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Berangere Maximin was born in December 1976 on the remote French colonial Island of Reunion in the Indian Ocean where she resided until the age of fifteen. Performing first as a singer, she later studied electroacoustic music with the composer Denis Dufour (a member of the Ina-GRM from 1976 to 2000) at the Perpignan Conservatoire. Her first professional experiences occurred in Paris, and in 2002, she moved there permanently. From 2002 to 2007, whilst running the organisations Motus (concerts pro…
The Vittelli label announces itself with this fine release of London’s highlife, lowlife, wildlife and everday life plucked from Ian Rawes’ vast London Sound Survey. At his day job at the British Library sound archive Rawes cut his teeth in archiving and explored its depths. Field recordings and studies by acoustic ecologists came to his attention around the same time that he was looking to create his own capital-based project. At this time the internet promised to be the great equaliser a…
Saturn calls, Istanbul responds! After releasing a handful of beautiful releases last year that brought them to the attention of the free jazz scene, Konstrukt come back with a fantastic album recorded in collaboration with Mr. Marshall Allen, the legendary saxophonist of the Sun Ra Arkestra (aka the best band ever landed on Earth). Cosmic, cathartic, spiritual free jazz in its purest form! When music can make you travel with your imagination like this, building bridges between different…
For Sven-Ake Johansson, the capricious and mercurial character of Paul Klee's texts is not a flaw, but a quality in its own right. His thirteen settings capture precisely this quality of the texts. Johansson's clear diction, his distinct, almost exaggerated elocution, imbues Klee s texts with a lapidary air without stripping them of their personal and intimate nature.
LP version, on 180 gram vinyl. Bureau B reissues Pyrolator's Wunderland, originally released on Ata Tak in 1984. Quote 1: "I have always strived for the opposite of whatever is hip at the time." (Pyrolator in June 2013) Quote 2: "Wunderland is so beautiful -- the first time I heard this record, I cried." (Andreas Dorau). New York City, 1983. Andreas Dorau has a gig at Danceteria and Pyrolator accompanies him as sound engineer. Back then, it really looked as if Ata Tak could make a go of it in th…
A serie of duet with André Jaume and another musician, recorded in 1980 and 1983 by Jean Roché, Jean-Marc Foussat, Daniel Deshays. Raymond Boni, electric guitar. Hervé Bourde, flute. André Jaume, saxophones, bass clarinet. Jean-Marc Montera, acoustic guitare. François Mechali, doublebass. Fred Ramanonjiarisoa, piano. Gérard Siracusa, percussions.
'A History of Every One' by Bill Orcutt is an album of songs: minstrel songs, holiday songs, hymns, marches, cowboy songs, Disney songs, work songs, delta blues. The original tunes themselves are nothing special, well known, but not particularly well-regarded. Most would be filler on a mid-60's Doris Day or Burl Ives LP. What Orcutt does with them however is remarkable: expanding upon techniques developed on 2011's 'How the Thing Sings' and incorporating ideasforged since his recording of 'The S…
Paranoid Cat is Philadelphia guitarist Chris Forsyth's third solo album and first for Family Vineyard -- a sprawling, harmonically-charged side-long suite backed by a clutch of compositions merging raw and delicate American roots traditions. After more than a decade trotting the globe and recording with a mess of today's avant garde greats, plus co-leading the brazenly absurd Peeesseye, Forsyth has arranged a full-band to accompany his electric six-string vision of interlocking arpeggios and max…
Novaya Zemlya (lit. "New Land"), also known in Dutch as "Nova Zembla" and in Norwegian as "Gåselandet" (lit. the "Goose Land"), is an archipelago in the Arctic Ocean in the north of Russia and the extreme northeast of Europe, the easternmost point of Europe, lying at Cape Flissingsky on the northern island. The artwork, by Jon Wozencroft, includes an essay by Thierry Charollais, "Thomas Köner's Novaya Zemlya: towards a metaphysical geography"... Of course we find the unique Köneresque glow…
Two days before the 2012 rebellion in northern Mali. Soldiers are everywhere. Guns mounted on pickups; low-flying surveillance planes. Several thousand people have gathered outside Timbuktu to celebrate the music and culture of the Sahara at the 12th edition of the Festival au Desert. Three months later, Sharia descends on northern Mali. A millennial history is suppressed. Shrines destroyed. Secular music banned. Before, the streets were alive with music. Weddings, baptisms, celebrations …
A meeting between Japanese sound artist Takahiro Kawaguchi and two american improvisors, Nick Hoffman (head of the Pilgrim Talk label) and Aaron Zarzutzki. Recorded by Brian Sulpizio at The Chateau, Chicago, in September 2011 and then edited and mixed by Giuseppe Ielasi in Oreno.Numbered edition of 250 copies. Black vinyl (cut at SST), screenprinted cover on heavy grey stock.
A sonic map of the artwork and cosmos, Yird Muin Starn is at once funny, moving and informative, surging from singing to hymnal pockets of throbbing space where scale is both tiny and boundless'. The third element in their new public artwork 'Yird Muin Starn' (old Scots for Earth Moon Star) this album ofcosmological songs and sonified constellations is Matthews McIntosh second space related release. Composed and engineered by Matthews from field recordings gathered all over the Galloway f…
Olaf Schirm alias Symboter is a berlin-born electronic artist and musician. In the late 70s he lived in Munich. At that time he got Inspired by early Tangerine Dream, Klaus Schulze, Kraftwerk and other international computer music avantgarde artists. He used commercial synthesizers imported from Japan and his gigantic custom-built Symboter Modular System.
As technician of Gershon Kingsley ("Popcorn", "I feel love" sequence) he was able to use his Moog Modular System in many of his own songs andf…
Now in their tenth year the band have been gathering plaudits and accumulating new fans with every release, and after playing to thousands at Supersonic Festival last year, things are accelerating at an even faster pace. As with each album release, Hey Colossus continue to mutate and for their eighth album they have enlisted the support of a new drummer, Part Chimp guitar/vox man, Tim Cedar, who has undoubtedly brought a whole new kind of energy that has reinvigorated the band. When the rhythm s…
The GGRIL is an ensemble of musicians who have decided to give a space to experiment with various forms of interactions possible in an orchestra without a conductor.The group brings together a dozen musicians from different backgrounds, but all eager to explore new territories offered by bands where the music is alive, freed from the linearity of writing.Powered by Tour de Bras, Rimouski, this set is a way to involve a large number of musicians and composers in the region around a unifying pro…
This recording documents a sound-performance curated by Franck Ancel in homage to Varese’s « Poeme Electronique ». This musical milestone was commissioned for the Philips Pavilion created by Le Corbusier and Xenakis on the occasion of Expo’58, the Brussels World’s Fair that was held from 17 April to 19 October 1958. Le Corbusier envisioned an “art total’’ utopia involving space, music and images all at once. As soon as he was hired by the dutch company, he announced his intent to create an « ele…
Emeralds co-pilot Steve Hauschildt follows up his 'Tragedy & Geometry' album for Kranky with the plush new age disco dreamscapes of 'Sequitur'. Arguably, Steve is the lazy one in Emeralds, conjuring only three solo album to date compared with the gazillion respective works from bandmates John Elliot and Mark McGuire. But, as evidenced here and previously, he's also the canniest and most pop-wise, honing a more concise, richly rhythmic and melodic style of composition still rooted in cereb…
Alpen Ocean is the final recording of Carole Kojo (Swiss) and Hitoshi Kojo (Japanese) that they left behind as Jüppala Kääpiö, whilst resident in Switzerland. The sound sources are rather familiar instruments and materials for us such as voices, handmade instruments, viola, organic materials and field recordings. However, the style has evolved to a hybrid of our early style: an intense harmonic drone music that has appeared in RAINBOW MASK, and another phase which might be termed as a cosmopolit…
"It's been a while since Scorces sorceress, Jandek collaborator, and Volcanic Tongue branch manager Heather Leigh has ventured out on vinyl under her own name. And it may be a while longer, as Jailhouse Rock is in fact a wax reissue of a long OOP 2006 cassette classic on Michigan crud factory Fag Tapes. It was a fave of ours that year (and every year), so it feels extra celebratory to be able to offer up a freshly remastered (by Pete Swanson) LP edition of the album for global re-appreciation. S…
After a 12” for the Souterrain Transmissions label and a split LP with Ducktails on No Fun Productions, Dracula Lewis delivers his long-awaited debut full length "U$e Your Illu$ion$"; a title which evokes an imaginary deviant glamour which is synonymous with the teasing nature and sense of mystery which is a part of Dracula Lewis’ world. Working with an abundance of pop based ideas with an abstract mentality, the record brings to mind, in manner and tone, hallucinatory avant strategies that were…