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"The evolution of the string quartet repertory has accelerated during the last half of the twentieth-century and beyond as composers from both the mainstream and the avant-garde have mined its seemingly inexhaustible creative resources. This CD features the virtually unprecedented combination of string quartet and percussion. It contains three works by prominent American experimentalist composers from several generations exploring the ensemble's unique sonic resources in diverse stylistic settin…
"Clay Rendering is a new band born of Aries couple Mike (Wolf Eyes, Hair Police, Failing Lights) and Tara Connelly (the Haunting and The Pool at Metz). The two began work on the project in the fall of 2012, dedicated to resurrection, (much like their sun signs) with a focus on arcane structures. Droning and melancholic guitars are propelled by the skeletal remains of industrial music. Low light vocals weave in and out of the stark atmosphere. Electronics mix with acoustics, vocals and gui…
Andrew Pekler selected 300 different covers from second-hand records and, using colorful geometric elements to cover over all titles, performer’s names, and label logos, removed traces of the covers’ original contexts. The sunsets, couples in silhouette, alpine panoramas, roses on pianos, female faces in close-up, and seascapes no longer serve as the packaging for easy listening and exotica. Instead, the romantic, bizarre and intriguingly bland images of the original covers are free to lend thei…
Derek Bailey: acoustic guitar. Simon H. Fell: double bass. This is the full recording - freshly remastered - of the 2001 duo gig, an excerpt from which appeared in 2002 on a long-deleted Sound 323 mini-CD which was voted a record of the year by The Wire magazine. Here at last is the full performance in all its exhilarating acoustic power; an unplugged (but very intense) set from a hot and summery Wednesday afternoon, recorded in the basement of Sound 323 in London by Tim Fletcher.
Julianna Barwick returns with the successor to 2011's charming The Magic Place. Given how successful that self-recorded LP was, it’s surprising to see that the Louisiana-born singer has looked to an external producer to document and frame her work this time around, namely Sigur Ros associate Alex Somers. Barwick once again uses delay-pedals to build heaven-scraping towers of chorused plainsong out of her earnestly, achingly pretty soprano, placing them in what John Foxx - whose 90s’ ambient reco…
Lovely compilation of M.B. music including old tracks taken from 80's compilation cassettes. Cover image is a 1982 original M.B. artwork. Numbered edition in a paste-on digipack.
This has gotta be a piece of history right here. These 12 songs comprise Alan Lomax's first recordings of the legendary Fred McDowell in an incredible, on-the-spot document of his soul-stomping, spirit-wrenching blues. Fred is joined by Miles Pratcher on second guitar for a number of songs, and accompanied by Annie Mae McDowell's vocals and Fanny Davis on hair comb, running through a repetoire of spirituals and original songs. We're by no means Blues experts, but you don't need to know jack sh*t…
For our 31st release, Minimal Wave is proud to present Belgian pop trio Pas De Deux, best known for their participation in the 1983 Eurovision Song Contest. The group was formed in 1982 by Walter Verdin joined by Hilde van Roy and Dett Peyskens. They released two LPs and several singles along with some incredible video work produced by Verdin himself. Stylistically, their music is a bit post-punk and completely new wave with vocals reminiscent of the indie girl bands of the late 70s and early 80…
The infamous missed-on-the-internet Griffin's Side B originally conceived for the shocking full lenght "Sikkknastafari Slash Crasstafari" is now available on wax with some new extra tunes like the instant-party classik "ILLUMINKNOTTY DREAD" and the hazy riddim "SPACE SLENG POLICE TENG".
This record is dedicated to Antonio Corbetta aka Space Police. REST IN SPACE
Former Emeralds member Mark McGuire has planned a new album following his 2011 albumGet Lost. Along the Waythrough Dead Oceans. On Along The Way, McGuire writes in the liner notes: "€œThis story is an odyssey through the vast, unknown regions of the mind€¦the endless unfolding of psychological landscapes, leading to perpetual discoveries and expansions, in a genuinely emergent and infinite world of worlds. Further he writes “[the new album] is not a critique, it is not inst…
A Sige Records repress of Mamiffer's second full length Mare Decendrii.Artwork is different from the original pressing. Edition of 600. Credits : Recorded from September 2009 to September 2010 at: Studio Litho, Aleph Studio, and London Bridge in Washington State. Produced by Randall Dunn. Co-produced by Mamiffer. Engineered by Randall Dunn. Assistant engineers: Mell Dettmer and Shawn Simmons. Mixed at London Bridge Studio by Randall Dunn. Mixing assistant: Mell Dettmer. Mastered by Mell Dettme…
Kevin Drumm is a musician not only known as a one-man-orchestra exploring the boundaries of music, but also a star under the banner of inestimable Bocian Records label. This time we were granted with access to his kitchen. The LP is limited to 34 minutes, consisting of 2 pieces, originally recorded in 1996 yet fully remastered in 2012. Side one piece slowly opens a kitchen door. Smooth, equilibrious and loopy sound fractions that surpass those requirements ambient music is bound to meet. F…
The HBE family are in full effect on this 6-track mini-album. Forming like a brass-plated Voltron, they spin from swaggering Hip-Hop funk on 'Starfighter' to sparky, feel-good breakbeat funk on 'Touch The Sky' and more sultry, jazzed up styles for the Sun-Ra sampling 'Pluto' on the A-side. Flip it for the more brooding, cinematic themes of 'Kyptonite' feat Crow, and the record's highlight 'Black Boy' easing off the punchy percussion for a more spiritual vibe with spoken words by their pat…
Jamal Moss aka Heiroglyphic Being presents The Electronic Belt, his second release for Alter, and perhaps his most dancefloor-oriented release. The EP is made up of three choice cuts from 2012's Man with the Red Drum transmission with each track bearing the signifiers of Jamal's rough and distinctive production; melodies twisting themselves into psychedelic wormholes, raw kicks and toms that hit hard and tight. Yellow vinyl edition in five different colored disco bags, mastered for vinyl by Step…
"Good old free music and the best one: never too wild but always outta sight. I liked it from the very beginning 'cos it's DIFFERENT & UNIQUE." EP/Sagittarius A-Star. Sabir Mateen - Tenor saxophone, Sirone - Bass, Andrew Barker - Drums. Recorded June 30, 2008 by Andrew Barker in Brooklyn, NYC. Cover painting by Karl Francke.
Forget what you know about the Seattle-area sound-art project Mamiffer and the Finnish hypno-rock institution Circle. Enharmonic Intervals (for Paschen Organ), the first in a proposed series of joint efforts involving these parties, contains few of the musical hallmarks you might associate with either performer. The comforts of austere piano sketches and solemn nocturnes are largely absent; the wallop of repetitive rhythms and metallic kitsch is nowhere to be found. It’s as if an unseen h…
An early and one of the most special Gnod recordings is out now on Aguirre. The Somnambulist's Tale consists of two sidelong adventurous pieces which are carried by an incredible loop. The haunting ambience in combination with electronics, distant guitar layers, conversations between the band members, a typewriter, and other sounds from found objects makes this quite an atypical Gnod release, but definitely a great one. Influenced by early Krautrock bands like Can, Hawkwind and Ash Ra Temple, G…
The album Living Theory Without Anecdotes confates Nicolas Wiese's acousmatic compositions from the years 2009-2011. There is a common thread: all four compositions are constructed out of samples from acoustic instrument and object recordings, and mostly have rather foating structures with slow crescendos and little disruptions. A significant element in Wiese's soundworks is the spatial layering - there is an architecture of foregrounds, backgrounds and diferent midgrounds that integrate …
Half High is Lucy Phelan and Matthew Hopkins, the duo at the centre of the group Naked On The Vague. In their musical lives the two members have explored the realms of rhythm/song based music in Four Door and Lucy's recently released solo outing under the name Lucy Cliche, as well as the complete outer bounds of music in Hopkin's solo work and as a member of The Bowels and Vincent Over The Sink. Whatever they're doing it's always quality stuff. ALWAYS. Half High create eerie, disorientating pass…
The album features two 23-minute halves that Fell describes as “almost live”. These tracks combine out-takes from his recent album ‘Multistability’, with bits he originally produced as part of a “quadraphonic piece” he performed live in Barcelona this year, which is called Supersimetria: New Languages In Computer Music.
‘Periodic Orbits Of A Dynamic System Related To A Knot’ was produced when Fell moved to a new home and studio, where he was limited to only internal speakers on his MacBook…