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A great, vivid recording of some wild playing, using the entire kit, rolling about on the various skins and cymbals. Recorded at Festival El Nicho Aural by Daniel Goldaracena at Centro Cultural España Mexico D.F 12 mayo 2012Mastering and cover design by Lasse Marhaug
Kouhei Matsunaga's 'Dance Classics Vol.III' is the continuation of his ongoing development of his more dance oriented material, as seen from his sets with Sensational and also his other minimal techno project NHK. Not feeling tied down to one genre, Matsunaga nestles in the PAN roster, and however that isn't to say that he is dance per se as witnessed from his recent collaborations with Conrad Schnitzler. The album focuses more on bass/base electronics, music for the dancefloor and/or alt…
Sewing together dissonant notes, distorted vocal blasts, intent chaotic torrents of howling noise and highly active percussive waves. Sounding caustic on a surface level, the collaboration revealed a sense of calm determination, life-affirming energy, and creative joy - a veil of sonic warmth shrouding all participants before their return to the cold embrace of Tokyo in early spring.
COH is the moniker used by Ivan Pavlov from Russia for more than a decade. COH is also the Russian word for 'sleep'. Yet, do not be deceived - RETRO-2038 is much more of a deep space than a deep sleep. The second COH release on Editions Mego is a true delight to behold, inviting as it does its exploration of electronic sound in minimalism, futuristic pop and the uncharted territories inbetween. Ranging from digital updates of Giorgio Moroder's pulse experiments to menacing lingering LF to…
Superdisque is the first album from the French trio formed by David Fenech (electric guitar) with Jac Berrocal (trumpet) and Ghédalia Tazartès (vocals). Somewhere beyond the borders of rock, jazz, punk and sound poetry -- the vocals seem to come from another planet, with lyrics in an improvised language. The winds are blown from Tibetan human bones and conch seashells. Guitars sound like rubber and steel. Expect the unexpected. Special guest Zap Pascal (accordion) appears on one track. Dav…
Paul Nagle is an electronic artist and synthesist from UK who started to produce wonderful fascinating electronic sounds since the late 70's when his parents moved to a remote farmhouse, triggering creative outbursts in many fields - music, painting and writing to name but three. His music which combines elements of electronica, ambient, trance, minimalsynth and new age would have perfectly fit to a label like Martin Reed's Mirage who also released early works of Colin Potter, Ian Boddy, Mark S…
Formerly operating under the name of Mites, Shakhnes has been recording and performing in Tel Avi, Israel since 2008. His work has been issued both privately in limited handmade CD-R editions, and internationally though Alamut Records (Jerusalem), Mystery Sea (Belgium), and Copy For Your Records (NYC). Consider 'leave/trace' a graduation ceremony, as Shakhnes steps away from pseudonymity and into the bright lights of his own exceptional music."leave/trace" offers a compelling display of mu…
Gabriele Giuliani has distinguished himself in the 90s for multiple activities in different territories. As Drif, runs through electronic environments, as Discordance instead are more ominously violent sides to emerge, while as Dead Body Love the sharp points of the ultra sound reached dizzying heights. Audiocide ‘95 is one of his first tape released on Slaughter Productions with his main moniker. Two tracks of hellish distortion and saturation, stripped of any frills and reduced to the p…
Probability A collects three pieces composed by William Hutson between 2009 and 2012. Over the past seven years Hutson’s project Rale has evolved to incorporate more negative space into the music. The three pieces herein contained were recorded as proofs-of-concept; they are tracks that Hutson made to loop indefinitely in his house as he built up the courage to use long silences in what is supposed to be a noise/drone act.
William Hutson began recording and performing as Rale in 2006. He …
A collection of darkly shining northern diamonds, Sous juju is a two-CD compilation of the musical work of Kuupuu from her first releases in 2003 up to previously unreleased material from 2012. Kuupuu, known by her parents as Jonna Karanka, is a self-taught musician and visual artist from Finland who inhabits a semi-magical world where the mundane and the mysterious meet and make wonderful music together. Using tapes and loops, instruments both traditional and modern, Kuupuu's blend of low-tech …
The first full-color Yeti in the new larger format, with a gatefold sleeve featuring artwork by Geneviève Castrée. Heavily illustrated throughout. Did we say already that it's full-color?On the hard vinyl 7-inch EP: rare/unreleased tracks from The Great Unwashed, Moon Duo, the Trypes, and Karen Dalton.INSIDE THE BOOK: groovy posters from Christchurch, NZ in the 1980s; Oral History of the Rock Band Codeine; Gisele Prassinos; Ben Bush; Ilyas Ahmed; Sarah Meadows; David Moreno; Quentin Rowan; Josh …
Shipping by the next week: MIE Records are unbelievably honoured to be releasing Effigy by Pelt this October 29, the first album recorded since 2007 by the acoustic-only droners. Recorded live in June 2011 in an old yoga studio in Mount Horeb, Wisconsin and a decommissioned synagogue called the Gates of Heaven in nearby Madison, the band have laid down their most accomplished and fully realised work to date. Epic in every sense of the word, Effigy is a sprawling journey through their singular pl…
Exact repro edition of this LP, originally issued in 1965? This is the limited edition colored vinyl version. "Another reissue of the ultimate oud master. This is the follow-up to Expressions East and it is no less an impressive affair. Again on this album John has brought together some of the finest exponents of Armenian, Turkish, and Arabic music, including James Shahrigian (bass), Souren Baronian (clarinet, bongos), John Yalenezian (dumbeg), Jack Chalikian (canun), Steve Pumilia (finger…
..And Photography 1890-1950 The latest release from Grammy Award-winning reissue label Dust-to-Digital gives music fans another reason to rejoice. A stunning 96-page hardcover book of historic baptism photographs, taken between 1890 and 1950 and compiled from the collection of noted folk art collector Jim Linderman, is accompanied by a CD of rare gospel and folk recordings from original 78 RPM records (1924-1940), featuring artists Washington Phillips, Carter Family, Tennessee Mountaineers, …
Stefan Jaworzyn, the legendary underground figure with Whitehouse and Skullflower on his CV, revives his Shock label - home to stacks of releases by Coil, NWW, Ramleh in the '90s - with a discombobulated analog assault on the weirdest dancefloors. Two sides unfurl a barrage of modular bleeps and mescaline flash electronics equally inspired by the linear hypnotism of minimal techno and free jazz aesthetics. A-side 'The Fucker' is driven by a a rugged breakbeat through bracing, atonal maelstrom of…
Ron Morelli returns to stare down the 'floor with four pieces written during the stress-busting sessions for Spit (HOS 407CD/LP). The muggy, droning welt of "Public Consumption" kicks off with the sound of New York techno shot from the hip, while "Another Hit" vents a vintage era-Regis style built on skull-chipping snares and effluent acid modulation. The album's writhing batacuda banger, "Crack Microbes," reappears here as an extra-ferric extended "Version," sustaining the hypnotic intensi…
Molam is a multi-faceted folk country music native to Laos and the collection of rural Northeastern Thai provinces called Isan. Molam is an umbrella term used for numerous Lam styles. It literally translates into "expert singer" or "expert song." Featured here on volume two of this series are Lam Phun, Lam Thuy, Lam Plern, Lam Dern, and Lam Sing styles of Molam recordings from the 1970s and 1980s. All of these forms are built from a tradition that is centuries-old. A few examples of Molam…
2LP version, featuring one track not on the CD. Rune Grammofon presents the third album from Swedish trio Fire! -- something of a supergroup with members from already well-known projects. And again, it's a collaboration, this time with the extraordinary and prolific guitarist Oren Ambarchi. With their heavy, hypnotic, psychedelic rock'n'jazz explorations, they have carved out a different sound than any of the groups they are normally associated with. Sax player, improviser, composer and fer…
In March 2005, drummer Teun Vergruggen (Jef Neve Trio, Flat Earth Society) invited the eccentric guitar player Mauro Pawlowski (dEUS, Somnambula) and Rhodes/piano wizard Jozef Dumoulin (Määk Spirit, Magic Malik, Octurn) to play a single session based on pure improvisation. The result left most people wondering how to categorize this music, and brought Othin Spake on the stage for many concerts. Six years later, the band has played in many jazz and alternative venues in Europe, released three …
"The evolution of the string quartet repertory has accelerated during the last half of the twentieth-century and beyond as composers from both the mainstream and the avant-garde have mined its seemingly inexhaustible creative resources. This CD features the virtually unprecedented combination of string quartet and percussion. It contains three works by prominent American experimentalist composers from several generations exploring the ensemble's unique sonic resources in diverse stylistic settin…