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"the third issue in a series of monthly magazines collecting activities and changes in general.this third issue collects 20 full colour silkscreens of photographs and photo collages, of recent and/or good times, some may recognize the likes of Vincent Snoop, Spencer Clark, Tazartez Ghedalia, Vaast Colson, Guy Rombouts, Jah Matthé, Chris Corsano, Hendrik Hegray, LVMM or Peter Fengler within this blurryness.this issue was silkscreened by Gerard Herman, lay out by Jef Cuypers, limited and numbered …
the sixth issue in a series of monthly magazines collecting activities and changes in general.Every visit to antwerp by the icelandic showmaster Sigtryggur Berg Sigmarsson in the last few years has been spiced by up and down outbursts of colaborative drawing sessions.This issue of mss meesterd collects over 200 colab drawings by dennis tyfus and sigtryggur Berg sigmarsson, which were done in 2 days! this issue is way thicker than the other issues of mss meesterd, it's printed on newspaper paper …
One of the most important, and clearly the most culturally and theoretically informed, of any of the major studies on minimalism. No other book comes remotely close to establishing the historical links between early postmodernist Euro-American social changes. Fink's scholarship is as impeccable as his readings of minimalist compositions are stunningly insightful. Not least, the book is beautifully written."--Richard Leppert, editor of "T. W. Adorno, Essays On Music" "A model of interdisciplinary…
the tenth issue in a series of monthly magazines collecting activities and changes in general! MSS MEESTERD issue 10 was made in Vienna and on the Rigi mountain in Swiss during the end of last year, it collects mostly landscape drawings i've made in the mountains, or at least on top of one mountain, covered in snow and in snot. it possesses a rather frozen feel over all, printed mostly in deep blue on jan matthé's risograph machine! 20 pages, limited to 120 copies" (label info)
Noise/Music looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica of today. It situates different musics in their cultural and historical context, and analyses them in terms of cultural aesthetics. Paul Hegarty argues that noise is a judgement about sound, that what was noise can become acceptable as music, and that in many ways the idea of noise is similar to the idea of the avant-garde. While it provi…
Arthur is back! "On the cover: Born Again! A talk with Becky Stark of Lavender Diamond. Features: One Man, Goofing Off: Journalist Joel Rose visits 80-year-old Zen humorist/media innovator Henry Jacobs. Plus, an appreciation of Jacobs' radio and TV work by filmmaker Mike Mills; Scream At The Sky: 'Bull Tongue' columnists Thurston Moore & Byron Coley have an audience with Yoko Ono. Discussed: The Peace industry, Fluxus, Sarah Lawrence and her life/art before Lennon. Plus: 'Yoko Tanka,' a r…
ound is one of a series documenting major themes and ideas in contemporary art. The ‘sonic turn’ in recent art reflects a wider cultural awareness that sight no longer dominates our perception or understanding of contemporary reality. The background buzz of myriad mechanically reproduced sounds increasingly mediates our lives. Tuning in to this incessant auditory stimulus some of our most influential artists have investigated the corporeal, cultural and political resonance. In tandem with r…
an amazing book that xplores the influences on the four musicians in the early 50s who, because of their deep interest in art, associated closely with the New York School of painters: Varese, Wolpe, Feldman and Cage. Musicians and artists have always shared mutual interests and exchanged theories of art and creativity. This exchange climaxed just after World War II, when a group of New York-based musicians, including John Cage, Morton Feldman, Earle Brown, and David Tudor, formed friendships wit…
2012. English edition, 18,5 x 24 cm (softcover), 126 pages (b/w ill.). Edited by Sophie Warren and Jonathan Mosley. Contributions by Maria Fusco, Marie-Anne McQuay, Paul O'Neill, Elizabeth Price, Jane Rendell, Lee Stickells, Robin Wilson.Based on a project initiated by the collaborative practice of Sophie Warren and Jonathan Mosley with writer Robin Wilson, Beyond Utopia queries the function of utopian thinking in urban planning and spatial culture.The aim of the original project was to…
the twelve issue in a series of monthly magazines collecting activities and changes in general, this issue is enetirely made of photobooth portrait photos
As a cultural clue and a discipline subject to codes other than those of the visual arts, music turns out to be a medium and a bundle of eclectic references based on which it seems possible to spell out alternative conceptions of the world, and cast a critical eye over certain mechanisms at work in our societies. So-called 'popular' forms of music represent an inexhaustible source of inspiration for artists, whether they are raising the issue of their fetishization and their museification, or e…
the fourth issue in a series of monthly magazines collecting activities and changes in general.This fourth issue collects 20 pages, a bunch of mat inverted purple music paper and a bunch of raw green glossy messyness!the golden cover portraits are made by Mima Schwahn and the inside cover is tripple stamped and hand numbered!lay out by jef cuypers, offset printed and limited to 200 copies
Three years ago we suggested to Mattin the possibility of publishing a book containing all his texts to date. Mattin was a little reluctant since much of the material was already available online in one form or another. However, at that stage this material was both distributed and disorganised. With the help of Anthony Iles this material has been revised, edited, and is presented here alongside newly commissioned materials. This book contains texts, interviews and responses to performance…
Fourth issue of the contemporary art journal about sound: Mark Leckey, Ruth Ewan, Tom Marion and the sonic explorations in San Francisco Bay, notes on Robert Morris' 21.3, interview with Pierre Henry, the Louie Louie project, special interventions by Dora García and Hannah Rickards, etc. This fourth issue of Volume comes under the aegis of the double. Somewhere between duality and dialogue, the praxis of certain artists is illustrated as much by way of music as through the visual art…
amazing monograph produced in 500 hand-numbered copies with a short essay on Han Bennink and his relationship to art and then a description, accompanied by colour illustrations, of all the covers he has produced for ICP and other labels between 1967 and early 2008. In Dutch and English. Hand made cover by the artist
Burkhard Beins: selected percussion, objects. Lucio Capece: soprano saxophone, bass clarinet, preparations. Rhodri Davies: electric harp, electro acoustic devices. Toshimaru Nakamura: no-input mixing board. Recorded live at NPAI Festival, Parthenay, FranceJuly 19th, 2007. Mixed by Toshimaru Nakamura. The artwork for this disc was created by QQ in Argentina.
Deleted scenes, the debut album by Marion Wörle aka Frau W (Laptop) and Maciej Sledziecki (Guitar) uses the vocabulary of sound-art just as instinctively as it does elements from psychedelia, noise and Krautrock. The electronic music of the 90s and 2000s is also bursting through every crack on this record. Refreshingly non-academic and equipped with a fine sense of humor they bring great diversity to the day. No one track compares to any other - each has its own very individual character. PIRX i…
“The work of People Like Us rests gingerly between two dangerous positions: on the one hand, the risk of fashioning merely stylish pastiche out of borrowed finery for the sake of self-conscious kitschiness; on the other hand, the risk of making simplistic, heavy handedly "topical" audio-jokes at the expense of one's raw material to a smug effect. If the lounge creeps uncritically snack on their sonic ingredients and coast on being "groovy", the cads of pseudo-critique take cheap shots at straw m…
Oral label can be quite proud: they dug up all the works by Austria's Monoton, the baby of Konrad Becker and released them before on CD. Monoton's music was its time ahead: minimalist pulses based on analogue synthesizers, thus predating techno, glitch, clicks & cuts, and what's better: it still sounds good. The two previous releases were officially released back then, but the eight pieces were never released, save for two on an EP and a compilation. The pieces were recorded between 1981 a…
Rhys Chatham has trail-blazed a course through late 20th century music, equally aplomb in post-minimalist composition as he is in punk. Not since Roebling laid his span across the East River has there been an artist who builds bridges in both how we hear music and how we can appreciate art. His latest album, Outdoor Spell, is a further document in that direction. Here has has eschewed 100 guitars, or even himself playing a single guitar, for the trumpet and voice, both electrified and dry. It is…