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Music for Earbuds is composed entirely from headphone feedback which makes some surprisingly organic (as well as electronic) sounds, Stephen Cornford writes to introduce his new CD. A collection of sounds stark and stubborn, as a listener you hit against their form, slide on their surfaces. These sounds so alien yet alluring call you to spend time with them, attend to them. They mark the edges of hearing and understanding. The edge here is the ear that hears as listening encounters nothing but i…
The third CD by the trio of Rex Casswell (electric guitar), Phillip Marks (percussion) and Paul Obermayer (samples), creating beautiful jagged, sharp edged textures propelled by some of their tightest, strangest, most powerful rhythmic designs yet. The third CD by the trio of Rex Casswell (electric guitar), Phillip Marks (percussion) and Paul Obermayer (samples). Bark! again take their group virtuosity to new areas, creating beautiful jagged, sharp edged textures propelled by some of their …
New split 12′ between two modular experimentalists stretching the world map for this split release. While Keith Fullerton Whitman comes with one of his more accessible / danceable piece to date, Floris Vanhoof had full reign to record a dark and hazy drone piece for the flipside. Using purely analog synths, both build very unique although complementary compositions. Keith Fullerton Whitman – you already know him – is an American electronic musician who has recorded albums influenced by many genr…
"1st time ever that two of the most legendary figures from the Turkish jazz scene (Okay & Ertunc) play/rec. together, so really an historic event ! classic pn trio + some more ethnic/otherworldly moments. special front cover artwork by Huseyin, who's an acclaimed painter (he designed also the old Intex front covers...), especially in his own country."Label press
"Compilation of truly great sorrowful American ballads recorded between 1927 and 1943. Songs mostly about murder, death, and broken hearted-ness. Lots of intense minor chords and stark gritty vocals. Artists include Emry Arthur, Bascom Lamar Lunsford, Red Hot Old Mose, the DeZurik Sisters, Shortbuckle O'Rourke and Family, Jimmie Tarlton, Mississippi John Hurt and more. Mountain bluesmen and songsters presenting their darkest & most intense work. Old school 'tip on' sleeves."
After the mind-erasing and shamanic Amaranthine released in January 2012, MIE is ecstatic to be working with Richard again on a true magnum opus of the Youngsian experimental catalogue. Regions of the Old School is an epic and proudly sprawling collection of instrumentals and songs. In a conceptual nod to the long out of print Festival, released in 1994 by Table of the Elements, it features five extended tracks scored for a diverse array of instruments with guest vocals by Madeleine Hynes and ad…
Sounding as current as any of the recent output from France's Ed Banger, Kitsune or Institubes labels, and on influential blueprint for the evolution of the French electronic music genre at large, the majority of the performers featured on B.I.P.P.P. never made it beyond limited DIY pressings of 500 or 1000 copies of 7" vinyl singles.
Minimal Wave presents a full length album by cult French band In Aeternam Vale. Having made over 200 recordings, I.A.V. were one of the most prolific bands of the French underground scene. Headed by Laurent Prot, the band released many cassettes all featuring his wonderful collage work. Their sound is extremely original, overflowing with character, and crossing between genres: electro, minimal, noise, and even garage. “With the passing of time, In Aeternam Vale’s work remains astonishingly power…
Pioneering electronic minimalist Taylor Deupree and revered Japanese composer Ryuichi Sakamoto collaborate properly for the first time with the willowy ambient beauty of 'Disappearance'. They previously crossed paths when Deupree remixed a song from Sakamoto's 'Chasm' album in 2006, and since then they've reached a mutual appreciation for the themes of 'Isolation, solitude, contemplation' which perfuse the delicate structures of 'Disappearance'. Its initial ideas were sketched out during rehears…
Stefan Jaworzyn, the legendary underground figure with Whitehouse and Skullflower on his CV, revives his Shock label - home to stacks of releases by Coil, NWW, Ramleh in the '90s - with a discombobulated analog assault on the weirdest dancefloors. Two sides unfurl a barrage of modular bleeps and mescaline flash electronics equally inspired by the linear hypnotism of minimal techno and free jazz aesthetics. A-side 'The Fucker' is driven by a a rugged breakbeat through bracing, atonal maelstrom of…
John Oswald (Plunderphonics) returns with two fourteen-minute-plus tracks of sliced and diced audio assemblage. Pre and post versions of Plexure out in 1993 on Avant, 'PrePlex' (1982 - 1992) and 'Plexure concentrate' (1992 - 2009). Here some feedbacks: 'Highly recommended. Imagine playing Ôname that tune' at 5 times the speed of your ears' ability to recognize familiar sounds. This composition, made up entirely of pop music samples, deserves five stars because of its meticulous organizatio…
Attila Faravelli and Nicola Martini are two of the most innovative italian artists working in the field between sound art, electro-acoustic music and raw resonanting materials.
This recordings, edited by Giuseppe Ielasi, are the result of a couple of years of real experiments with a crazy amount of different materials, stones, chemical acids, vibrating obojects, modified electronic devices and acoustic spaces.
Two new tracks from LA based duo Pedestrian Deposit. Side A is a little more noisy than last works, starting from jon's harsh-noise origins and the use of multiple layers of sound, they created a piece of musique concrète, near of what they did in Austere.Side B is dominated by shannon's cello and behind it, the sound of manipulated electronics and minimal textures to build the perfect background.
Jean-Marc Foussat (VCS 111, voice). Jean-François Pauvros (guitars). Makoto Sato (drums). They recorded this studio album a few years ago. Brillant and inspired, as always!
Expanding Erik Skodvin's extremely limited 2008 cassette edition Penpals Forever, this vinyl release remasters the original content and adds a whole extra side's worth of new material, all of which is exclusive to the LP. You wouldn't necessarily discern this straight away from the Deaf Center member's elusive and teasingly enigmatic music, but apparently 'Penpals Forever And Ever' is an "imaginary tale of a long dead baroque painter and his telekinetic correspondence with a flightless b…
Our Head Technician returns with the keenly awaited follow-up to his amazing 'Black Mill Tapes Volumes 1 & 2' as Pye Corner Audio, including the previously digital-only Volume 3 and the as-yet-unheard Volume 4. Lurking in the shadows between deep house, slow techno, Carpenter soundtracks and classic electronica, these sibling LPs transcend genres with hallucinatory, shape-shifting effect, trudging forth from the pastoral whimsy of the first volumes to a darker, less certain point on the horizon.…
The album features two 23-minute halves that Fell describes as “almost live”. These tracks combine out-takes from his recent album ‘Multistability’, with bits he originally produced as part of a “quadraphonic piece” he performed live in Barcelona this year, which is called Supersimetria: New Languages In Computer Music.
‘Periodic Orbits Of A Dynamic System Related To A Knot’ was produced when Fell moved to a new home and studio, where he was limited to only internal speakers on his MacBook…