency at the UCL Urban Laboratory in London, …
Virgins
Virgins was recorded during three periods in 2012, mostly in Reykjavik, Montreal and Seattle, using ensembles in live performance. The sound palette of this work is wider, almost 'percussive' and tighter sounding than previous works. While this album remains committed to a painterly form of musical abstraction, it is also a record of restrained composition recorded live primarily in intimate studio rooms. This record employs woodwinds, piano and synthesizers towards an effort at doing what digit…
Ways Of Meaning
Ways of Meaning, Kyle Bobby Dunn’s new full-length album and the second release for Desire Path Recordings, is a treatise on the resonance of memory; an attempt to harness the finality of meaning as a shared experience.
Mainly arranged for guitar and organ, the six works contained herein offer a look into Dunn’s mind as an artist deeply concerned with time, memory, consequence, identity, and meaning. Each piece, while created from and inspired by very personal moments, represents a point o…
Almanac
Dragon Turtle Almanac is a heavy trip; a document of transformation, entropy, and causality. Dragon Turtle evokes Morricone landscapes as if painted by Glenn Branca, where dream atmospheres meet brutal realities of nature and relationships. These forces are both beautiful ("Causality", "Belt of Venus") and destructive ("Moon Fallout", "Burn the Leaves"). The textures and layers move with a sense of urgency and purpose ("Hometime", "Hourglass"). The duality of Tom Asselin and Brian Lightbody's mu…
I am the Center: private issue new age music in America, 1950-90
One of the best things about Seattle label Light in the Attic’s new new age compilation I Am the Center is that it doesn’t try and pretend that new age music was something that it’s not. Look at the album’s cover illustration and you’ll see an angel-like creature carrying an orb of yellow light through the clouds; open the gatefold and you’ll see what appears to be a bird made of stars launching itself out of the ocean. Press play and be delivered into over two hours of mind-numbingly mellow mus…
Object lessons
Object Lessons is a musical collaboration between Justin Lieberman and C. Spencer Yeh. The record is a spoken rendition of select object descriptions from the Corrector's Custom Pre-Fab House that were reworked into an experimental music format utilizing electronics and an amplified violin. Object Lessons is a limited edition of 250.
Open
"Following on from their two track LP release, Mindset (2011), Open sees legendary artists-in-resonance The Necks return to the territory they are best known for, a single piece running for over an hour. The piece emanates a calm, immersive stillness throughout. Already The Wire has said that Open "(displays The Necks') astute handling of pacing and momentum, finely honed collective sense of timing, (and) their shared ability to balance at length a group equilibrium". Here the band returns…
Expressions East
Exact repro edition of this LP, originally issued in 1964. This is the limited edition colored vinyl version. "John Berberian is considered to be one of the finest oud virtuosos in the world. He has been featured in numerous concerts and dances throughout the United States, Canada, and South America. John is known for a series of successful Armenian and Middle Eastern recordings and has recorded with such major companies as: MGM, RCA, Roulette, Verve and Mainstream Records. Expressions Eas…
Body issues
Patricia's warm, fuzzy post-techno-house slots neatly with the Opal Tapes aesthetic on his debut album, 'Body Issues'. Six tracks come off like a boosted 1991 or Huerco S, pushing malleable bass hits below swirling streaks of melody bursting with ferric quality. There's firm parallels to be made here with Anthony Naples, albeit with a noisier bent in 'Hissy Fit', whilst on 'Melting' juicy acid forms over a brittle jack track and the sweet-but-slamming 'Jospehine' and 'Plural' appear like some GH…
Tomorrow, Tomorrow and Tomorrow
35 years have passed since Bill’s last new slab of vinyl was released. We bring you this set of gems from ‘78–’81. It’s bursting with a couple new tracks (with a few traded out from the ‘05 CD), a new sequence, new art, and expanded liner notes by the man himself.
Infinite flowers
"Good old free music and the best one: never too wild but always outta sight. I liked it from the very beginning 'cos it's DIFFERENT & UNIQUE." EP/Sagittarius A-Star. Sabir Mateen - Tenor saxophone, Sirone - Bass, Andrew Barker - Drums. Recorded June 30, 2008 by Andrew Barker in Brooklyn, NYC. Cover painting by Karl Francke.
Abisso
Close your eyes. You may think Satan is singing. Open them: you’ll see a small masked woman, with dreadlocks down the her ankles, and without vocal effects. Close your eyes again: you’ll think of a heavy metal double kick drum set. Open them again: a gigantic, wrestling masked man is torturino a floor tom, a snare and a cymbal, standing up, no kick. Two people, half gear, enough to bring Hell.This is OvO. What they do is not easy to file. Not noise, not metal, not doom, not punk, not rock and ro…
Lava
"Lava is a wonderfully apt title for this duet between Liudas Mockunas on soprano, tenor and bass saxophones and Barry Guy on bass. The music was recorded live at Kaunas Artists House Concert Hall in Lithuania on the 2nd of April, 2011, and released in a limited edition run of 300 vinyl LP's. Lava is the appropriate name for this music as it flows slowly and inexorably forward. Guy is a rock solid bassist who is a stalwart on the avant jazz and classical scene in Europe, and his skills ar…