New Arrivals
Caim in Bird Form
Opal Tapes' visionary bossman Stephen Bishop synthesises spellbinding post-techno ecologies on his debut slab of wax as Basic House. 'Caim In Bird Form' is an engrossing refinement of the arcane, buckled structures and textures best heard on his 'I'm Not A Heaven Man' album and an excellent split with Prostitutes for Blowing Up The Workshop. It's a sound that was conceived in relative isolation, yet feels intrinsically plugged into the zeitgeist and highly aware of fringe actions in the wake of …
Live in LSO St. Luke's, London
Iancu Dumitrescu 'Extreme point of gravity' (2009) for ensemble (Hyperion & Talea Ensemble). 'Le silence d'or (V)' (2009) for ensemble and computer sounds. Ana-Maria Avram 'Telesma (X)' for three percussion groups and computer sounds (G. Aguilar, P. Teodorescu, A. Lipovsky). 'Textures (III) / Penumbra' for two bass clarinets (Rane Moore and Tim Hodgkinson) and ensemble (Hyperion & Talea Ensemble).
Stromboli
Field recordings of a volcano by Geir Jenssen, better known as Biosphere. Stromboli is an active volcano off the north coast of Sicily in the Mediterranean. The volcano has erupted many times, and is constantly active with minor eruptions, often visible from many points on the island and from the surrounding sea, giving rise to the island's nickname Lighthouse of the Mediterranean. The last major eruption was on April 13, 2009. Recorded at Stromboli's crater edge (924 m) on July 19th 2012…
Rules
2012 Reissue. Ektro Records proudly presents the pioneer of Finnish electronic and experimental music - Mr. Erkki Kurenniemi. The tracks released here - produced during 1963-1975 - include Kurenniemi's focal works and previously unreleased raw material composed as solo works - as well as works in collaboration with Kari Hakala, Jukka Ruohomäki, Otto Donner and Eino Ruutsalo. Kurenniemi's impulsive attitude towards his art - including electronic music, films, media art, instrument design - is per…
Natural causes
Two new tracks from LA based duo Pedestrian Deposit. Side A is a little more noisy than last works, starting from jon's harsh-noise origins and the use of multiple layers of sound, they created a piece of musique concrète, near of what they did in Austere.Side B is dominated by shannon's cello and behind it, the sound of manipulated electronics and minimal textures to build the perfect background.
Swisher
The Blondes duo refract their house abstractions through a smudged psychedelic prism on 2nd album 'Swisher' for RVNG Intl. Picking up where their eponymous debut left off, Sam Haar and Zach Steinman start with the kosmic organ swell and atom-split rhythms of 'Aeon' before locking down to a driving, technoid momentum with 'Bora Bora' which carries through the album in the glyding dub-house gait of 'Andrew' to the ornate, future-baroque arpeggios of 'Poland' to the laser-grabbing, Belgian-styled t…
Take a chance In the void: Harold Norse at the Beat Hotel
Historical recordings made by Harold Norse when he was living with William Burroughs, Brion Gysin and Gregory Corso at the notorious Beat Hotel in Paris during the early sixties. By the time Norse arrived in Paris he had traveled extensively in Morocco and Europe and his poetry was already championed by people like W. H. Auden, William Carlos Williams and Tennessee Williams.
Together with Sinclair Beiles, Burroughs and Gysin, Norse was one of the first to apply the cut-up method. He made the tec…
70 Years of Sunshine
In 1943 a Swiss chemist accidentally absorbed through his finger-tips a tiny amount of a compound he was researching. Later, he recorded the effects in a journal - a document of the world's very first LSD trip: 'Last Friday, April 16,1943, I was forced to interrupt my work in the laboratory in the middle of the afternoon and proceed home, being affected by a remarkable restlessness, combined with a slight dizziness. At home I lay down and sank into a not unpleasant intoxicated-like condi…
The Mortimer Trap
The Mortimer Trap is an epic, 77-minute "variation" of Morton Feldman's For Bunita Marcus, constructed by German experimentalist and techno icon Thomas Brinkmann and Australian sound artist Oren Ambarchi. Pulsating waves of claustrophobic ambience generated from who-knows-what patiently builds into a throbbing, rhythmic pulse of gorgeous sonic density. Since the '80s, Thomas Brinkmann has experimented with sound, its textures and its construction methods. His custom-built two-arm turntable …
Nocturnes
Vittelli continues to set out its’ stall with this brilliant LP by Australian sound maker Matthew Philip Hopkins (Vincent Over the Sink / The Bowles / Naked on the Vague / Half High). This is Hopkins’ first solo vinyl outing after a decade of micro-edition cassettes and CDR’s. Nocturnes was assembled during late night headphone sessions at Hopkins’ Sydney home in late 2013. He employs synth, cassettes, fx pedals, contact mic and random objects to create a hypnotic suite of dramatic and highly ev…
Old Punch Card
Taking inspiration from early music concrete and electronic music, the BBC Radiophonic Workshop, Nuno Canavarro, Raymond Scott, David Behrman, and free improvisation, Old Punch Card is a beautifully noisy, jagged, yet stately album of synthesizer music. The ideas and implementation of Old Punch Card (the album title alluding to the electronic, faintly mechanic origins of the music) were the result of an entirely new challenge: to do something completely different from anything else he's…
Outside/Inside
Charlie Nothing was the fractured-psyche pseudonym of author, father, horsekeeper, organic farmer, beekeeper, philosopher and clown Charles Martin Simon, inventor of the dingulator (guitar sculptures made out of the metal from American cars). Charlie's only visible offering to the record buying public was really anything but. Due to its rarity, The Psychedelic Saxophone of Charlie Nothing, issued by Takoma Records in 1967, has been a source of consternation for in-the-know types for years. …
Relief
Once more Chicago’s finest delivers another devastating slab of emotionally charged noise. Its been 10 years since the epic statement that was ‘Sheer Hellish Miasma’. Since then Drumm has trawled through the depths of the global underground with a back breaking speed, adding many masterful releases to his oeuvre for labels the world over. Armed with his distinctive palate of audio tactics, Drumm returns to Editions Mego to deliver ‘Relief’, a 36 minute hypnotic roller coaster ride through…
Lonely women's club
Beautiful new work from Lawrence English. Pressed in an edition of 500 copies. Somewhere after dark, before dawn, in a place where natural light is shunned and organ is singing. It's voice is that of an arcing clouds of tone, emerging and falling with an uneasy sense of pace and direction. The voice warbles, a vibrato of shifting pulse and subtle variation. The room around it is filled with a dusty ash; smoke in haze like proportions. Eyes are blood shot, sunken below the rim of a glass. …
Scarcity
During drummer Paal Nilssen-Love's July 2013 solo gig at Auido Rebel's Quintavant in Rio de Janeiro Brazil, he was joined on stage by Arto Lindsay performing on electric guitar and voice. The result is this 180 Gram LP, one side at 33 RPM and one at 45 RPM presenting two improvisations from these powerful improvisers. Of the performance Nilssen-Love writes: The gig was organised by the guys running Audio Rebel i Rio... fantastic guys who's also musicians. Gig was amazing and we we're both drench…
De proche en proche
Eric Cordier, amplified and live processed hurdy gurdy. Jean-Luc Guionnet, amplified and live mixed church organ. Recorded live in the Temple Neuf (Metz - France) in February 2004 - organized by Fragment
Damballah 58
Damballah 58 is the monstrous sequel to 2012's deadly Black Mamba 12". The title-track's diabolically addictive vaudou rhythms insinuate deeply before uncoiling convulsively into an irrevocable reclamation of the consciousness. The B-side features "Mamba Muntu" (sister track to the previous "River Mumma" and "Witness the Spread of the Dream"), the treacherously beautiful "Belladonna Theme," and the marauding, burning rush of "Immersion." Written and produced by William Bennett. Original vév…
Frequencies
Nicolas Bernier’s Frequencies (Synthetic Variations) is his first piece made entirely of synthetic sounds. Having evolved within the musique concrète and field recording traditions, Bernier wanted to break with habit — the result being 15 short movements of warped and crackling textures, vividly articulated sine waves and rhythmic bursts of pattern. The piece is designed to be listened to at random (the sound sample above is such a sequence), offering a new duration and dynamics with every heari…
Matter
Ingar Zach, percussion. Martin Küchen, saxophone & pocket radio. Nikos Veliotis, cello & video. Looper's unique combination of floating sounds provides the spectator with a suspended environment to sink in, dislocating him from the casual perception of time and space.
Ocean Parkway
It is with the greatest excitement that three lobed recordings announces the release of ocean parkway, the second album from the gunn-truscinski duo. ocean parkway is a unique and masterful album, one that sees the duo building and expanding upon the already telepathic chemistry that they demonstrated on their debut, sand city. whereas their first album operated to help introduce listeners to what steve gunn and john truscinski had been working on in private for several years, ocean parkway demo…