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With RV8, the Osaka-based producer and musician Aoki Takamasa continues his long-term project that focuses on the modulation of rhythms and grooves. It began with his first EP Rhythm Variations in 2009, released as part three of the Unun-series. Besides his collaboration with Raster-Noton, he released records on several labels like Commmons, Progressive Form and Op.Disc, produced remixes for well-known musicians like Ryuichi Sakamoto and Yoshihiro Hanno and played performances at Elektra/Mont…
"Group ONGAKU, founded mainly by students at Tokyo National University of Fine Art & Music, was the 1st collective musical improvisation group. The group began their activities in 1958, & from the naming of the group in 1960 onward continued until somewhere around 1962. They attempted to create acoustics corresponding to actual time & space by means of collective improvisation. Although methodically different, the music that they pursued incidentally shared common directions with contemporaries …
Dominick "Vatican Shadow" Fernow presents veiled techno producer Violet Poison on his Bed Of Nails imprint with the spectral industrial gloom of 'Awakening Messiah'. To date Violet Poison is best known as the mysterious accomplice of Shaped Noise in their Violetshaped alias - but here he strikes solo, transmitting four cuts of steely, night-stalking cyberpunk driven by sputtering techno engines through intensely bleak synth interzones. Like Black Rain or Vatican Shadow, it's a chilling exercise …
New solo LP of strange sounds, vocal improvisations, tape manipulations mangled strings and hiss drones from Dylan Nyoukis (Decaer Pinga,Blood Stereo) Inside his Wino Lodge. Sounds like it was recorded in a 4 track in 1972 in an insane asylum, then puked over and thrown into the sea, then discovered recently and transfer directly to Vinyl via marine analog tape communication device (thats a compliment).Good one to buy if you are wondering what a naked Scotish man and his daughter look and sound …
Frans de Waard (1965) has been producing music since 1984. First as Kapotte Muziek, but throughout the years, he also worked as Beequeen (with Freek Kinkelaar), Goem (with Roel Meelkop & Peter Duimelinks, both of whom are also a member of Kapotte Muziek these days), Zebra (with Roel Meelkop) and such solo projects as Freiband, Shifts as well as his own name. He played various solo concerts as Goem-FDW in Japan, as part of a package tour with Pan Sonic. Frans de Waard also likes to play sets of i…
People of the North is Kid Millions (drums) and Bobby Matador (keyboard, synth, vocals) of Oneida, and Sub Contra is their Thrill Jockey debut. While their sound, like Oneida's, is constantly shifting and absorbing new concepts and ideas, Sub Contra is a work that fully embraces tumult and darkness in startling and dramatic ways. People of the North have been an active entity since 2003, but it wasn't until 2010 with the release of Deep Tissue on their own Brah imprint and Steep Formations, whic…
Extra Life’s first record for Northern Spy, Dream Seeds marks a dramatically new creative direction in the band’s still-young but prolific career. It is perhaps Extra Life’s most clearly-defined concept album : seven songs dealing entirely with the twin themes of dreams and children. In a lyrical left turn away from the morbid sexuality and black humor of Made Flesh, these songs look to the subconscious in search of innocence, morality and meaning. According to principal songwriter and e…
Following soon after the critically praised Black Tar Prophecies collection on Important Records, Portland, Oregon's Grails return with their first proper studio album since 2004 release of Redlight. Burning Off Impurities - their debut for Temporary Residence Ltd. - makes good on the promise of those past releases in delivering an album that not only thrusts the group to new heights, but also significantly pushes the instrumental rock genre forward for the first time in nearly a decade. An incr…
Graft is an album by Japanese noise master Masami Akita aka Merzbow. This LP album is pressed on lime-green vinyl in a "bootleg"-style sleeve and sealed with a sticker. Limited to 300 regular copies. According to the Merzbow blog, the design was inspired by a '70s Jethro Tull bootleg called My God, and the recording was inspired by the plant illustrations in the Voynich manuscript. Recorded in November 2009 at Munemi House, Tokyo.
Founded in 1970 in Dusseldorf, Kraftwerk was the only German band to rise from the so-called 'krautrock' scene to true international stardom. Of course, it was partially their distinct look that set them apart. At a time when long hair and scruffy clothing was the norm for musicians, Kraftwerk cut their hair short and wore handmade suits. And at a time when guitar rock reigned supreme, Kraftwerk did not even have a guitar player. In fact they soon did away with instruments altogether, beco…
We come burdened with the glorious purpose of having readied the latest recordings by Messages, a double LP set called Message Bag. It's a set of pieces that imparts a vibe rife with history, and yet clearly focused on the future. You buy these 2 LPs, poster and insert in a bag, but in all of its formats and strategies Message Bag operates as a return to an unresolved system, as an alternative to the rest of yr choices, and bestows something that can't be bought. We call it Wisdom.
A new set by the coolest chap in New York City, documenting the development process of a solo electric guitar piece that Alan Licht has been playing out for the last four years. Revered for his work in the Blue Humans and Text Of Light, and a key figure in the pantheon of experimental solo guitar players born in the late '60s such Jim O'Rourke and Oren Ambarchi, Four Years Older is his debut Editions Mego release, representing another peak in a career of mining the rich seams of minimalism, noi…
VINYL VERSION! NOTE NEW PRICING! Alasdair Roberts is bidding farewell to his nom-de-musique, APPENDIX OUT. What once was Appendix Out is now & forever Alasdair Roberts. The broadest work in young Roberts' canon so far. Heavily steeped in the lineage of European folk, the words & music of "Farewell Sorrow" evoke a spirit of youth, an air of reckless abandon, a passion not meant to stay in this world.
M.B., also known as Maurizio Bianchi doesn’t need much introduction. In the early 80s he was responsible for a string of compelling electronic music albums in the first wave of ‘industrial music’. After a hiatus of many years he returned in the late 90s and since then has been very active with many new solo releases, but also on the side with collaborations. Here he works with Mario Costa, also known as Sostrah Tinnitus, from Italy, who has had a number of releases on labels as Umbra, Beyond, My…
**Digitalis debut from Koenraad Ecker, one half of Opal Tapes' Lumisokea, highly recommended if you're into Vainio, Joachim Nordwall, The Haxan Cloak. Initial copies on transparent red wax** Belgium's Koenraad Ecker swiftly follows his 'Apophenia' LP as part of the Lumisokea duo for Opal Tapes with a personalised invitation to his shadowy solo zones for Digitalis. Inhabiting space between slow techno and electro-acoustic dimensions, 'Ill Fares The Land' surveys similar soundscapes to Mika…
Iancu Dumitrescu 'Extreme point of gravity' (2009) for ensemble (Hyperion & Talea Ensemble). 'Le silence d'or (V)' (2009) for ensemble and computer sounds. Ana-Maria Avram 'Telesma (X)' for three percussion groups and computer sounds (G. Aguilar, P. Teodorescu, A. Lipovsky). 'Textures (III) / Penumbra' for two bass clarinets (Rane Moore and Tim Hodgkinson) and ensemble (Hyperion & Talea Ensemble).
Acid Mothers leader and Reynols legend meet once again for a wild psych out explosion! Kawabata and Courtis previously worked together on 2006's Kokura for Riot Season, here they return for a raging trip of psychedelic noise rock recorded in February 2011, in Osaka, Japan. Both Kawabata and Courtis are playing guitar, but with Anla bringing tapes and vocals to the mix and Makoto bow and effects. Namba Lightbeam, the first of two 20 minute pieces, opens with a eastern sounding drone sound,…
Operating out of Istanbul, Ekin Fil is the solo project of Turkish musician Ekin Üzeltüzenci. Her music first came to the ears of many by way of “Language,” a 2011 cassette release on the Root Strata label. “Language” presented listeners with a fractured, hazy soundworld in which half-remembered melodies and wraith-like vocals cohered into dark and hypnotic masses. On this self-titled album, Ekin opens the curtains a bit, letting in some light and offering up an even more refined album. This is …
The album Living Theory Without Anecdotes confates Nicolas Wiese's acousmatic compositions from the years 2009-2011. There is a common thread: all four compositions are constructed out of samples from acoustic instrument and object recordings, and mostly have rather foating structures with slow crescendos and little disruptions. A significant element in Wiese's soundworks is the spatial layering - there is an architecture of foregrounds, backgrounds and diferent midgrounds that integrate …
Mark Kozelek is back with a new Sun Kil Moon album featuring Sonic Youth's Steve Shelley, Jen Wood (who has worked with the Postal Service), Will Oldham, and Owen Ashworth (formerly known as Casiotone for the Painfully Alone, now of Advance Base).